A Kyrgyz cemetery seen from a distance is astonishing. The ornate domes and minarets, tightly clustered behind stone walls, seem at odds with this desolate mountain region. Islam, the prominent religion in the region since the twelfth century, discourages tombstones or decorative markers. However, elaborate Kyrgyz tombs combine earlier nomadic customs with Muslim architectural forms. After the territory was formally incorporated into the Russian Empire in 1876, enamel portraits for the deceased were attached to the Muslim monuments. Yet everything within the walls is overgrown with weeds, for it is not Kyrgyz tradition for the living to frequent the graves of the dead.
Architecturally unique, Kyrgyzstan’s dramatically sited cemeteries reveal the complex nature of the Kyrgyz people’s religious and cultural identities. Often said to have left behind few permanent monuments or books, the Kyrgyz people in fact left behind a magnificent legacy when they buried their dead.
Traveling in Kyrgyzstan, photographer Margaret Morton became captivated by the otherworldly grandeur of these cemeteries. Cities of the Dead: The Ancestral Cemeteries of Kyrgyzstan collects the photographs she made on several visits to the area and is an important contribution to the architectural and cultural record of this region.
Watch the book trailer: https://www.youtube.com/watch?v=haaOw6cx1yk
Автор: Barbara Baert Название: About Sieves and Sieving: Motif, Symbol, Technique, Paradigm ISBN: 3110606143 ISBN-13(EAN): 9783110606140 Издательство: Walter de Gruyter Цена: 32170.00 T Наличие на складе: Невозможна поставка. Описание: The sieve exhibits a wide-ranging symbolism that extends across art history, philosophy, anthropology, psychoanalysis, and gender studies. Barbara Baert looks at the sieve from an interdisciplinary perspective and from four different innovative methodological angles: as motif and symbol, as technique and as paradigm. The sieve as motif goes back to Roman stories the Vestal Virgins. In later times, their impermeable sieve, which - according to legend - they used to fetch water from the River Tiber, was iconographically transferred to Elisabeth I as a sign of her integrity. Furthermore, the long duree life of sieves as symbolic-technical utilitarian object is investigated: in examples from the Jewish folklore, the Berber culture, and ancient Egypt.
In his famous interpretation of Vincent Van Gogh's painting A Pair of Peasant's Shoes (1886), Heidegger argues that shoes tell us all we need to know about the world of the person who walks in them. In the case of Van Gogh's painting, we learn this not through a description of the pair of shoes, nor by a report on how to make shoes, but by looking at the shoes. Heidegger thus gestures towards the power of the visual arts to show us human truths through images of footwear and the feet they conceal or reveal, a power that finds its fullest expression in the cinema. From Chaplin's meal of boots (The Gold Rush, 1925), through Powell and Pressburger's Red Shoes (1948) and Dorothy's ruby slippers (The Wizard of Oz, 1939), to Julia Roberts' pvc thigh-highs (Pretty Woman, 1990), Marty McFly's power-lacing Nikes (Back to the Future, 1985) and the slim, spike-heeled stiletto that graces the poster for The Devil Wears Prada (2006), shoes are not only some of the cinema's most enduring icons; they also serve as characterisations, plot devices, soundtracks, metaphors and philosophical touchpoints. This book anaylses their significnace through a range of approaches drawn from the fields of Film Studies, Philosophy, Cultural History, Fashion, Cultural Studies and Politics.
Representation of Artificial Intelligence in the Arts, Vol. 1: Androids, Golems, and Prometheus addresses the way in which artificial intelligence, mechanical anthropoids, Golems, and similar types of robots are represented in contemporary culture. These can be seen both in literature and in the cinema. This book does not seek to define or contain what artificial intelligence is. Rather, it argues our own limitations limit the possibilities and potentials of artificial intelligence. Representation of Artificial Intelligence in the Arts, Vol. 1 makes it clear these imaginaries have more to do with what we are as a society and individuals than with the parameters that these creations actually have.
Автор: Vogel Название: The Chemistry of Light and Photography in their Application to Art, Science, and Industry ISBN: 1108026621 ISBN-13(EAN): 9781108026628 Издательство: Cambridge Academ Рейтинг: Цена: 24290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Written by one of the pioneers of colour photography, this book describes the history and science of photography with an emphasis on the practical processes involved and the latest developments. Hermann Vogel`s generously illustrated book was first published in 1875; this reissue is of the fourth edition of 1883.
Автор: Lawrence Название: The Scientific Photographer ISBN: 1107698588 ISBN-13(EAN): 9781107698581 Издательство: Cambridge Academ Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Originally published in 1941, this book seeks to inform the scientific community of the possible uses of photography in research or teaching. Lawrence gives an account of the possibilities and limitations of the medium for the scientific reader as well as for the `serious amateur`.
Автор: Hunter Matthew C. Название: Painting with Fire: Sir Joshua Reynolds, Photography, and the Temporally Evolving Chemical Object ISBN: 022639025X ISBN-13(EAN): 9780226390253 Издательство: Wiley Рейтинг: Цена: 46470.00 T Наличие на складе: Невозможна поставка. Описание: Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century--and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain's Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds's unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography.
Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds's replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Автор: Winters Dan Название: The Grey Ghost: New York City Photographs ISBN: 1681980835 ISBN-13(EAN): 9781681980836 Издательство: Неизвестно Рейтинг: Цена: 45930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In The Grey Ghost: New York City Photographs, Dan Winters turns his eye to New York City, collecting nearly 100 black-and-white images he created there in the years after moving to New York from California in 1987 at the age of 25. A highly personal collection, The Grey Ghost reveals an artist finding his voice, discovering "that elusive method that informs the manner in which we perceive and interpret our surroundings."
In these photographs--featuring icons of New York City such as the Statue of Liberty and the Empire State Building, as well as everyday moments captured on the street--we find Winters presenting us with the seemingly ordinary and commonplace in a way that captivates us and makes us look much more closely.
As Winters writes, New York "has acted as a proving ground and a rite of passage for countless photographers," beginning with Alfred Stieglitz and Paul Strand. The majority of the images in The Grey Ghost were created between 1987 and 1990, but the book also includes images created as recently as 2016. For those interested in street photography, New York City, black-and-white imagery, or the earlier work of one of today's most compelling photographers, The Grey Ghost is a must-have addition to your photo book collection.
As the definitive resource on the architectural history of New York City, The Landmarks of New York documents and illustrates the 1,352 individual landmarks and 135 historic districts that have been accorded landmark status by the New York City Landmarks Preservation Commission since its establishment in 1965. Arranged chronologically by date of construction, the book offers a sequential overview of the city’s architectural history and richness, presenting a broad range of styles and building types: colonial farmhouses, Gilded Age mansions, churches, schools, libraries, museums, and the great twentieth-century skyscrapers that are recognized throughout the world. That so many of these structures have endured is due, in large measure, to the efforts of the New York City Landmarks Preservation Commission and hundreds of private sector preservation organizations, large and small. Since the commission was established, New York City has become the leader of the preservation movement in the United States, with more buildings and districts designated and protected than in any other city. The Landmarks of New York includes such iconic structures as Grand Central Station, the Chrysler Building, the Metropolitan Museum of Art, and Carnegie Hall, as well as those that may be less well known but are of significant historical and architectural value: the Pieter Claesen Wyckoff House in Brooklyn, the oldest structure in New York City; the Bowne House in Queens, the birthplace of American religious freedom; the Watchtower in Marcus Garvey Park in Harlem; the New York Botanical Garden in The Bronx; and Sailors Snug Harbor on Staten Island. The sixth edition adds 106 new individual landmarks, two special addenda on the hotly-contested “back-log” and resultant 30 pending designations, over 150 new photographs, and new historic district maps.
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