The Cambridge Companion to Nineteen Eighty-Four, Waddell Nathan
Автор: Gregory Claeys Название: The Cambridge Companion to Nineteenth-Century Thought ISBN: 1107696143 ISBN-13(EAN): 9781107696143 Издательство: Cambridge Academ Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An accessible introduction to the key trends in nineteenth-century thought within philosophy, history, political thought, economics, religion and the social sciences, as well as feminism and imperialism. This Companion will appeal to scholars and advanced students of these disciplines.
Автор: Helfant Ian M. Название: That Savage Gaze: Wolves in the Nineteenth-Century Russian Imagination ISBN: 1644691345 ISBN-13(EAN): 9781644691342 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Imperial Russia`s large wolf populations were demonized, persecuted, tormented, and sometimes admired. That Savage Gaze explores the significance of wolves in pre-revolutionary Russia utilizing the perspectives of cultural studies, ecocriticism, and human-animal studies.
Автор: Harris Название: Folklore and the Fantastic in Nineteenth-Century British Fiction ISBN: 1138259543 ISBN-13(EAN): 9781138259546 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Нет в наличии. Описание: Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Автор: McIntosh Hugh Название: Guilty Pleasures: Popular Novels and American Audiences in the Long Nineteenth Century ISBN: 0813941652 ISBN-13(EAN): 9780813941653 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23830.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood.In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
Автор: Maria Bohmer Название: The Man Who Crucified Himself: Readings of a Medical Case in Nineteenth-Century Europe ISBN: 9004353593 ISBN-13(EAN): 9789004353596 Издательство: Brill Цена: 171350.00 T Наличие на складе: Невозможна поставка. Описание: The Man Who Crucified Himself is the history of a sensational nineteenth-century medical case. In 1805 a shoemaker called Mattio Lovat attempted to crucify himself in Venice. His act raised a furore, and the story spread across Europe. For the rest of the century Lovat’s case fuelled scientific and popular debates on medicine, madness, suicide and religion. Drawing on Italian, German, English and French sources, Maria Bohmer traces the multiple readings of the case and identifies various 'interpretive communities'. Her meticulously researched study sheds new light on Lovat’s case and offers fresh insights on the case narrative as a genre - both epistemic and literary.
Автор: Sarah Blackwood Название: The Portrait`s Subject: Inventing Inner Life in the Nineteenth-Century United States ISBN: 1469652587 ISBN-13(EAN): 9781469652580 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 82770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. In The Portrait's Subject, Sarah Blackwood tells a wide-ranging story about how images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology.
Blackwood reveals the underappreciated connections between portraiture's representations of the material human body and developing modern ideas about the human mind. It encouraged figures like Frederick Douglass, Nathaniel Hawthorne, Thomas Eakins, Harriet Jacobs, and Henry James to reimagine how we might see inner life, offering a rich array of metaphors and aesthetic approaches that ultimately reconfigured the relationship between body and mind, exterior and interior. In the end, Blackwood shows how nineteenth-century psychological discourse developed as much through aesthetic fabulation as through scientific experimentation.
Название: Dialect and Literature in the Long Nineteenth Century ISBN: 036788223X ISBN-13(EAN): 9780367882235 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this collection, scholars from a wide variety of disciplines, including dialectology, literary linguistics, socio-linguistics, literary studies, and the history of the English language, have come together to examine the theory, context, and ideology of the use of dialect in the nineteenth century. Taken together, the essays offer an exciting ove
Автор: Sanders Название: The Brother-Sister Culture in Nineteenth-Century Literature ISBN: 0333749308 ISBN-13(EAN): 9780333749302 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This text argues that brother sister relationships, idealized by the Romantics, intensified in 19th-century English domestic culture, and is a neglected key to understanding Victorian gender relations. The final chapter shows how the brother sister bond was changed by the the First World War.
Автор: Peters Rosemary A. Название: Stealing Things: Theft and the Author in Nineteenth-Century France ISBN: 0739180045 ISBN-13(EAN): 9780739180044 Издательство: Неизвестно Рейтинг: Цена: 217640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Stealing Things demonstrates how nineteenth-century French narratives portraying the "thief" figure reflect and critique popular attitudes of the times. This book focuses on how stolen objects shape individual identity and social status.
Against Sustainability responds to the twenty-first-century environmental crisis by unearthing the nineteenth-century U.S. literary, cultural, and scientific contexts that gave rise to sustainability, recycling, and preservation. Through novel pairings of antebellum and contemporary writers including Walt Whitman and Lucille Clifton, George Catlin and Louise Erdrich, and Herman Melville and A. S. Byatt, the book demonstrates that some of our most vaunted strategies to address ecological crisis in fact perpetuate environmental degradation. Yet Michelle C. Neely also reveals that the nineteenth century offers useful and generative environmentalisms, if only we know where and how to find them. Henry David Thoreau and Emily Dickinson experimented with models of joyful, anti-consumerist frugality. Hannah Crafts and Harriet Wilson devised forms of radical pet-keeping that model more just ways of living with others. Ultimately, the book explores forms of utopianism that might more reliably guide mainstream environmental culture toward transformative forms of ecological and social justice. Through new readings of familiar texts, Against Sustainability demonstrates how nineteenth-century U.S. literature can help us rethink our environmental paradigms in order to imagine more just and environmentally sound futures.
Автор: Gruesser John Cullen Название: Edgar Allan Poe and His Nineteenth-Century American Counterp ISBN: 1501334522 ISBN-13(EAN): 9781501334528 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Edgar Allan Poe and His Nineteenth-Century American Counterparts addresses Poe's connections with, critical assessments of, borrowings from, and effect on his literary peers. It situates Poe within his own time and place, paying particular attention to his interactions with, and impact on, figures such as Nathaniel Hawthorne, Walt Whitman, Herman Melville, Mark Twain, Harriet Jacobs, and Pauline Hopkins.
John Cullen Gruesser rebuts myths that continue to cling to Poe, demonstrates Poe's ability to transform themes he encountered in the works of his literary contemporaries into great literature, and establishes the profound influence of Poe's invention of detective fiction on nineteenth-century American writers.
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