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Disability and Music Performance, Tйllez Vargas Alejandro Alberto


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Автор: Tйllez Vargas Alejandro Alberto
Название:  Disability and Music Performance
ISBN: 9780367590055
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0367590050
Обложка/Формат: Paperback
Страницы: 182
Вес: 0.31 кг.
Дата издания: 14.08.2020
Серия: Interdisciplinary disability studies
Язык: English
Размер: 23.39 x 15.60 x 1.07 cm
Читательская аудитория: Undergraduate
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This book provides a reading of the performing aspects of classical music in the context of the disabled body, conceptualising disability in music as valuable difference and diversity rather than as a deficit and an endpoint.

Goze: Women, Musical Performance, and Visual Disability in Traditional Japan

Автор: Groemer Gerald
Название: Goze: Women, Musical Performance, and Visual Disability in Traditional Japan
ISBN: 0190259043 ISBN-13(EAN): 9780190259044
Издательство: Oxford Academ
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Цена: 39060.00 T
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Описание: In a tradition extending from the medieval era up through the middle of the 19th century, visually disabled Japanese women known as Goze would tour the Japanese countryside as professional singers, contributing to the vitality of rural musical culture.

Acts of Conspicuous Compassion: Performance Culture and American Charity Practices

Автор: Sheila C. Moeschen
Название: Acts of Conspicuous Compassion: Performance Culture and American Charity Practices
ISBN: 0472036556 ISBN-13(EAN): 9780472036554
Издательство: Mare Nostrum (Eurospan)
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Цена: 25870.00 T
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Описание: Investigates the relationship between performance culture and the cultivation of charitable sentiment in America, exploring the distinctive practices that have evolved to make the plea for charity legible and compelling.

Youth with Disabilities: Their Perceptions, Expectations & Academic Performance

Автор: Michael Appleby, Joseph Stocker
Название: Youth with Disabilities: Their Perceptions, Expectations & Academic Performance
ISBN: 1619421283 ISBN-13(EAN): 9781619421288
Издательство: Nova Science
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Цена: 261880.00 T
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Описание: The National Longitudinal Transition Study-2 (NLTS2), was initiated in 2001 to provide a national picture of the characteristics and experiences of youth with disabilities, including their self-representations of themselves, their schooling, their personal relationships, and their hopes for the future. This book presents findings drawn from the first time data was collected directly from youth on these topics; they were ages 15 through 19 at the time (2003). The large majority of information reported comes from responses of youth with disabilities either to a telephone interview or to a self-administered mail survey, which contained a subset of key items from the telephone interview.

Blindness Through the Looking Glass: The Performance of Blindness, Gender, and the Sensory Body

Автор: Hammer Gili
Название: Blindness Through the Looking Glass: The Performance of Blindness, Gender, and the Sensory Body
ISBN: 0472054287 ISBN-13(EAN): 9780472054282
Издательство: Mare Nostrum (Eurospan)
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Цена: 29570.00 T
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Описание: Examines how gender and femininity are performed and experienced in everyday life by women who do not rely on sight as their dominant mode of perception, identifying the multiple senses involved in the formation of gender identity within social interactions.

Disability Culture and Community Performance

Автор: Kuppers Petra
Название: Disability Culture and Community Performance
ISBN: 1137319925 ISBN-13(EAN): 9781137319920
Издательство: Springer
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Цена: 51230.00 T
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Описание: Performances in hospices and on beaches; cross-cultural myth making in Wales, New Zealand and the US; communal poetry among mental health system survivors: this book, now in paperback, presents a senior practitioner/critic`s exploration of arts-based research processes sustained over more than a decade - a subtle engagement with disability culture.

Disability, Public Space Performance and Spectatorship

Автор: Hadley Bree
Название: Disability, Public Space Performance and Spectatorship
ISBN: 1137396075 ISBN-13(EAN): 9781137396075
Издательство: Springer
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Цена: 71730.00 T
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Описание: In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.

Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba

Автор: Bodenheimer Rebecca M.
Название: Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba
ISBN: 1628462396 ISBN-13(EAN): 9781628462395
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
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Описание: A study of how notions of place and race inform the identities and performances of musicians in contemporary Cuba Derived from the nationalist writings of Jos Mart , the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making. REBECCA M. BODENHEIMER, Oakland, California, is an ethnomusicologist who has conducted research in Cuba since 2004, examining the contemporary performance practices of rumba and a range of other Afro-Cuban folkloric and popular musical styles in the cities of Havana, Matanzas, and Santiago. Her work has appeared in Black Music Research Journal, Musical Quarterly, Ethnomusicology, and Latin American Music Review.

Assessment in Rehabilitation and Mental Health Counseling

Название: Assessment in Rehabilitation and Mental Health Counseling
ISBN: 0826162428 ISBN-13(EAN): 9780826162427
Издательство: Mare Nostrum (Eurospan)
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Цена: 79420.00 T
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Описание: This graduate-level text on rehabilitation and mental health counseling disseminates foundational knowledge of assessment principles and processes with a focus on clinical application. Chapters - written by leading practitioners with specialized knowledge - focus on specific populations and service delivery settings.

Schubert`s Late Music

Автор: Byrne Bodley
Название: Schubert`s Late Music
ISBN: 1107111293 ISBN-13(EAN): 9781107111295
Издательство: Cambridge Academ
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Цена: 126720.00 T
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Описание: This overview of current issues in Schubert studies captures the interdisciplinary diversity of contemporary scholarship on the composer`s late works. Contributions offer a revised exploration of Schubert`s compositional style including a close examination of the topical issue of `late` style.

Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba

Автор: Bodenheimer Rebecca M.
Название: Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba
ISBN: 1496813154 ISBN-13(EAN): 9781496813152
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Derived from the nationalist writings of Jose Marti, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities.

This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making.


Music and Performance Culture in Nineteenth-Century Britain

Название: Music and Performance Culture in Nineteenth-Century Britain
ISBN: 1138253782 ISBN-13(EAN): 9781138253780
Издательство: Taylor&Francis
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Цена: 54090.00 T
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Описание: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Music, Performance, and the Realities of Film

Автор: Winters
Название: Music, Performance, and the Realities of Film
ISBN: 1138630497 ISBN-13(EAN): 9781138630499
Издательство: Taylor&Francis
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Цена: 51030.00 T
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Описание: This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating these scenes, wherein the performance of music is foregrounded in the narrative, Winters uncovers how concert performance reflexively articulates music's importance to the ontology of film. The book asserts that narrative film of a variety of aesthetic approaches and traditions is no mere copy of everyday reality, but constitutes its own filmic reality, and that the music heard in a film's underscore plays an important role in distinguishing film reality from the everyday. As a result, concert scenes are examined as sites for provocative interactions between these two realities, in which real-world musicians appear in fictional narratives, and an audience’s suspension of disbelief is problematised. In blurring the musical experiences of onscreen observers and participants, these concert scenes also allegorize music’s role in creating a shared subjectivity between film audience and character, and prompt Winters to propose a radically new vision of music’s role in narrative cinema wherein musical underscore becomes part of a shared audio-visual space that may be just as accessible to the characters as the music they encounter in scenes of concert performance.


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