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Faur? Studies, Carlo Caballero, Stephen Rumph


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Автор: Carlo Caballero, Stephen Rumph
Название:  Faur? Studies
ISBN: 9781108429191
Издательство: Cambridge Academ
Классификация:

ISBN-10: 110842919X
Обложка/Формат: Hardback
Страницы: 320
Вес: 0.64 кг.
Дата издания: 22.04.2021
Серия: Cambridge composer studies
Язык: English
Иллюстрации: Worked examples or exercises; 37 printed music items; 4 tables, black and white; 7 halftones, black and white; 1 line drawings, black and white
Размер: 22.86 x 15.24 x 1.35 cm
Читательская аудитория: Professional and scholarly
Ключевые слова: Individual composers & musicians, specific bands & groups,Music reviews & criticism, MUSIC / General
Основная тема: Music reviews & criticism,Individual composers & musicians, specific bands & groups, MUSIC / General
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Showcases new research by leading scholars on the life and music of Gabriel Faure, contemporary of Monet and Mallarme and one of the most influential of all French composers. This book encompasses hermeneutics, musical analysis, aesthetic theory, critical theory, and social history.

Regarding Faure

Автор: Gordon
Название: Regarding Faure
ISBN: 1138984868 ISBN-13(EAN): 9781138984868
Издательство: Taylor&Francis
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Цена: 46950.00 T
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Описание: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Faure Song Cycles: Poetry and Music, 1861-1921

Автор: Rumph Stephen
Название: The Faure Song Cycles: Poetry and Music, 1861-1921
ISBN: 0520297628 ISBN-13(EAN): 9780520297623
Издательство: Wiley
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Цена: 62310.00 T
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Описание:

Gabriel Faur 's m lodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Faur composed all but a handful of his songs within six carefully integrated cycles. Faur moved systematically through his poetic contemporaries, exhausting Baudelaire's Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural
issues of the period, Faur reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Faur Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Faur 's musical readings. This book offers not only close readings of Faur 's musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.



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