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Refocus: The Films of Rachid Bouchareb, Gott Michael, Kealhofer-Kemp Leslie


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Автор: Gott Michael, Kealhofer-Kemp Leslie
Название:  Refocus: The Films of Rachid Bouchareb
ISBN: 9781474466516
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474466516
Обложка/Формат: Hardback
Страницы: 264
Вес: 0.54 кг.
Дата издания: 20.10.2020
Серия: Refocus: the international directors series
Язык: English
Иллюстрации: 20 b/w illustrations
Размер: 162 x 240 x 24
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Individual film directors, film-makers
Рейтинг:
Поставляется из: Англии
Описание: Examines the diverse oeuvre of internationally recognized French-Algerian director Rachid Bouchareb
  • Devotes attention to Boucharebs under-explored films, including the Oscar- nominated Poussi res de vie/Dust of Life (1994), those shot in English, and recent made-for- television films
  • Offers an interdisciplinary approach to Boucharebs work, drawing on gender studies, cinema studies, French and francophone studies, Islamic studies, and history, among others
  • Highlights connections between Boucharebs diverse films while offering a broader exploration of the arc of the directors career
  • Considers Bouchareb in the context of new critical explorations of cin ma-monde as a global auteur whose work - in French, English and beyond - extends beyond the narrow French national context

ReFocus: The Films of Rachid Bouchareb is the first book-length study of the internationally recognized directors films. Bouchareb was one of Frances first filmmakers of North African descent and his career as a director and producer now spans over 35 years. Remarkably varied in their themes, formal elements and narrative settings, Boucharebs work has engaged with and reflected on a variety of crucial social, political and historical issues; from the role of colonial troops in the French army during the Second World War, to terrorism in contemporary Europe. This volume examines Boucharebs films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking.




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