The Fundamental Field: Thought, Poetics, World, Malpas Jeff

Автор: Rendell, Professor Jane
Название: Architecture of psychoanalysis
ISBN: 1784536547 ISBN-13(EAN): 9781784536541
Издательство: Bloomsbury Academic
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Цена: 24280.00 T
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Описание: How do external material environments and the inner world of emotion, memory and imagination influence each other?

Автор: Carpenter Anne M.
Название: Theo-Poetics: Hans Urs Von Balthasar and Thet Risk of Art and Being
ISBN: 0268023786 ISBN-13(EAN): 9780268023782
Издательство: Mare Nostrum (Eurospan)
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Цена: 26750.00 T
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Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other.

Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.

Автор: Figal Gunter
Название: Aesthetics as Phenomenology: The Appearance of Things
ISBN: 0253015510 ISBN-13(EAN): 9780253015518
Издательство: Mare Nostrum (Eurospan)
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Цена: 71060.00 T
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Connecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect--how art changes our everyday disposition or behavior. G nter Figal engages in a penetrating analysis of the moment at which, in our contemplation of a work of art, reaction and thought confront each other. For those trained in the visual arts and for more casual viewers, Figal unmasks art as a decentering experience that opens further possibilities for understanding our lives and our world.

Автор: Zawadzki, Andrzej
Название: Literature and weak thought
ISBN: 3631636490 ISBN-13(EAN): 9783631636497
Издательство: Peter Lang
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Описание: This book reconstructs fundamental assumptions on weak thought, a crucial tendency in contemporary hermeneutics. Some motifs of weak thought serve to reinterpret the concept of mimesis and that of the textual subject as a trace. The book also describes tendencies in modern literature in which weak being is expressed by the motif of the trace.

Автор: Jorella Andrews
Название: The Question of Painting: Re-thinking Thought with Merleau-Ponty
ISBN: 1472574281 ISBN-13(EAN): 9781472574282
Издательство: Bloomsbury Academic
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Описание: Since the latter half of the 20th century, committed art has been associated with conceptual, critical and activist practices. Painting, by contrast-despite its significance as a site for continued artistic experimentation-has all too often been dismissed as an outmoded, reactionary, market-led venture; an ineffectual medium from the perspective of social and political engagement. How can painting change the world today?

The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1908-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought-an authority that continues to limit present-day intellectual, imaginative, ethical, and indeed scientific possibilities. Taking an approach that moves between the fields of philosophical and visual culture research, The Question of Painting is organized around a closely focused, chronological account of Merleau-Ponty's unfolding project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally "intercorporeal+? basis of reality as he saw it, and articulate its lived implications-implications that have a, productive bearing on the personal, ethical and political challenges facing us today.

With an exclusive and extended conversation about the contemporary virtues of painting with New York based artist Leah Durner, for whom the work of Merleau-Ponty is an important source of inspiration, The Question of Painting brings today's much debated concerns about the socio-cultural and political potential of painting into contact with the question of painting in philosophy.

Автор: Russon John
Название: Sites of Exposure: Art, Politics, and the Nature of Experience
ISBN: 0253029252 ISBN-13(EAN): 9780253029256
Издательство: Mare Nostrum (Eurospan)
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Цена: 25080.00 T
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John Russon draws from a broad range of art and literature to show how philosophy speaks to the most basic and important questions in our everyday lives. In Sites of Exposure, Russon grapples with personal experiences such as growing up and confronting death and with broader issues such as political oppression, economic exploitation, and the destruction of the natural environment to make life meaningful. His is cutting-edge philosophical work, illuminated by original and rigorous thinking that relies on cross-cultural communication and engagement with the richness of human cultural history. These probing interpretations of the nature of phenomenology, the philosophy of art, history, and politics, are appropriate for students and scholars of philosophy at all levels.

Автор: Anne Sheppard
Название: The Poetics of Phantasia: Imagination in Ancient Aesthetics
ISBN: 1474257593 ISBN-13(EAN): 9781474257596
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory.
The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory.
Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.

Автор: Pollock Sheldon
Название: A Rasa Reader: Classical Indian Aesthetics
ISBN: 0231173903 ISBN-13(EAN): 9780231173902
Издательство: Wiley
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Цена: 84480.00 T
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Описание: The first intellectual history of classical Indian thought on aesthetics, with accessible translations of all the major Sanskrit thinkers.

Автор: Montero Barbara Gail
Название: Thought in Action
ISBN: 0199596778 ISBN-13(EAN): 9780199596775
Издательство: Oxford Academ
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Цена: 70750.00 T
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Описание: How does thinking affect doing? It is widely held that thinking about what you are doing, as you are doing it, hinders performance. But is this true? Barbara Gail Montero explores real-life examples and draws on psychology, neuroscience, and literature to develop a theory of expertise that emphasizes the role of the conscious mind in expert action.

Автор: Curran Angela
Название: Routledge Philosophy Guidebook to Aristotle and the Poetics
ISBN: 0415780098 ISBN-13(EAN): 9780415780094
Издательство: Taylor&Francis
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Цена: 35720.00 T
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Описание: The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work.

Автор: Locke Patricia M., McCann Rachel
Название: Merleau-Ponty: Space, Place, Architecture
ISBN: 0821421751 ISBN-13(EAN): 9780821421758
Издательство: Mare Nostrum (Eurospan)
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Цена: 66880.00 T
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Описание: Phenomenology has played a decisive role in the emergence of the discourse of place, and the contribution of Merleau-Ponty to architectural theory and practice is well established. This collection of essays by 12 eminent scholars is the first devoted specifically to developing his contribution to our understanding of place and architecture.

Автор: J. D. Mininger, Jason Michael Peck
Название: German Aesthetics: Fundamental Concepts from Baumgarten to Adorno
ISBN: 1501321471 ISBN-13(EAN): 9781501321474
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.