The lively, informative and incisive collection of essays sheds fascinating new light on the literary interrelations between Ireland, Hungary, Poland, Romania, and the Czech Republic. It charts a hitherto under-explored history of the reception of modern Irish culture in Central and Eastern Europe and also investigates how key authors have been translated, performed, and adapted. The work of Jonathan Swift, John Millington Synge, Flann O'Brien, Samuel Beckett, Brian Friel, Seamus Heaney, Derek Mahon and Martin McDonagh, it is indicated, has particularly inspired writers, directors, and translators. The searching analyses presented here illuminatingly reflect on the far-reaching political and social import of multicultural exchange. It is shown to be a process that is at best mutually defining and that raises questions about received forms of identity, the semiotics of genre and the possibilities and limits of linguistic translation. In addition, the histories compiled here of critical commentary on Irish literature in Hungary or of the staging of contemporary Irish plays in Hungary and in the Czech Republic, for example, uncover the haphazardness of intercultural exchange and the extent to which it is vulnerable to political ideology, social fashion, and the vagaries of state funding. The revealing explorations undertaken in this volume of a wide array of Irish dramatic and literary texts, ranging from Gulliver's Travels to Translations and ThePillowman, tease out the subtly altered nuances that they acquire in a Central European context. By the same token, it is demonstrated that Ireland has been changed by the recent migration of workers from Eastern Europe and that consequently projections of the figure of the emigrant or asylum seeker in current drama warrant scrutiny. This original and combative collection demonstrates, not only that literary exchange between Hungary, Poland, Romania, the Czech Republic, and Ireland has been prolonged, multifaceted and, above all, enriching, but also that it exposes blind-spots, and forces confrontation with issues of racism, failure of empathy and cultural misprision.
Автор: Laurens Waelkens Название: Amne adverso. Roman legal heritage in European culture ISBN: 9462700540 ISBN-13(EAN): 9789462700543 Издательство: NBN International Рейтинг: Цена: 53510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Throughout its history, Europe has been influenced by Roman culture, which had a strong sense of society and was highly legal-minded. Hence, Roman law is of major importance in European thinking. It was the first subject to be taught at European universities and it remains tightly interwoven with all layers of European civilization. In Amne adverso, Laurent Waelkens provides an introduction to the history of Roman law and its institutions, as they developed from antiquity until the nineteenth century. Concepts such as fundamental rights and freedoms, lawsuits, family law, rights in rem, and obligations have their origins in classical antiquity and were developed further throughout European history. Waelkens treats Roman legal heritage from the perspective of comparative legal history.
Автор: Miriam Haughton, Maria Kurdi Название: Irish Theatre International Vol. 3 No.1 Autumn 2014 ISBN: 1788748158 ISBN-13(EAN): 9781788748155 Издательство: Peter Lang Рейтинг: Цена: 19410.00 T Наличие на складе: Невозможна поставка. Описание: Articles: «The Cries of Pagan Desperation»: Synge, Riders to the Sea and the Discontents of Historical Time by Christopher Collins; Scenographic Interactions: 1950s Ireland and Dublin's Pike Theatre by Siobhan O'Gorman; Uneasy Bedfellows: Culture, Commerce and the Rise of the «Production Hub» Paradigm in Irish Theatre by Lisa Fitzgerald; Respond or Else: Conor MacPherson's The Weir at the Donmar Warehouse by Eamonn Jordan; Gay Masculinities in Performance: Towards a Queer Dramaturgy by Cormac O'Brien; Perform, or Else! Reflections from an Irish theatre maker by Neil Watkins.
A thorough work of contemporary history and a distillation of the complex web of the Iranian Kurdish political world, this biography of Kurdish leader Abdul Rahman Ghassemlou depicts the character and passionate action of one of the twentieth century’s most exceptional and democratic leaders of a national movement.
Carol Prunhuber, who knew Ghassemlou from the early 1980s, shows us the many facets of a humanist leader of magnitude and worldwide scope. From revolution that toppled the Shah to the dark and treacherous alleys of the Cold War, Dreaming Kurdistan revives the Kurdish leader’s fated path to assassination in Vienna. We know how, why, and who murdered Ghassemlou—and we stand witness to Austria’s raison d’?tat, the business interests that put a lid on the investigation, and the response of silent indifference from the international community.
Professor of economics in Prague, bon vivant in Paris, clandestine freedom fighter in the Kurdish mountains, stalked by the Shah’s secret police, Ghassemlou is ultimately assassinated by the hit men of Ayatollah Khomeini’s Islamic Republic. Prunhuber takes us, through a murky world of equivocal liaisons, complicities, treachery, and undisguised threats, from Tehran to Vienna.
While the Islamic Republic of Iran continues to perturb and defy the West, Dreaming Kurdistan is essential for an understanding of Iran and the Kurds’ longing for freedom and democracy.
Автор: Csilla Bertha, Donald E. Morse, Maria Kurdi Название: Brian Friel`s Dramatic Artistry: `The Work has Value` ISBN: 1788749464 ISBN-13(EAN): 9781788749466 Издательство: Peter Lang Рейтинг: Цена: 38110.00 T Наличие на складе: Невозможна поставка. Описание:
Brian Friel's Dramatic Artistry makes an important contribution to our understanding of the work of Ireland's greatest living playwright. The fifteen essays collected here provide us with new perspectives on Friel's most familiar works, such as?Translations, Faith Healer, and Dancing at Lughnasa. They remind us of the importance of neglected works like The Gentle Island and Volunteers. And, perhaps most importantly, they give much needed attention to his most recent dramas, such as Give Me Your Answer, Do! and Performances. The editors have gathered together a refreshingly broad range of voices for this collection: we encounter new work from some of the leading English-speaking authorities on Friel's work, while also enjoying fascinating essays from scholars working in Germany, Italy, Portugal, and Hungary. Accessible, authoritative, and informative, this book will deepen our knowledge - and, crucially, our enjoyment - of Friel's oeuvre.?
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