Jews in Popular Visual Entertainment: Raced, Sexed, and Erased, Siegel Carol

Автор: Siegel Carol
Название: Jews in Popular Visual Entertainment: Raced, Sexed, and Erased
ISBN: 0253060230 ISBN-13(EAN): 9780253060235
Издательство: Mare Nostrum (Eurospan)
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Цена: 20900.00 T
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Описание:

What are the consequences of how Jews are depicted in movies and television series? Drawing on a host of movies and television series from the 1970s to present day, Jews in Contemporary Visual Entertainment explores how the media sexualize and racialize American Jews. Race and sexuality frequently intersect in the depiction of Jewish characters in such shows as The Marvelous Mrs. Maisel, UnREAL, The Expanse, and Breaking Bad, and in films such as Hester Street, Once Upon a Time in America, Casino, Radio Days, Inglourious Basterds, and Barton Fink. When they do, American sexual norms are invariably challenged or outright broken by these anti-Semitic representations of Jewishness.

Insightful and provocative, Jews in Contemporary Visual Entertainment disturbingly reveals the far-reaching influence of popular visual media in shaping how American Jews are perceived today.

Автор: Hugues Micol, Loo Hui Phang
Название: ERASED: A Black Actor`s Journey Through the Glory Days of Hollywood
ISBN: 168112338X ISBN-13(EAN): 9781681123387
Издательство: Mare Nostrum (Eurospan)
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Цена: 23100.00 T
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Описание: Maximus Wyld had his heyday in 1940s-50s Hollywood. Of mixed race black, Chinese and Amerindian descent, he was ""the actor with a thousand faces”, essentially interpreting ethnic roles: Indian chief, Mexican revolutionary, oriental dandy...A veritable reinterpretation of the myth of American cinema through the prism of minorities, Erased reveals the political and social dimension of Hollywood productions.

Автор: Gwendolyn Audrey Foster
Название: Disruptive Feminisms
ISBN: 1137597674 ISBN-13(EAN): 9781137597670
Издательство: Springer
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Цена: 53100.00 T
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Описание: Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia.