Her Word Is Bond: Navigating Hip Hop and Relationships in a Culture of Misogyny, 

Автор: Bowen Cristalle "psalm One "
Название: Her Word Is Bond: Navigating Hip Hop and Relationships in a Culture of Misogyny
ISBN: 1642595039 ISBN-13(EAN): 9781642595031
Издательство: Mare Nostrum (Eurospan)
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Цена: 50690.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Her Word is Bond recounts the triumphs and setbacks of a rap legend who blazed a new trail for women in hip hop.

Автор: Spencer Zoe
Название: Murda Misogyny & Mayhem: Hip Hopb
ISBN: 0761855122 ISBN-13(EAN): 9780761855125
Издательство: Неизвестно
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Цена: 67420.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Spencer unwaveringly exposes the harmful effects of hip hop as a regulated industry, music, and culture. Her careful analysis allows the reader to examine the relationship between the presentation of hip hop and the prevalence of murder, misogyny, and mayhem in the urban community.

Автор: Javon Johnson
Название: Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities
ISBN: 0813580013 ISBN-13(EAN): 9780813580012
Издательство: Mare Nostrum (Eurospan)
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Цена: 25040.00 T
Наличие на складе: Невозможна поставка.
Описание: Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.   In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.  Killing Poetry-at times autobiographical, poetic, and journalistic-analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve. 

Автор: Javon Johnson
Название: Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities
ISBN: 0813580021 ISBN-13(EAN): 9780813580029
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 125400.00 T
Наличие на складе: Невозможна поставка.
Описание: Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.   In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.  Killing Poetry-at times autobiographical, poetic, and journalistic-analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve.