Corporate Art Collections (Charlotte Appleyard) 9781848220713

Варианты приобретения

Цена: 42240.00T
Кол-во:
о цене
Наличие: Невозможна поставка.

в Мои желания

(Шарлотта Апплярд)
Название: Corporate Art Collections (Charlotte Appleyard)
Перевод названия: Шарлотта Апплярд: Корпоративные коллекции произведений искусства
ISBN: 9781848220713
Издательство: NBN International
Классификация: ISBN-10: 1848220715
Обложка/Формат: Hardcover
Страницы: 160
Вес: 0.66 кг.
Дата издания: 2012
Язык: English
Размер: 24.38 x 17.78 x 1.52 cm
Рейтинг:
Поставляется из: Англии
Описание: This new volume in the series of Handbooks in International Art Business published in association with Sothebys Institute of Art offers a timely guide to corporate collecting, examining the history, nature and importance of corporate collecting and the different reasons for starting and maintaining corporate collections, including investment, cultural cache, and asset diversification. Why do institutions take the plunge into an asset class that is usually very far from their core businesses? The authors categorise modern corporate art collections into four broad categories. First, there is the traditional corporate collection, where works are purchased directly from galleries or artists to enhance the office environments.

Many of the collections that fall into this category - largely banks or financial-service organisations - have some of the best-quality works of any corporately held collection. The second category includes those collections that seek to say something about the companys corporate identity: these collections have become very involved with how the company would like to project itself. The third category is philanthropic collections: those that structure their collection strategy around a charitable remit.

And finally the all-rounders: those companies whose work with the arts permeates their identity, office environment, social outreach and sponsorship. Based on interviews with the curators, consultants and investors who run such collections, and more extended case studies of important collections worldwide, the book concludes with an examination of when corporate collecting becomes a liability and the market-impact of deaccessioning, looking ahead to the future of corporate collecting.

Corporate Art Collections (Charlotte Appleyard),