King Lear `after` Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama, Ashby Richard
Автор: Christy Desmet, Sujata Iyengar, Miriam Jacobson Название: The Routledge Handbook of Shakespeare and Global Appropriation ISBN: 1138050199 ISBN-13(EAN): 9781138050198 Издательство: Taylor&Francis Рейтинг: Цена: 234790.00 T Наличие на складе: Невозможна поставка. Описание: This volume addresses topics such as trans-and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; Shakespeare and Global justice as well as a section on how to approach the teaching of these topics.
Название: Variable Objects: Shakespeare and Speculative Appropriation ISBN: 1474481396 ISBN-13(EAN): 9781474481397 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Examines Shakespeare fragments as agents of appropriation
Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection’s essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.
Автор: Huang Название: Shakespeare and the Ethics of Appropriation ISBN: 1137375760 ISBN-13(EAN): 9781137375766 Издательство: Springer Рейтинг: Цена: 74530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
Автор: Dorothy Figueira Название: Art and Resistance: Studies in Modern Indian Theatres ISBN: 2807610943 ISBN-13(EAN): 9782807610941 Издательство: Peter Lang Рейтинг: Цена: 69300.00 T Наличие на складе: Невозможна поставка. Описание:
This volume begins with the assumption that "Hindu" should not be conflated with "Indian" (as in the case of Orientalist criticism of Indian theatre) and that modern Indian theatre need not have its starting point in classical Sanskrit drama (as many Indologists would assert). Rather, this volume uses the insights of reception theory's critique of nationalist historiography to explore a possible framework with which one might theoretically locate the issues inherent in the terms "modern Indian theatre."
Following the work of the eminent Indian comparatist, Sisir Kumar Das, this volume looks at how modernity in Indian theatre entails attempts of various Indian language groups to adjust to the forced cohabitation with both foreign and indigenous traditions. Rather than looking at Indian theatre as solely a process of Westernization or Sanskritization, this book looks at it as a response. The aesthetics of reception is then seen as a transactional and dialogical process wherein one is not always just responding to the Western or the classical Indian contexts. As opposed to most postcolonial and Indological readings, this volume traces the domain of the social imagination that has shaped modern Indian sensibilities across various languages and thereby resisting the hermetic aesthetic of reliance on hegemonic languages such as Sanskrit and English. The cover tries to reflect the overall approach of the volume. A theatrical play begins with the lighting of the ritual lamp to signify drama being given to humanity by Brahma, the Creator. According to the compendium on dramatic arts (The Natyashastra, chapter 21), the hand gesture depicted here heralds the ensuing dramatic action.
Автор: Marsden, Jean I. (university Of Connecticut) Название: Theatres of feeling ISBN: 1108466990 ISBN-13(EAN): 9781108466998 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
Автор: Jean I. Marsden Название: Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage ISBN: 1108476139 ISBN-13(EAN): 9781108476133 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
Автор: O`Leary Margaret, Manning Mary, Macardle Dorothy Название: Plays by Women in Ireland (1926-33): Feminist Theatres of Freedom and Resistance: Distinguished Villa; The Woman; Youth`s the Season; Witch`s Brew; Bl ISBN: 1350234648 ISBN-13(EAN): 9781350234642 Издательство: Bloomsbury Academic Рейтинг: Цена: 168590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as within the national context of the repealing of women’s rights during the Irish Free State years.
These are plays by authors including Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O'Brien and Margaret O’Leary, which are difficult to access, but which are increasingly visible in Irish theatre scholarship. This unique collection places the playwrights in dialogue to form a tradition of women’s theatrical work that challenges the male-dominated literary canon of Irish theatre, as well as enriching the body of women’s theatrical work in the Anglophone world during the interwar years.
Includes the plays:
Kate O’Brien – Distinguished Villa (1926)
Margaret O’Leary – The Woman (1929)
Mary Manning – Youth’s the Season (1931)
Dorothy Macardle – Witch’s Brew (1931)
Mary Devenport O’Neill – Bluebeard (1933)
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