La chanson de roland bilingue/edition jean dufournet
Автор: Anonyme Название: La Farce du Cuvier ISBN: 2081404400 ISBN-13(EAN): 9782081404403 Издательство: Неизвестно Цена: 5200.00 T Наличие на складе: Невозможна поставка.
Автор: Collin Edvard Название: Anonymer Og Pseudonymer I Den Danske, Norske Og Islandske Literatur Samt - Scholar`s Choice Edition ISBN: 1297084527 ISBN-13(EAN): 9781297084522 Издательство: Неизвестно Цена: 30350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
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Автор: Jenny Anger Название: Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme ISBN: 1517903211 ISBN-13(EAN): 9781517903213 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 100320.00 T Наличие на складе: Невозможна поставка. Описание: Exploring the significance of metaphor in modern art “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm-the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)-has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche-forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Soci?t? Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
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