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Music, pantomime and freedom in enlightenment france, Law, Hedy


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Автор: Law, Hedy
Название:  Music, pantomime and freedom in enlightenment france
ISBN: 9781783275601
Издательство: Boydell & Brewer
Классификация:
ISBN-10: 178327560X
Обложка/Формат: Hardback
Страницы: 286
Вес: 0.67 кг.
Дата издания: 16.10.2020
Серия: Arts
Язык: English
Размер: 23.39 x 15.60 x 1.75 cm
Читательская аудитория: Professional & vocational
Ключевые слова: Baroque music (c 1600 to c 1750),Classical music (c 1750 to c 1830),French Revolution,Modern history to 20th century: c 1700 to c 1900, HISTORY / Modern / 18th Century,MUSIC / Genres & Styles / Classical,MUSIC / History & Criticism
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Поставляется из: Англии
Описание: How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?

The Advancement of Music in Enlightenment England : Benjamin Cooke and the Academy of Ancient Music

Автор: Tim Eggington
Название: The Advancement of Music in Enlightenment England : Benjamin Cooke and the Academy of Ancient Music
ISBN: 1843839067 ISBN-13(EAN): 9781843839064
Издательство: Boydell & Brewer
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Цена: 100320.00 T
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Описание: Casts new and valuable light on English musical history and on Enlightenment culture more generally.

Music and the French Enlightenment: Rameau and the Philosophes in Dialogue

Автор: Verba Cynthia
Название: Music and the French Enlightenment: Rameau and the Philosophes in Dialogue
ISBN: 019938102X ISBN-13(EAN): 9780199381029
Издательство: Oxford Academ
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Цена: 100470.00 T
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Описание: Around the middle of the eighteenth century, the leading figures of the French Enlightenment engaged in a philosophical debate about the nature of music. The principal participants-Rousseau, Diderot, and d'Alembert-were responding to the views of the composer-theorist Jean-Philippe Rameau, who was both a participant and increasingly a subject of controversy.

The discussion centered upon three different events occurring roughly simultaneously. The first was Rameau's formulation of the principle of the fundamental bass, which explained the structure of chords and their progression. The second was the writing of the Encyclop�die, edited by Diderot and d'Alembert, with articles on music by Rousseau. The third was the Querelle des Bouffons, over the relative merits of Italian comic opera and French tragic opera. The philosophes, in the typical manner of Enlightenment thinkers, were able to move freely from the broad issues of philosophy and criticism, to the more technical questions of music theory, considering music as both art and science. Their dialogue was one of extraordinary depth and richness and dealt with some of the most fundamental issues of the French Enlightenment.

In the newly revised edition of Music and the French Enlightenment, Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published. Stressing the importance of seeing the philosophes' writings in context of a dynamic dialogue, Verba carefully reconstructs the chain of arguments and rebuttals across which Rousseau, D'Alembert, and Diderot formulated their own evolving positions. A section of key passages in translation presents several texts in English for the first time, recapturing the tenor and tone of the dialogue at hand. In a new epilogue, Verba discusses important trends in new scholarship, tracing how scholars continue to grapple with many of the same fundamental oppositions and competing ideas that were debated by the philosophes in the French Enlightenment.


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