Somaesthetic Experience and the Viewer in Medicean Florence: Renaissance Art and Political Persuasion, 1459-1580 9789463722216

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Автор: Allie Terry-Fritsch
Название: Somaesthetic Experience and the Viewer in Medicean Florence: Renaissance Art and Political Persuasion, 1459-1580
ISBN: 9789463722216
Издательство: NBN International
Классификация:

История художественных и оформительских стилей: с 1400 по 1600 г.

История Европы

Социальная история и история культуры

Философия: Логика

Социальная, групповая или коллективная психология

ISBN-10: 9463722211
Обложка/Формат: Hardcover
Страницы: 312
Вес: 0.90 кг.
Дата издания: 01.10.2020
Серия: Visual and material culture, 1300-1700
Язык: English
Иллюстрации: 22 illustrations, color; 86 illustrations, black and white
Размер: 177 x 246 x 22
Читательская аудитория: Professional and scholarly
Ключевые слова: European history,History of art & design styles: c 1400 to c 1600,Philosophy: aesthetics,Social & cultural history,Social, group or collective psychology, ART / History / Renaissance,HISTORY / Renaissance,HISTORY / Social History,PHILOSOPHY / Aesthetics,P
Подзаголовок: Renaissance art and political persuasion, 1459-1580
Рейтинг:
Поставляется из: Англии
Описание: Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetics. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound themselves to others. By investigating the framework and practice of somaesthetic experience of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.

Somaesthetic Experience and the Viewer in Medicean Florence: Renaissance Art and Political Persuasion, 1459-1580, Allie Terry-Fritsch