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Passover Haggadah, Goldberg Nathan


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Цена: 18380.00T
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Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
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При оформлении заказа до: 2025-08-02
Ориентировочная дата поставки: конец Сентября - начало Октября
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Автор: Goldberg Nathan
Название:  Passover Haggadah
ISBN: 9781034612629
Издательство: Blurb
Классификация:


ISBN-10: 103461262X
Обложка/Формат: Paperback
Страницы: 102
Вес: 0.22 кг.
Дата издания: 14.03.2021
Язык: English
Размер: 25.40 x 20.32 x 0.53 cm
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: США
Описание: The definitive and most recognizable Haggadah in English. This has become the standard for most synagogues, schools, and homes. Rabbi Nathan Goldbergs Passover Haggadah comes with an accessible English translation, clear instructions, and numbered lines so everyone can follow along in Hebrew or in English.

Passover Haggadah

Автор: Goldberg Nathan
Название: Passover Haggadah
ISBN: 1607965534 ISBN-13(EAN): 9781607965534
Издательство: Неизвестно
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Цена: 11950.00 T
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Joseph Goldberg: Jeweled Earth

Автор: Nathan Kernan, Regina Hackett
Название: Joseph Goldberg: Jeweled Earth
ISBN: 0295987677 ISBN-13(EAN): 9780295987675
Издательство: Wiley EDC
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Цена: 27450.00 T
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Описание:

For nearly four decades, Joseph Goldberg has produced paintings of great intelligence and sumptuous beauty. Raised near Spokane, Washington, he returned to live and work in the open, semi-arid spaces of eastern Washington after building a Seattle reputation as an abstract artist working with geometric shapes in the unusual technique of encaustic painting.

In the late 1960s and early 1970s, Goldberg's paintings were deceptively simple arrangements of geometric motifs in watercolor on paper or oil on linen. By the mid-1970s, he began to make paintings of a more complex nature, sometimes in nonrectangular forms, but still expressing a reductive sensibility. By the early 1980s, Goldberg had fully embraced his signature medium of encaustic-a demanding and difficult method of fusing intense colors of dry pigments with layers of wax, fired by heat into a lustrous surface. The paintings of the 1980s pursued a variety of motifs abstracted from architecture and landscape, including a series of irregular, banner-like works of shapes within similar shapes. At the same time, Goldberg was producing paintings and drawings of the highly varied Washington landscape and of his travels through the Southwest and Europe. As his work progressed through the 1990s, this expansive vision of the natural world embraced an increasingly larger scope of imagery.

Goldberg's development as an artist has been enriched by his travels through ancient Roman ruins and the Greek revival manors of rural Sussex, England, as well as by his studies of Hopi, Anasazi, Navajo, and Zuni civilizations. This history emerges in the form of representational architectural details, landscape impressions, and cultural references. His more recent work is focused on Eastern Washington and its landscape of dramatic gorges, prominent ridges, and desolate fields of sage and sand. The paintings since 2000 have often returned to the severity of his earliest work, now filtered through the artist's keen sense of the art that came before him and of the grandeur of nature surrounding him. Whether painting the space between stars in the dark skies of Eastern Washington or the expansive white ground between rural detritus abandoned at the edges of a snow-covered field, Goldberg has imbued his paintings with mystery and meaning.

An essay by New York-based poet Nathan Kernan examines Goldberg's oeuvre and explores the role of poetry in the artist's life and work. In her interview with Goldberg, Seattle Post-Intelligencer critic Regina Hackett considers more personal aspects of the artist's life.

A Thomas T. Wilson Book



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