Автор: Ashmole Elias Название: Theatrum Chemicum Brittannicum ISBN: 1169353436 ISBN-13(EAN): 9781169353435 Издательство: Неизвестно Цена: 69830.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Автор: Connor, Alexandra Название: The Lydgate Widow ISBN: 1472219392 ISBN-13(EAN): 9781472219398 Издательство: Hodder Рейтинг: Цена: 9100.00 T Наличие на складе: Невозможна поставка. Описание: Following the death of a young musician, George Gently is assigned to the case, mainly because his boss is such a fan of the composer, Walter Hozeley. Things look bad for Hozeley when details emerge of a vicious argument between the composer and the murdered clarinetist, Terence Virtue, who was also Hozeley`s lover.
Автор: Austin Thomas Название: Two Fifteenth-Century Cookery-Books: Harleian Ms. 279 (Ab. 1430), and Harl. Ms. 4016 (Ab. 1450), with Extracts from Ashmole Ms. 1429, Laud Ms. 553, an ISBN: 1331924138 ISBN-13(EAN): 9781331924135 Издательство: Неизвестно Цена: 9170.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Two Fifteenth-Century Cookery-Books: Harleian Ms. 279 (Ab. 1430), And Harl. Ms. 4016 (Ab. 1450), With Extracts From Ashmole Ms. 1429, Laud Ms. 553, and Douce Ms. 55 Some recipes for sauces, taken from Ashmole ms. 1489, are given at page 108. This ms. Is about the same date as Harleian ms. 279, and has the same Feasts added, though some of the leaves are missing. These recipes are followed by others taken from two odd leaves in Laud ms. 553, in the Bodleian Library; see page 112. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Lydgate John, Maccracken H. N. B. 1880, Sherwood Merriam Название: The Minor Poems of John Lydgate ISBN: 1296553892 ISBN-13(EAN): 9781296553890 Издательство: Неизвестно Цена: 49430.00 T Наличие на складе: Невозможна поставка. Описание: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
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No medieval writer reveals more about early English drama than John Lydgate, Claire Sponsler contends. Best known for his enormously long narrative poems The Fall of Princes and The Troy Book, Lydgate also wrote numerous verses related to theatrical performances and ceremonies. This rich yet understudied body of material includes mummings for London guildsmen and sheriffs, texts for wall hangings that combined pictures and poetry, a Corpus Christi procession, and entertainments for the young Henry VI and his mother. In The Queen's Dumbshows, Sponsler reclaims these writings to reveal what they have to tell us about performance practices in the late Middle Ages. Placing theatricality at the hub of fifteenth-century British culture, she rethinks what constituted drama in the period and explores the relationship between private forms of entertainment, such as household banquets, and more overtly public forms of political theater, such as royal entries and processions. She delineates the intersection of performance with other forms of representation such as feasts, pictorial displays, and tableaux, and parses the connections between the primarily visual and aural modes of performance and the reading of literary texts written on paper or parchment. In doing so, she has written a book of signal importance to scholars of medieval literature and culture, theater history, and visual studies.
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