Автор: Leader, Michael Cunningham, Jake Название: Ghibliotheque Film Korea ISBN: 1802796339 ISBN-13(EAN): 9781802796339 Издательство: Carlton Books Рейтинг: Цена: 21120.00 T Наличие на складе: Есть Описание: Explore the magical, mysterious world of Korean cinema, in this new book from the authors of Ghibliotheque.
From smash hits such as Parasite to cult favourites Oldboy, The Handmaiden and Train to Busan, Korean cinema is a hotbed of creative talent and the force behind the most exciting, captivating filmmaking in the world right now.
In this essential guide to the country's cinematic story, Michael Leader and Jake Cunningham – authors and hosts of the hit podcast Ghibliotheque – guide you through the must-see films from a century of Korean movies.
Exploring 30 movies, from the breakout hits to deeper cuts, hidden gems and future classics, Film Korea is a gateway to everything you need to know about the white-hot world of Korean cinema. Combining reviews and director biographies with recommended further viewing and a catalogue of beautiful film stills and movie posters, this is your one-stop guide to an incredible, captivating artform.
Автор: Pollock Griselda Название: Concentrationary Cinema ISBN: 0857453513 ISBN-13(EAN): 9780857453518 Издательство: Berghahn Рейтинг: Цена: 85690.00 T Наличие на складе: Есть Описание:
Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais’s benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.
Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction offers the first comprehensive study of philosophical iconoclasm in cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds). Analysing the work of various filmmakers, the book considers iconoclastic gestures against the film image’s ability to mimetically represent contents on the verge of the invisible and the ineffable. This book demonstrates that the overlooked issue of iconoclasm in film is essential for understanding contemporary attitudes towards images and argues that cinematic iconoclasm can produce an ethics of (in)visibility by questioning the limits of our right to see and show something on a screen.
Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema.
Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture.
Название: Theorizing film through contemporary art ISBN: 946298946X ISBN-13(EAN): 9789462989467 Издательство: NBN International Рейтинг: Цена: 171770.00 T Наличие на складе: Нет в наличии. Описание: As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. How to read these reformulations of the cinematic medium - and their critique of what it is and has been? In Theorizing Cinema Through Contemporary Art: Expanding Cinema, leading film theorists consider artworks that incorporate, restage, and re-present cinema's configuration of the key categories of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, so interrogating the creation, appraisal, and evolution of film theory as channeled through contemporary art. This book takes film theory as a blueprint for the moving image, and juxtaposes it with artworks that render cinema as a material object. In the process, it unfolds a complex relationship between a theory and a practice that have commonly been seen as virtually incompatible, renewing our understanding of each and, more to the point, their interactions.
Автор: Jill Murphy, Laura Rascaroli Название: Theorizing Film Through Contemporary Art: Expanding Cinema ISBN: 9048542022 ISBN-13(EAN): 9789048542024 Издательство: Walter de Gruyter Рейтинг: Цена: 260340.00 T Наличие на складе: Нет в наличии.
Автор: Zepke Stephen Название: Towards an aesthetics of the future ISBN: 074866999X ISBN-13(EAN): 9780748669998 Издательство: Bloomsbury Academic Рейтинг: Цена: 73920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-Francois Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Ranciere and the recent Speculative Realism movement.
Автор: Thomas, Allan J. Название: Deleuze, cinema and the thought of the world ISBN: 1474432794 ISBN-13(EAN): 9781474432795 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Deleuze turns to the cinema because its formal resources enable it to `think` the relation between movement and duration in ways that philosophy cannot. Discover the nature of the philosophical problems that Deleuze turns to the cinema to resolve and how resources of the cinema enable him to do what philosophy alone cannot.
Автор: Laleen Jayamanne Название: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz ISBN: 9463726241 ISBN-13(EAN): 9789463726245 Издательство: NBN International Рейтинг: Цена: 140800.00 T Наличие на складе: Нет в наличии. Описание: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz explores the poetic thinking of these master filmmakers, expressed in several of their key films. It examines theoretical ideas, including Maori anthropology of the gift and Sufi philosophy of the image, to conceive film as abundant gift. Elaborating on how this gift may be received, this book imagines film as our indispensable mentor - a wild mentor who teaches us how to think with moving images by learning to perceive evanescent forms that simply appear and disappear.
Автор: Greg Hainge Название: Noise Matters: Towards an Ontology of Noise ISBN: 1441111484 ISBN-13(EAN): 9781441111487 Издательство: Bloomsbury Academic Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).
Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
Автор: Greg Hainge Название: Noise Matters: Towards an Ontology of Noise ISBN: 1441160469 ISBN-13(EAN): 9781441160461 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).
Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
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