Автор: Gibson Rebecca, Vanderveen James M. Название: Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females ISBN: 1793641358 ISBN-13(EAN): 9781793641359 Издательство: Bloomsbury Рейтинг: Цена: 84150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females examines how gender changes and manifests in stories and film through several different types of beings. With sections on social death, the walking dead, and the undead, this is a multi-faceted look at myth, legend, and popular culture creatures.
Автор: Guimond Amy Melissa Название: Converting to Islam: Understanding the Experiences of White American Females ISBN: 331985352X ISBN-13(EAN): 9783319853529 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This text aims to discover the shared lived experiences of white American female converts to Islam in post- 9/11 America. In the United States, rates of conversion to Islam are rapidly increasing-alongside Islamophobic sentiment and hate crimes against Muslims.
Автор: Jackson Penelope Название: Females in the Frame ISBN: 303020765X ISBN-13(EAN): 9783030207656 Издательство: Springer Рейтинг: Цена: 18630.00 T Наличие на складе: Невозможна поставка. Описание: This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
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