Women in the horror films of vincent price, Lampley, Jonathan Malcolm
Автор: Clover Carol J. Название: Men, Women, and Chain Saws: Gender in the Modern Horror Film ISBN: 0691166293 ISBN-13(EAN): 9780691166292 Издательство: Wiley Рейтинг: Цена: 17940.00 T Наличие на складе: Заказано в издательстве. Описание: From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditiona
Автор: Vincent Piturro Название: The Science of Sci-Fi Cinema: Essays on the Art and Principles of Ten Films ISBN: 1476683301 ISBN-13(EAN): 9781476683300 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 42510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Originating from an annual Science Fiction Film Series in Denver, Colorado, this volume of essays examines ten films, with a focus on discerning the possible, the unlikely, and the purely science fictional.
Автор: Alison Peirse Название: Women Make Horror: Filmmaking, Feminism, Genre ISBN: 1978805128 ISBN-13(EAN): 9781978805125 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 125400.00 T Наличие на складе: Нет в наличии. Описание: 'but women were never out there making horror films, that's why they are not written about - you can't include what doesn't exist'
'there are really, very few women horror filmmakers working today, that's why so few are coming up'
'women are just not that interested in making horror films'
'how can you be a woman and be a fan of horror?'
This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.
Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.
Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "molar" beings from those which prompt fluid, nonbinary, "molecular" becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant.
Author Sunny Hawkins argues that films which promote a "monstrous philosophy" of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a "line of flight" from the gender binary in the real world. Deleuzeandthe Gynesis of Horror demonstrates how the techniques of horror film - editing, sound and visual effects, lighting and colour, camera movement - work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, "living things constantly becoming."
Автор: Bruce Markusen Название: Hosted Horror on Television: The Films and Faces of Shock Theater, Creature Features and Chiller Theater ISBN: 1476684618 ISBN-13(EAN): 9781476684611 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 42510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A history of hosted horror that walks readers through the best TV horror films, beginning with the 1930s black-and-white classics from Universal Studios and ending with the grislier colour films of the early 1970s. It also covers and the horror hosts who presented them, some of whom faded into obscurity while others became iconic within the genre.
Автор: Michael Crandol Название: Ghost in the Well: The Hidden History of Horror Films in Japan ISBN: 1350178748 ISBN-13(EAN): 9781350178748 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Невозможна поставка. Описание: Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo’s Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises.
Michael Crandol draws on a wide range of Japanese language sources, including magazines, posters and interviews with directors such as Kurosawa Kiyoshi, to consider the development of kaiki eiga, the Japanese phrase meaning "weird" or "bizarre" films that most closely corresponds to Western understandings of "horror". He traces the origins of kaika eiga in Japanese kabuki theatre and traditions of the monstrous feminine, showing how these traditional forms were combined with the style and conventions of Hollywood horror to produce an aesthetic that was both transnational and peculiarly Japanese.
Ghost in the Well sheds new light on one of Japanese cinema's best-known genres, while also serving as a fascinating case study of how popular film genres are re-imagined across cultural divides.
Автор: Jon Towlson Название: Global Horror Cinema Today: 28 Representative Films from 17 Countries ISBN: 1476671532 ISBN-13(EAN): 9781476671536 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 42510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the horror genre to address the emerging fears and anxieties of their cultures. This book investigates horror cinema around the globe with an emphasis on how the genre has developed in the past ten years.
Автор: Michael Crandol Название: Ghost in the Well: The Hidden History of Horror Films in Japan ISBN: 135017873X ISBN-13(EAN): 9781350178731 Издательство: Bloomsbury Academic Рейтинг: Цена: 25330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo’s Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises.
Michael Crandol draws on a wide range of Japanese language sources, including magazines, posters and interviews with directors such as Kurosawa Kiyoshi, to consider the development of kaiki eiga, the Japanese phrase meaning "weird" or "bizarre" films that most closely corresponds to Western understandings of "horror". He traces the origins of kaika eiga in Japanese kabuki theatre and traditions of the monstrous feminine, showing how these traditional forms were combined with the style and conventions of Hollywood horror to produce an aesthetic that was both transnational and peculiarly Japanese.
Ghost in the Well sheds new light on one of Japanese cinema's best-known genres, while also serving as a fascinating case study of how popular film genres are re-imagined across cultural divides.
Автор: St-Georges Charles Название: Haunted Families and Temporal Normativity in Hispanic Horror Films: Troubling Timelines ISBN: 149856335X ISBN-13(EAN): 9781498563352 Издательство: Bloomsbury Рейтинг: Цена: 89100.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines the interactions between ghosts and families in three recent horror films from the Spanish-speaking world. It explores the ways in which horror films can serve to reinscribe or subvert hegemonic epistemologies of race and sexuality by manipulating the temporal framework in which intersectional subjectivities are articulated.
Автор: Shelagh Rowan-Legg Название: The Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-fi ISBN: 135024242X ISBN-13(EAN): 9781350242425 Издательство: Bloomsbury Academic Рейтинг: Цена: 33780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In recent decades, the Spanish 'fantastic' has been at the forefront of genre filmmaking. Films such as The Day of the Beast, the Rec trilogy, The Orphanage and Timecrimes have received widespread attention and popularity, arguably rescuing Spanish cinema from its semi-invisibility during the creativity-crushing Franco years. By turns daring, evocative, outrageous, and intense, this new cinema has given voice to a generation, both beholden to and yet breaking away from their historical and cultural roots. Beginning in the 1990s, films from directors such as Alex de la Iglesia, Alejandro Amenabar, and Jaume Balaguero reinvigorated Spanish cinema in the horror, science fiction and fantasy veins as their work proliferated and took centre stage at international festivals such as Sitges, Fantasia International Film Festival and Fantastic Fest. Through an examination of key films and filmmakers, Shelagh Rowan-Legg here investigates the rise of this unique new wave of genre films from Spain, and how they have recycled, reshaped and renewed the stunning visual tropes, wild narratives and imaginative other worlds inherent to an increasingly influential cinematic field.Its emergence is part of a new trend of postnational cinema, led by the fantastic, which approaches the national boundaries of cinema with an exciting sense of fluidity.
Автор: Patrick-weber, Courtney Название: Rhetoric and medicalization of pregnancy and childbirth in horror films ISBN: 1793602808 ISBN-13(EAN): 9781793602800 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 101370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book argues that the medicalization of pregnancy and childbirth traumatizes pregnant people in various ways, using a select group of horror films to portray this trauma on a visceral level. This analysis allows audiences to identify and empathize with pregnant people who are victims of the medicalized pregnancy process.
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