The Fundamental Field: Thought, Poetics, World, White Kenneth

Автор: Rendell, Professor Jane
Название: Architecture of psychoanalysis
ISBN: 1784536547 ISBN-13(EAN): 9781784536541
Издательство: Bloomsbury Academic
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Цена: 24280.00 T
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Описание: How do external material environments and the inner world of emotion, memory and imagination influence each other?

Автор: Carpenter Anne M.
Название: Theo-Poetics: Hans Urs Von Balthasar and Thet Risk of Art and Being
ISBN: 0268023786 ISBN-13(EAN): 9780268023782
Издательство: Mare Nostrum (Eurospan)
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Цена: 26750.00 T
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Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other.

Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.

Автор: Malpas Jeff
Название: The Fundamental Field: Thought, Poetics, World
ISBN: 147448526X ISBN-13(EAN): 9781474485265
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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The Scottish poet Kenneth White and the Australian philosopher Jeff Malpas came together by chance when Malpas heard an interview with White on ABC radio. Malpas contacted White, and from there they exchanged books and ideas. They arranged to meet at White’s place on the Breton coast, where a conversation about poetry and philosophy developed over four days. Inspired by poets from John Donne to Holderlin, and philosophers from Nietzsche to Heidegger, they discussed the world, place, narrative, language and politics. This book records that conversation.

Автор: O`Sullivan
Название: Art Encounters Deleuze and Guattari
ISBN: 1403918090 ISBN-13(EAN): 9781403918093
Издательство: Springer
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Цена: 93160.00 T
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Описание: Develops an immanent approach to modern and contemporary art. The argument is made for a return to an aesthetics of affect, and for the theorization of art as an expanded and complex practice. This book covers specific Deleuzian concepts, and the work of artists that position their work outside of the gallery or `outside` of representation.

Автор: J. D. Mininger, Jason Michael Peck
Название: German Aesthetics: Fundamental Concepts from Baumgarten to Adorno
ISBN: 1501321471 ISBN-13(EAN): 9781501321474
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.

Автор: Kant Immanuel
Название: Fundamental Principles of the Metaphysic of Morals
ISBN: 1950330176 ISBN-13(EAN): 9781950330171
Издательство: Неизвестно
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Цена: 20780.00 T
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Описание: Groundwork of the Metaphysics of Morals is the first of Immanuel Kant`s mature works on moral philosophy and remains one of the most influential in the field.

Автор: Russon John
Название: Sites of Exposure: Art, Politics, and the Nature of Experience
ISBN: 0253029252 ISBN-13(EAN): 9780253029256
Издательство: Mare Nostrum (Eurospan)
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Цена: 25080.00 T
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John Russon draws from a broad range of art and literature to show how philosophy speaks to the most basic and important questions in our everyday lives. In Sites of Exposure, Russon grapples with personal experiences such as growing up and confronting death and with broader issues such as political oppression, economic exploitation, and the destruction of the natural environment to make life meaningful. His is cutting-edge philosophical work, illuminated by original and rigorous thinking that relies on cross-cultural communication and engagement with the richness of human cultural history. These probing interpretations of the nature of phenomenology, the philosophy of art, history, and politics, are appropriate for students and scholars of philosophy at all levels.

Автор: Curran Angela
Название: Routledge Philosophy Guidebook to Aristotle and the Poetics
ISBN: 0415780098 ISBN-13(EAN): 9780415780094
Издательство: Taylor&Francis
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Цена: 35720.00 T
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Описание: The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work.

Автор: Anne Sheppard
Название: The Poetics of Phantasia: Imagination in Ancient Aesthetics
ISBN: 1474257593 ISBN-13(EAN): 9781474257596
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory.
The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory.
Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.

Автор: Menke Christoph
Название: Force: A Fundamental Concept of Aesthetic Anthropology
ISBN: 0823249735 ISBN-13(EAN): 9780823249732
Издательство: Wiley EDC
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Цена: 27450.00 T
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The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten’s Aesthetics and Kant’s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry—these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the “aesthetic,” fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the “aesthetic” required nothing less than a transformation of the fundamental terms of philosophy. What begins in—or as—aesthetics is modern philosophy.
More precisely, Force shows that in—or as—aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten’s Aesthetics is organized around the new concept of the “subject”: the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject’s faculties assures itself of its own possibility.
Yet here, in the aesthetic and the reflection on it, the aesthetics “in the Baumgartian manner” (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression—propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is “obscure” and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices.
That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten’s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an “obscure” force, is a performance without generality, divorced from all norm, law, and purpose—a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices—a process of aestheticization.
The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. – “The last word of aesthetics is human freedom.”

Автор: Kant Immanuel
Название: Fundamental Principles of the Metaphysics of Morals
ISBN: 1515436861 ISBN-13(EAN): 9781515436867
Издательство: Неизвестно
Цена: 24740.00 T
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Описание: Kant's Fundamental Principles of the Metaphysics of Morals is one of the most important works in modern moral philosophy. It belongs beside Plato, Aristotle, Machiavelli, and Hobbes. Here Kant sets out to articulate and defend the Categorical Imperative - the fundamental principle that underlies moral reasoning - and to lay the foundation for a comprehensive account of justice and human virtues.

Автор: Kant Immanuel
Название: Fundamental Principles of the Metaphysic of Morals
ISBN: 0991996267 ISBN-13(EAN): 9780991996261
Издательство: Неизвестно
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Цена: 14700.00 T
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Groundwork of the Metaphysics of Morals (German: Grundlegung zur Metaphysik der Sitten; 1785; also known as the Foundations of the Metaphysics of Morals, Grounding of the Metaphysics of Morals and the Grounding for the Metaphysics of Morals) is the first of Immanuel Kant's mature works on moral philosophy and remains one of the most influential in the field. Kant conceives his investigation as a work of foundational ethics--one that clears the ground for future research by explaining the core concepts and principles of moral theory and showing that they are normative for rational agents. Kant aspires to nothing less than this: to lay bare the fundamental principle of morality and show that it applies to us. In the text, Kant provides a groundbreaking argument that the rightness of an action is determined by the character of the principle that a person chooses to act upon. Kant thus stands in stark contrast to the moral sense theories and teleological moral theories that dominated moral philosophy at the time he was writing. Central to the work is the role of what Kant refers to as the categorical imperative, the concept that one must act only according to that precept which he or she would will to become a universal law.

The Groundwork is broken into a preface, followed by three sections. Kant's argument works from common reason up to the supreme unconditional law, in order to identify its existence. He then works backwards from there to prove the relevance and weight of the moral law. The book is famously obscure, and it is partly because of this that Kant later, in 1788, decided to publish the Critique of Practical Reason.