Автор: Tarkovsky, Andrei, Jr. Название: Sculpting in Time : Reflections on the Cinema ISBN: 0292776241 ISBN-13(EAN): 9780292776241 Издательство: ORCA BOOK SERVICES Рейтинг: Цена: 34490.00 T Наличие на складе: Поставка под заказ. Описание: Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.
Автор: Tarkovsky, Arseny Название: Life, life ISBN: 186171114X ISBN-13(EAN): 9781861711144 Издательство: Неизвестно Рейтинг: Цена: 13790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Arseny Tarkovsky is the neglected Russian poet, father of the acclaimed film director Andrei Tarkovsky. This new book gathers together many of Tarkovsky`s most lyrical and heartfelt poems, in Rounding`s clear, new translations. Many of Tarkovsky`s poems appeared in his son`s films, such as Mirror, Stalker, Nostalghia and The Sacrifice. There is an introduction by Rounding, and a bibliography of both Arseny and Andrei Tarkovsky.
Автор: Tarkovsky, Arseny Название: Life, life ISBN: 1861717458 ISBN-13(EAN): 9781861717450 Издательство: Неизвестно Рейтинг: Цена: 22050.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Bird, Robert Название: Andrei tarkovsky ISBN: 1861893426 ISBN-13(EAN): 9781861893420 Издательство: Неизвестно Рейтинг: Цена: 29850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia`s novelists and composers. This book offers a comprehensive account of Tarkovsky`s entire film output. It examines Tarkovsky`s films elementally, grouping them into four sections: Water, Fire, Earth, and Air.
Автор: McSweeney, Terence (Author) Название: Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky ISBN: 9963221408 ISBN-13(EAN): 9789963221400 Издательство: Неизвестно Рейтинг: Цена: 27770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky is a vibrant and critically informed exploration of one of the giants of twentieth century film. Despite Tarkovsky's almost canonized position in the pantheon of great directors and his substantial influence on European Art Cinema, writings on him are surprisingly scarce. Compared to his peers like Ingmar Bergman, who described Tarkovsky as "the greatest, the one who invented a new language," or Akira Kurosawa, who once said about Tarkovsky, "Probably there is no equal among film directors alive", there are considerably fewer book length academic studies of his films. However, in just seven completed feature films, two of which were made in exile, Tarkovsky managed to create one of the most cohesive and compelling bodies of work in the history of cinema. Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky is an academic yet accessible engagement with not only Tarkovsky's films but also his often neglected film theory. It features chapters on each of his films from his remarkable debut Ivan's Childhood (1962), through his defining works Solaris (1972), Mirror (1975) and Stalker (1979) before turning to his two films in exile, Nostalghia (1983) and The Sacrifice (1986). It examines and interrogates a range of issues growing in currency in contemporary film theory which are revealed also to be the cornerstones of Tarkovsky's oeuvre, from studies of memory and experience, to representations of autobiography and time. The project explores Tarkovsky's place in film history and theory, revealing him to be both a director and a theorist sui generis.
Автор: Поиск Название: Andrei Tarkovsky: Pocket Guide ISBN: 1861713835 ISBN-13(EAN): 9781861713834 Издательство: Неизвестно Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: ANDREI TARKOVSKY: POCKET GUIDE
A new pocket guide to Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. This book explores every aspect of Andrei Tarkovsky's output, including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions. Fully illustrated.
Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences.
As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies.
No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. If you judge Andrei Roublyov in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The Sacrifice and Nostalghia are among the finest in cinema, the equals of the best of Ingmar Bergman, Luis Bunuel, Robert Bresson and Carl-Theodor Dreyer.
The text for this new edition has been updated and revised.
Includes illustrations, bibliography and notes. ISBN 978186171834.
www.crmoon.com
Автор: Boyadzhieva, Lyudmila (Author) Название: Andrei Tarkovsky: Life on the Cross ISBN: 1782671021 ISBN-13(EAN): 9781782671022 Издательство: Неизвестно Рейтинг: Цена: 37270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel Andrei Tarkovsy: A Life on the Cross provides a unique insight into the life of the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself. Featuring profound comments on history and cinema as an accompaniment to the text, Andrei Tarkovsy: A Life on the Cross enables readers to step into Tarkovsky s shoes as he put together his masterpieces, seeking ways to solve his artistic dilemmas and overcome the obstacles that the Soviet regime put in his way.
Автор: Robinson, Jeremy M Название: Sacred cinema of andrei tarkovsky ISBN: 1861710283 ISBN-13(EAN): 9781861710284 Издательство: Неизвестно Рейтинг: Цена: 24630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: THE SACRED CINEMA OF ANDREI TARKOVSKY
A major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions.
This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky's work available.
Contains 150 illustrations, of Tarkovsky's films, Tarkovsky at work, his contemporaries, and his favourite painters.
Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences.
As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies.
No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. If you judge Andrei Roublyov in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The Sacrifice and Nostalghia are among the finest in cinema, the equals of the best of Ingmar Bergman, Luis Bunuel, Robert Bresson and Carl-Theodor Dreyer.
Автор: Robinson, Jeremy Mark Название: Sacred cinema of andrei tarkovsky ISBN: 1861712332 ISBN-13(EAN): 9781861712332 Издательство: Неизвестно Рейтинг: Цена: 64970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: THE SACRED CINEMA OF ANDREI TARKOVSKY
A major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions.
This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky's work available.
Contains 150 illustrations, of Tarkovsky's films, Tarkovsky at work, his contemporaries, and his favourite painters.
Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences.
As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies.
No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. If you judge Andrei Roublyov in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The Sacrifice and Nostalghia are among the finest in cinema, the equals of the best of Ingmar Bergman, Luis Bunuel, Robert Bresson and Carl-Theodor Dreyer.
Название: Andrei tarkovsky ISBN: 1578062209 ISBN-13(EAN): 9781578062201 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 24280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Andrei Tarkovsky (1932-86) was considered by many to be one of Russia`s most influential filmmakers, despite an output of only 7 feature films in 20 years. This book presents a collection of Andrei`s candid and articulate interviews, spanning the length of his career, exploring his aesthetic ideology and his self-exile from his Russian homeland.
Автор: Tarkovsky Andrei Название: Collected Screenplays ISBN: 0571142664 ISBN-13(EAN): 9780571142668 Издательство: Faber Рейтинг: Цена: 26400.00 T Наличие на складе: Нет в наличии. Описание: Since his death in 1986, Andrei Tarkovsky has become increasingly recognized as one of the great masters of world cinema. The book also contains an extended essay by film critic and historian Ian Christie, who places Tarkovsky`s work in the context of Soviet film-making practice.
Автор: Johnson, Vida T (Author), Petrie, Graham (Author) Название: The Films of Andrei Tarkovsky: A Visual Fugue ISBN: 0253208874 ISBN-13(EAN): 9780253208873 Издательство: Wiley EDC Рейтинг: Цена: 27450.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: "Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review "This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.
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