Koen van den broek, Mer - B En L With Exhibitions International
Автор: Oogachtend With Exhibitions International Название: Brecht evens ISBN: 9492672251 ISBN-13(EAN): 9789492672254 Издательство: ACC-distribution titles Рейтинг: Цена: 32890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A portfolio of full-colour splash pages from Brecht Evens` illustration, commercial and graphic novel oeuvre.
Автор: Veronique Patteeuw, Lea-Catherine Szacka Название: Mediated Messages: Periodicals, Exhibitions and the Shaping of Postmodern Architecture ISBN: 1350170038 ISBN-13(EAN): 9781350170032 Издательство: Bloomsbury Academic Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Mediated Messages presents a collection of original writing exploring the role played by the media in the development of postmodern architecture in the 1970s and 80s.The book’s twelve chapters and case-studies examine a range of contemporary periodicals and exhibitions to explore their role in the postmodern. This focus on mediation as a key feature of architectural post-modernism, and the recognition that post-modernism grew out of developments in the media, opens up the possibility of an important new account of post-modernism distinct from existing narratives.Accompanied by a contextualizing introduction, the essays are arranged across four thematic sections (covering: images; international postmodernisms; high and low culture; and postmodern architects as theorists) and present a range of case-studies with a genuinely international scope. Altogether, this work makes a substantial contribution to the historical account of architectural postmodernism, and will be of great interest to researchers in postmodernism as well as those examining the role of the media in architectural history.
Автор: Snoek Publishers With Exhibitions International Название: From titian to rubens ISBN: 9461615647 ISBN-13(EAN): 9789461615640 Издательство: ACC-distribution titles Рейтинг: Цена: 41800.00 T Наличие на складе: Невозможна поставка. Описание: A collection of Italian and Flemish masterpieces by artists including Titian, Peter Paul Rubens, Anthony van Dyck and Michiel Sweerts
The first history of Frank Lloyd Wright's exhibitions of his own work--a practice central to his career
More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect's influential career.
Drawing extensively from Wright's unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright's earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright's exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century.
Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright's supervision.
Ink arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques.
Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than 100 full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting.
The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection from the perspective of contemporary art history. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form.
Автор: Peyton Allysa B., Paul Katherine Anne Название: Arts of South Asia: Cultures of Collecting ISBN: 168340047X ISBN-13(EAN): 9781683400479 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 54340.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This beautifully illustrated volume details how South Asian art has been acquired by public and private collectors in Europe and North America from the mid-nineteenth century onward. It highlights the various journeys and colonial legacies of artwork from Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka.Contributors explore British collecting practices during colonial rule in South Asia, when military officials and individuals associated with the East India Company transported various pieces to the Tower of London, the British Museum, and the Royal Ontario Museum. The authors tell the stories of private collectors including Chester Beatty, who bequeathed his entire library of miniature paintings and rare manuscripts to the people of Ireland; Ananda Coomaraswamy, who played an integral role in introducing Indian art to the West; and Nasli Heeramaneck, who became one of the world’s leading dealers in Asian arts and antiques. The essays in this volume also address the ethical and political dilemmas of displaying South Asian art for Western appreciation, and how repatriated works are often used as centerpieces of political exhibitionism rather than celebrated as recovered symbols of cultural heritage. Featuring archival materials and high-quality images of key pieces, Arts of South Asia offers an inside look at early collecting practices while addressing contemporary concerns about how artwork obtained under colonial rule should be displayed abroad.A volume in the David A. Cofrin Asian Art Manuscript Series
Автор: Mer - B En L With Exhibitions International Название: Laura de coninck ISBN: 946393104X ISBN-13(EAN): 9789463931045 Издательство: Неизвестно Рейтинг: Цена: 54340.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A beautifully illustrated monograph of works by visual artist Laura de Coninck
Автор: Alejandra Alonso Tak, Angel Pazos-Lopez Название: Socializing Art Museums: Rethinking the Public‘s Experience ISBN: 3110646323 ISBN-13(EAN): 9783110646320 Издательство: Walter de Gruyter Цена: 99110.00 T Наличие на складе: Невозможна поставка. Описание:
Art museums today face the challenge of opening themselves up as institutions to a changing society. This publication offers new perspectives on museological trends that are developing in various countries and cultures. Through increasingly flexible, inclusive and unexpected museum typologies, institutions aim to give their visitors greater access to art.
The essays define the role of the museum as a medium of social change, as a protagonist in an education process and as a technologically innovative platform. Art historians, but also practitioners from the museum world – including curators, architects and psychologists – examine what is expected of art museums using case studies and against the background of the humanities and social sciences.
Автор: Daniels Inge Название: What Are Exhibitions For? an Anthropological Approach ISBN: 1350065390 ISBN-13(EAN): 9781350065390 Издательство: Bloomsbury Academic Рейтинг: Цена: 33780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Why do people go to exhibitions, and what do they hope to gain from the experience? What would happen if people were encouraged to move freely through exhibition spaces, take photographs and be playful?In this book, Inge Daniels explores what might happen if people and objects were freed from the regulations currently associated with going to an exhibition. Traditional understandings of exhibitions place the viewers in a one-way communication form, where the exhibition and those behind its creation inform their audiences. However, motivations behind exhibition-going are multiple and complex and frequently the intentions ofcurators do not match the expectations of their visitors.Based on an in-depth ethnographic examination of the processes involved in the making and reception of one particular exhibition-experiment as well as a study that follows 'freed' objects into their new homes, this publication will not only shed light on what exhibitions are, but also what they could become in the future.Featuring over 175 colour illustrations and using practical examples, this is an important contribution for students and scholars of anthropology, museum studies, photography, design and architecture.
Modern perspectives on art and politics in Shanghai in 2000
Here, contributions by Jane DeBevoise, Lee Weng Choy, Carol Yinghua Lu and Liu Ding, Mia Yu, Hou Hanru, Wu Hung and Ai Weiwei, among others, analyze art in Shanghai in 2000. During this time, landmark artist-led initiatives and the state-led Shanghai Biennale complicated conceptions of modernity, nationalism and globalism.
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