Sometimes I Sneeze When I Pee: Funny Gift for 50 Year Old Man or Woman, Price Pansy D.

Автор: Economy Michael
Название: Pansy Beat
ISBN: 0692953094 ISBN-13(EAN): 9780692953099
Издательство: Неизвестно
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Цена: 31680.00 T
Наличие на складе: Невозможна поставка.
Описание:

An exuberant chronicle of downtown Manhattan's gay goings-on." -Alex Jovanovich, Bookforum

Pansy Beat was a short-lived fanzine published by Michael Economy in New York from 1989 to 1990, totaling five quarterly issues. Each issue's 50-some black-and-white pages documented the exuberant downtown gay and drag club scene of that era and included one free condom. The zine offered a glimpse into an exhilarating alternative universe during the darkest years of the AIDS crisis. Interviews profiled downtown personalities on the verge of global stardom, many still working to this day. Artists such as Lady Bunny, Billy Erb, Connie Fleming, Kenny Kenny, Lady Miss Kier and Larry Tee first shared their memorable selves in print on the pages of Pansy Beat. The zine also featured interviews with Edwige Belmore, Leigh Bowery and Quentin Crisp. This book celebrates Pansy Beat's brief but influential life, including a reprinting of all five issues in their original format, previously unseen photographs by staff photographer Michael Fazakerley, new full-color artwork by some of the original contributors, plus new essays and interviews. Book design by Jan Wandrag.

Автор: Duncan, Pansy (massey University, Albany, New Zealand)
Название: Emotional life of postmodern film
ISBN: 1138597910 ISBN-13(EAN): 9781138597914
Издательство: Taylor&Francis
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Цена: 46950.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.