Realisms of the Avant-Garde, Benedikt Hjartarson, David Ayers, Moritz Ba?ler, Sascha Bru, Ursula Frohne
Автор: Moritz Ba?ler, Benedikt Hjartarson, Ursula Frohne, David Ayers, Sascha Bru Название: Realisms of the Avant-Garde ISBN: 3110637022 ISBN-13(EAN): 9783110637021 Издательство: Walter de Gruyter Цена: 107790.00 T Наличие на складе: Нет в наличии. Описание:
The avant-garde and modernism take centre-stage within European academia today. The experimental literatures and arts in Europe between ca. 1850 and 1950, and their aftermath, figure prominently on curricula, while modernism and avant-garde studies have come to form distinct yet interlocking disciplines within the humanities in recent years. These disciplines take on various guises on the continent. Within French and German academia, "modernism" remains a term rather alien – "die Moderne" and "modernite" coming perhaps the closest to what is meant by "modernism" within the English context. Here, indeed, modernism has acquired a firm place in research, signaling above all a period in modern poetics and aesthetics, roughly between 1850 and 1950, during which a revolt against prevalent traditions in art, literature and culture took shape. Similarly, the term "avant-garde" comes with an array of often conflicting connotations. For some, the avant-garde marks the most radically experimental arts and literatures in modernism from the nineteenth century onward – the early twentieth-century vanguard movements of Futurism, Expressionism, Dada and Surrealism, among others, coinciding with the avant-garde's most "heroic" phase. For others, the avant-garde belongs to a cultural or conceptual order differing altogether from that of modernism – the vanguard exploits from the 1950s onward marking that avant-garde arts and literatures can also perfectly abide outside modernism.
European Avant-Garde and Modernism Studies
, far from aiming to reduce the complexity of various European research traditions, aspires to embrace the wide linguistic, terminological and methodological variety within both fields. Publishing an anthology of essays in English, French and German every two years, the series wishes to compare and relate French, German and British, but also Northern and Southern as well as Central and Eastern European findings in avant-garde and modernism studies. The series gathers the best and most thought-provoking recent research and devotes itself to the study of the European avant-garde and modernism throughout the nineteenth and twentieth centuries. European Avant-Garde and Modernism Studies promotes interdisciplinary and intermedial research on experimental aesthetics and poetics, and aims to encourage an interest in the cultural dimensions and contexts of the avant-garde and modernism in Europe. Essays accepted by the editorial board are subjected to blind peer-review by international experts.
Editors-in-chief
: Sascha Bru (Leuven University) and Peter Nicholls (New York University).
Editorial Board
: Jan Baetens (Leuven University), Hubert van den Berg (University of Groningen), Benedikt Hjartarson (University of Iceland) and Tania Orum (University of Copenhagen).
Advisory Board
: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literaturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Bielefeld University), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut d'Etudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).
Автор: Gale Matthew, Wan Katy Название: Magic Realism: Art in Weimar Germany 1919-33 ISBN: 184976588X ISBN-13(EAN): 9781849765886 Издательство: Tate Рейтинг: Цена: 16490.00 T Наличие на складе: Невозможна поставка. Описание: This elegant publication draws upon the German and Austrian paintings of the George Economou Collection to explore the vibrant art of magic realism. Featuring 75 illustrations, Magic Realism presents four thematic essays exploring some of the central concerns of Weimar culture.
Автор: Brunson Molly Название: Russian Realisms: Literature and Painting, 1840-1890 ISBN: 0875807380 ISBN-13(EAN): 9780875807386 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 55130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.
Название: International Business Realisms ISBN: 1137379073 ISBN-13(EAN): 9781137379078 Издательство: Springer Рейтинг: Цена: 55890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: International business is a complex and interdisciplinary field. It encompasses regular currency and political risks alongside fundamental uncertainties and variations in international development, collaboration, social values and shared objectives. As globalization expands our markets across national boundaries, institutional innovation and experimentation is essential for countries to brand their products globally and develop internationally acclaimed products. This book distills practical implications for effective international and domestic marketing.
Автор: Arindam Chakrabarti Название: Realisms Interlinked: Object, Subject and Other Subjects ISBN: 1350044466 ISBN-13(EAN): 9781350044463 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This book brings together over 25 years of Arindam Chakrabarti's original research in philosophy on issues of epistemology, metaphysics, and philosophy of mind.
Organized under the three basic concepts of a thing out there in the world, the self who perceives it, and other subjects or selves, his work revolves around a set of realism links. Examining connections between metaphysical stances toward the world, selves, and universals, Chakrabarti engages with classical Indian and modern Western philosophical approaches to a number of live topics including the refutation of idealism; the question of the definability of truth, and the possibility of truths existing unknown to anyone; the existence of non-conceptual perception; and our knowledge of other minds. He additionally makes forays into fundamental questions regarding death, darkness, absence, and nothingness.
Along with conceptual clarification and progress towards alternative solutions to these substantial philosophical problems, Chakrabarti demonstrates the advantage of doing philosophy in a cosmopolitan fashion. Beginning with an analysis of the concept of a thing, and ending with an analysis of the concept of nothing, Realisms Interlinked offers a preview of a future metaphysics, epistemology, and philosophy of mind without borders.
Автор: Dorothee Birke, Stella Butter Название: Realisms in Contemporary Culture: Theories, Politics, and Medial Configurations ISBN: 3110312921 ISBN-13(EAN): 9783110312928 Издательство: Walter de Gruyter Цена: 173490.00 T Наличие на складе: Невозможна поставка. Описание: ‘Realism’ is a pervasive term in discussions of contemporary developments in literature and film. By drawing on different theories of realism, the authors explore how the term may be used as a helpful concept in order to analyse and evaluate current trends in cultural production and, in turn, how cultural production changes our understanding of what counts as ‘realism’. The volume deals with media-specific and national traditions of realism, thereby offering a transdisciplinary engagement with forms and socio-political functions of ‘realism’ in contemporary culture.
Автор: Melissa Daniels-Rauterkus Название: Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel ISBN: 0807172626 ISBN-13(EAN): 9780807172629 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 40650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From the 1880s to the early 1900s, a particularly turbulent period of US race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. This book explores how writers experimented with innovative narrative strategies to revise stereotypical views of black identity and experience.
Автор: Slater, Heartley Название: Against the Realisms of the Age ISBN: 1138608084 ISBN-13(EAN): 9781138608085 Издательство: Taylor&Francis Рейтинг: Цена: 34700.00 T Наличие на складе: Невозможна поставка. Описание: First published in 1998,. Taking on Wittgensteinianism themes, but also using, or relying on several mathematical results, Slater in this book explores the idea of realism and further argues how in a philosophical viewpoint is incorrect. Slater also surveys various philosophers in the field of logic to argue against the idea of realism.
Monika Kaup pairs post-apocalyptic novels by Margaret Atwood, Jose Saramago, Octavia Butler and Cormac McCarthy with new realist theories from Bruno Latour, Humberto Maturana, Francisco Varela, Markus Gabriel, Jean-Luc Marion and Alphonso Lingis. She shows that, just as new realist theory can illuminate post-apocalyptic literature, post-apocalyptic literature can illuminate new theories of the real. Kaup showcases a context-based concept of the real. She argues that new realisms of complex and embedded wholes, actor-networks and ecologies - not the old realisms of isolated parts and things - represent the most promising escape from the impasses of constructivism and positivism.
Monika Kaup pairs post-apocalyptic novels by Margaret Atwood, Jose Saramago, Octavia Butler and Cormac McCarthy with new realist theories from Bruno Latour, Humberto Maturana, Francisco Varela, Markus Gabriel, Jean-Luc Marion and Alphonso Lingis. She shows that, just as new realist theory can illuminate post-apocalyptic literature, post-apocalyptic literature can illuminate new theories of the real. Kaup showcases a context-based concept of the real. She argues that new realisms of complex and embedded wholes, actor-networks and ecologies - not the old realisms of isolated parts and things - represent the most promising escape from the impasses of constructivism and positivism.
Автор: Baker Geoffrey Название: Realism`s Empire: Empiricism and Enchantment in the Nineteenth-Century Novel ISBN: 0814256104 ISBN-13(EAN): 9780814256107 Издательство: Неизвестно Рейтинг: Цена: 52350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: If realist novels are the literary avatars of secular science and rational progress, then why are so many canonical realist works organized around a fear of that progress? Realism is openly indebted, at the level of form and content, to imperialist and scientific advances. However, critical emphasis on this has obscured the extent to which major novelists of the period openly worried about the fate of mystery and the dissolution of tradition that accompanied science's shrinking of the world. Realism's modernization is inseparable from nostalgia. In Realism's Empire: Empiricism and Enchantment in the Nineteenth-Century Novel, Geoffrey Baker demonstrates that realist fiction's stance toward both progress and the foreign or supernatural is much more complex than established scholarship has assumed. The work of Honor de Balzac, Anthony Trollope, and Theodor Fontane explicitly laments the loss of mystery in the world due to increased knowledge and exploration. To counter this loss and to generate the complications required for narrative, these three authors import peripheral, usually colonial figures into the metropolitan centers they otherwise depict as disenchanted and rationalized: Paris, London, and Berlin. Baker's book examines the consequences of this duel for realist narrative and readers' understandings of its historical moment. In so doing, Baker shows Balzac, Trollope, and Fontane grappling with new realities that frustrate their inherited means of representation and oversee a significant shift in the development of the novel.
In The Atlantic Realists, intellectual historian Matthew Specter offers a new interpretation of realism, a prevalent stance in US foreign policy and public discourse since 1945, and the dominant theory in the postwar US discipline of international relations. This boldly revisionist narrative challenges the view of realism as a set of universally binding truths about international affairs, arguing instead that it developed through a dialogue between American and German intellectuals beginning in the late nineteenth century and unfolding throughout the twentieth. Specter uncovers an Atlantic realist tradition of reflection on the prerogatives of empire and the nature of power politics that developed through transatlantic exchanges conditioned by two world wars, the Holocaust, and the Cold War. His narrative focuses on key figures in the evolution of realist thought, including Carl Schmitt, authoritarian political theorist and Nazi jurist; Hans Morgenthau, German йmigrй and founding father of the US realist paradigm in the 1940s and 50s; and Wilhelm Grewe, lawyer for the Third Reich and leading West German diplomat. By tracing the development of the realist worldview over a century, Specter dismantles myths about the national interest, Realpolitik, and the art of statesmanship.
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