The God Beat: What Journalism Says about Faith and Why It Matters, Bradatan Costica, Simon Ed

Автор: Bradatan, Costica;Oushakine Serguei Alex
Название: In Marxs shadow
ISBN: 0739136240 ISBN-13(EAN): 9780739136249
Издательство: Rowman & Littlefield Publishers
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Цена: 154880.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Despite its key role in the intellectual shaping of state socialism, Communist ideas are often dismissed as mere propaganda or as a rhetorical exercise aimed at advancing socialist intellectuals on their way to power. By drawing attention to unknown and unexplored areas, trends and ways of thinking under socialism, the volume examines Eastern Europe and Russian histories of intellectual movements inspired - negatively as well as positively - by Communist arguments and dogmas. Through an interdisciplinary dialogue, the collection demonstrates how various bodies of theoretical knowledge (philosophical, social, political, aesthetic, even theological) were used not only to justify dominant political views, but also to frame oppositional and nonofficial discourses and practices.The examination of the underlying structures of Communism as an intellectual project provides convincing evidence for questioning a dominant approach that routinely frames the post-Communist intellectual development as a "revival" or, at least, as a "return" of the repressed intellectual traditions. As the book shows, the logic of a radical break, suggested by this approach, is in contradiction with historical evidence: a significant number of philosophical, theoretical and ideological debates in post-Communist world are in fact the logical continuation of intellectual conversations and confrontations initiated long before 1989.

Автор: Goh Robbie B. H., Bradatan Costica
Название: Christopher Nolan: Filmmaker and Philosopher
ISBN: 1350139963 ISBN-13(EAN): 9781350139961
Издательство: Bloomsbury Academic
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Цена: 55440.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society.

This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.

Автор: Resina Joan Ramon, Bradatan Costica
Название: Luchino Visconti: Filmmaker and Philosopher
ISBN: 1350185760 ISBN-13(EAN): 9781350185760
Издательство: Bloomsbury Academic
Цена: 145610.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Luchino Visconti (1906-1976) was one of Europe's most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure.

Looking beyond this colourful faзade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti's production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods.

Reading these films and their decadence in light of the time of filming and Visconti's own sense of cultural doom, Resina further demonstrates the relevance of Visconti's philosophy today and how much they still have to say to our contemporary situation.