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Playing shakespeare`s monarchs and madmen, 


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Название:  Playing shakespeare`s monarchs and madmen
ISBN: 9781433175220
Издательство: Peter Lang
Классификация:

ISBN-10: 1433175223
Обложка/Формат: Hardback
Страницы: 160
Вес: 0.31 кг.
Дата издания: 20.05.2020
Серия: Playing shakespeare`s characters
Язык: English
Издание: New ed
Иллюстрации: 3 illustrations, unspecified; 3 illustrations, unspecified
Размер: 154 x 229 x 16
Читательская аудитория: Professional & vocational
Ключевые слова: Theatre studies, DRAMA / Shakespeare
Рейтинг:
Поставляется из: Англии
Описание:

Playing Shakespeare’s Monarchs and Madmen is the third volume in the Peter Lang series, Playing Shakespeare’s Characters. As in the previous volumes, a broad range of contributors (actors, directors, scholars, educators, etc.) analyze the concepts of monarchy, leadership, melancholy and madness with not only references to Elizabethan and Jacobean studies, but also to Trump, Brexit, cross-gender and multi-cultural casting. What does it mean to “play the king” in the 21st century? What is the role of an “all-licensed” Fool in the age of spin? Who gets to represent the power dynamics in Shakespeare’s plays? This volume looks at the Henrys, Richards, Hamlets, Lears and various other dukes and monarchs and explores the ways in which men—and women—approach these portrayals of power and the lessons they hold for us today.


Дополнительное описание:

Louis Fantasia: Introduction: A Mad World, My Masters! – Heather James: The Crack-Up: Modernity and the Mind of Richard II – Chris Anthony: Shakespeare’s Henry IV: Youth and Veterans – Janna Segal: Re-"Claiming from the F


Performing Shakespeare`s Women: Playing Dead

Автор: Paige Martin Reynolds
Название: Performing Shakespeare`s Women: Playing Dead
ISBN: 1350170968 ISBN-13(EAN): 9781350170964
Издательство: Bloomsbury Academic
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Цена: 34840.00 T
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Описание: Shakespeare’s women rarely reach the end of the play alive. Whether by murder or by suicide, onstage or off, female actors in Shakespeare’s works often find themselves ‘playing dead.’ But what does it mean to ‘play dead’, particularly for women actors, whose bodies become scrutinized and anatomized by audiences and fellow actors who ‘grossly gape on’? In what ways does playing Shakespeare’s women when they are dead emblematize the difficulties of playing them while they are still alive? Ultimately, what is at stake for the female actor who embodies Shakespeare’s women today, dead or alive? Situated at the intersection of the creative and the critical, Performing Shakespeare’s Women: Playing Dead engages performance history, current scholarship and the practical problems facing the female actor of Shakespeare’s plays when it comes to ‘playing dead’ on the contemporary stage and in a post-feminist world. This book explores the consequences of corpsing Shakespeare’s women, considering important ethical questions that matter to practitioners, students and critics of Shakespeare today.


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