Extraterritoriality: Locating Hong Kong Cinema and Media, Fan Victor
Автор: Paul G. Pickowicz, Pickowicz Yingjin Zhang, Zhang Название: Locating taiwan cinema in the twenty-first century ISBN: 1621965457 ISBN-13(EAN): 9781621965459 Издательство: Неизвестно Рейтинг: Цена: 105750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book probes many crucial controversies: What are Taiwan`s meaningful cultural and historical connections to Japan? How do Taiwanese filmmakers and audiences feel about mainland China? How does Taiwan cinema deal with environmental issues, animal rights, human trafficking, sexuality, and the challenges facing ethnic minorities?
Автор: Victor Fan Название: Extraterritoriality: Locating Hong Kong Cinema and Media ISBN: 1474440428 ISBN-13(EAN): 9781474440424 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Actively rewrites and reconfigures how Hong Kong cinema and media are to be defined and located
Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong's extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces.
Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries - especially those by marginalised artists - actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.
Key features
Proposes extraterritoriality as a key theoretical concept
Forms a dialogue with Postcolonial Studies and Sinophone Studies
Offers in-depth archival studies of the Hong Kong film industry, television and video arts, as well as major political crises in Hong Kong, including the 1967 Riots, the Sino-British negotiation of Hong Kong's 'future', the Closer Economic Partnership Arrangement and the Umbrella Movement
Автор: Whittaker Tom Название: Locating the Voice in Film ISBN: 0190261137 ISBN-13(EAN): 9780190261139 Издательство: Oxford Academ Рейтинг: Цена: 39060.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.
Автор: Victor Fan Название: Cinema Approaching Reality: Locating Chinese Film Theory ISBN: 0816693552 ISBN-13(EAN): 9780816693559 Издательство: Marston Book Services Рейтинг: Цена: 95040.00 T Наличие на складе: Невозможна поставка. Описание: In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as \u201clifelike\u201d but best understood as \u201capproaching reality.\u201d What these Chinese theorists mean, in Fan\u2019s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened. Fan suggests that the phrase \u201capproaching reality\u201d can help to renegotiate an aporia (blind spot) that influential French film critic Andr\u00e9 Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.
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