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Coam ellen emmet rand, Boylan Alexis L


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Автор: Boylan Alexis L
Название:  Coam ellen emmet rand
ISBN: 9781350189935
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1350189936
Обложка/Формат: Hardback
Страницы: 216
Вес: 0.47 кг.
Дата издания: 26.11.2020
Серия: Contextualizing art markets
Язык: English
Иллюстрации: 40 bw illus
Размер: 161 x 239 x 24
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Art: financial aspects,History of art & design styles: from c 1900 -,Individual artists, art monographs, ART / History / Modern (late 19th Century to 1945),ART / Individual Artists / Monographs
Подзаголовок: Gender, art, and business
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Поставляется из: Англии
Описание: Ellen Emmet Rand (1875-1941) was one of the most important and prolific portraitists in the United States in the first decades of the twentieth century. She negotiated her career, reputation, family, and finances in modern and commercially savvy ways-revealing the complex negotiations needed to balance these competing pressures. Engaging with newly available archival documents and featuring scholars with radically different approaches to visual culture, this edited collection not only seeks to interrogate the meaning of Rands portraits and her career, but indeed to rethink gender, art, race, business, and modernism in the twentieth century.

Coam pioneers of the global art mar

Автор: Force Christel H
Название: Coam pioneers of the global art mar
ISBN: 1501342762 ISBN-13(EAN): 9781501342769
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: By the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city's galleries capitalized on foreign collectors' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world—from Cassatt to Picasso—the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe.Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.


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