Harold Neal and Detroit African American Artists: 1945 Through the Black Arts Movement, , Myers Julia R.
Автор: James Smethurst Название: Behold the Land: The Black Arts Movement in the South ISBN: 1469663031 ISBN-13(EAN): 9781469663036 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 79420.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s. Traveling across the South, he chronicles the movement's radical roots, its ties to interracial civil rights organizations on the Gulf Coast, and how it thrived on college campuses and in southern cities. He traces the movement's growing political power as well as its disruptive use of literature and performance to advance Black civil rights.
Though recognition of its influence has waned, the Black Arts movement's legacy in the South endures through many of its initiatives and constituencies. Ultimately, Smethurst argues that the movement's southern strain was perhaps the most consequential, successfully reaching the grassroots and leaving a tangible, local legacy unmatched anywhere else in the United States.
As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.
Автор: La Donna Forsgren Название: In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement ISBN: 0810136945 ISBN-13(EAN): 9780810136946 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Невозможна поставка. Описание: The Black Arts Movement (1965-76) consisted of artists across the United States deeply concerned about the relationship between politics and the black aesthetic. In Search of Our Warrior Mothers examines how the Black Arts Movement provided a forum for black women playwrights to express feminist attitudes from within black nationalist discourses. La Donna L. Forsgren recuperates the careers, artistic theories, and dramatic contributions of leading women playwrights of the Black Arts Movement: Martie Evans-Charles, J.e. Franklin, Sonia Sanchez, and Barbara Ann Teer. Presenting four original case studies, Forsgren uses original interviews, production recordings, playbills, and unpublished manuscripts to investigate the careful negotiations of writers who contributed significantly to the creation, interpretation, and dissemination of black aesthetic theory.Black feminist drama, Forsgren argues, was a development within the Black Arts Movement, not a sharp break from it. Despite operating within a masculinist context that equated the collective well-being of black people with black male agency, these black women intellectuals centered their dramas around black women, validated female aspirations for autonomy, and explored women’s roles in the struggle for liberation from white hegemony. Whether working from within or outside of tightly knit Black Arts circles, these warrior mothers resisted both racism and sexism and redefined black empowerment to include the liberation of women, men, and children.In Search of Our Warrior Mothers opens an interdisciplinary conversation at the intersections of theater, performance, feminist, and African American studies, identifying and critiquing the gaps and silences within these fields.
As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.
A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.
Автор: James Smethurst Название: Behold the Land: The Black Arts Movement in the South ISBN: 146966304X ISBN-13(EAN): 9781469663043 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s. Traveling across the South, he chronicles the movement's radical roots, its ties to interracial civil rights organizations on the Gulf Coast, and how it thrived on college campuses and in southern cities. He traces the movement's growing political power as well as its disruptive use of literature and performance to advance Black civil rights.
Though recognition of its influence has waned, the Black Arts movement's legacy in the South endures through many of its initiatives and constituencies. Ultimately, Smethurst argues that the movement's southern strain was perhaps the most consequential, successfully reaching the grassroots and leaving a tangible, local legacy unmatched anywhere else in the United States.
Well before Rev. Dr. Martin Luther King, Jr. spoke out against nuclear weapons, African Americans were protesting the Bomb. Historians have generally ignored African Americans when studying the anti-nuclear movement, yet they were some of the first citizens to protest Truman's decision to drop atomic bombs in Hiroshima and Nagasaki in 1945. Now for the first time, African Americans Against the Bomb tells the compelling story of those black activists who fought for nuclear disarmament by connecting the nuclear issue with the fight for racial equality.
Intondi shows that from early on, blacks in America saw the use of atomic bombs as a racial issue, asking why such enormous resources were being spent building nuclear arms instead of being used to improve impoverished communities. Black activists' fears that race played a role in the decision to deploy atomic bombs only increased when the U.S. threatened to use nuclear weapons in Korea in the 1950s and Vietnam a decade later. For black leftists in Popular Front groups, the nuclear issue was connected to colonialism: the U.S. obtained uranium from the Belgian controlled Congo and the French tested their nuclear weapons in the Sahara.
By expanding traditional research in the history of the nuclear disarmament movement to look at black liberals, clergy, artists, musicians, and civil rights leaders, Intondi reveals the links between the black freedom movement in America and issues of global peace. From Langston Hughes through Lorraine Hansberry to President Obama, African Americans Against the Bomb offers an eye-opening account of the continuous involvement of African Americans who recognized that the rise of nuclear weapons was a threat to the civil rights of all people.
Well before Rev. Dr. Martin Luther King, Jr. spoke out against nuclear weapons, African Americans were protesting the Bomb. Historians have generally ignored African Americans when studying the anti-nuclear movement, yet they were some of the first citizens to protest Truman's decision to drop atomic bombs in Hiroshima and Nagasaki in 1945. Now for the first time, African Americans Against the Bomb tells the compelling story of those black activists who fought for nuclear disarmament by connecting the nuclear issue with the fight for racial equality.
Intondi shows that from early on, blacks in America saw the use of atomic bombs as a racial issue, asking why such enormous resources were being spent building nuclear arms instead of being used to improve impoverished communities. Black activists' fears that race played a role in the decision to deploy atomic bombs only increased when the U.S. threatened to use nuclear weapons in Korea in the 1950s and Vietnam a decade later. For black leftists in Popular Front groups, the nuclear issue was connected to colonialism: the U.S. obtained uranium from the Belgian controlled Congo and the French tested their nuclear weapons in the Sahara.
By expanding traditional research in the history of the nuclear disarmament movement to look at black liberals, clergy, artists, musicians, and civil rights leaders, Intondi reveals the links between the black freedom movement in America and issues of global peace. From Langston Hughes through Lorraine Hansberry to President Obama, African Americans Against the Bomb offers an eye-opening account of the continuous involvement of African Americans who recognized that the rise of nuclear weapons was a threat to the civil rights of all people.
Автор: Jeffries Bayyinah S. Название: A Nation Can Rise No Higher Than Its Women: African American Muslim Women in the Movement for Black Self-Determination, 1950 1975 ISBN: 1498532292 ISBN-13(EAN): 9781498532297 Издательство: Bloomsbury Рейтинг: Цена: 44550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A Nation Can Rise No Higher Than Its Women: African American Muslim Women in the Movement for Black Self Determination, 1950 1975 challenges traditional notions and interpretations of African American, particularly women who joined the Original Nation of Islam during the Civil Rights-Black Power era. This book is the first major investigation of the subject that engages a wide scope of women from The Nation and utilizes a wealth of primary documents and personal interviews to reveal the importance of women in this community. Jeffries reveals that women were respected in the movement and maintained a very clear and often sought after voice in the advancement of the Original Nation of Islam. A Nation Can Rise No Higher Than Its Women replaces the typical portrait of the subservient and irrelevant African American Muslim woman with a far more accurate picture of their integral leadership and substantial contributions to the rise of Islam and black consciousness in the self-determination movement in the United States and beyond during the Civil Rights-Black Power era."
Автор: Williams Yohuru R. Название: Rethinking the Black Freedom Movement ISBN: 0415826144 ISBN-13(EAN): 9780415826143 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The African American struggle for civil rights in the twentieth century is one of the most important stories in American history. With all the information available, however, it is easy for even the most enthusiastic reader to be overwhelmed. In Rethinking the Black Freedom Movement, Yohuru Williams has synthesized the complex history of this period into a clear and compelling narrative. Considering both the Civil Rights and Black Power movements as distinct but overlapping elements of the Black Freedom struggle, Williams looks at the impact of the struggle for Black civil rights on housing, transportation, education, labor, voting rights, culture, and more, and places the activism of the 1950s and 60s within the context of a much longer tradition reaching from Reconstruction to the present day. Exploring the different strands within the movement, key figures and leaders, and its ongoing legacy, Rethinking the Black Freedom Movement is the perfect introduction for anyone seeking to understand the struggle for Black civil rights in America.
Автор: Williams Название: Rethinking the Black Freedom Movement ISBN: 0415826128 ISBN-13(EAN): 9780415826129 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The African American struggle for civil rights in the twentieth century is one of the most important stories in American history. With all the information available, however, it is easy for even the most enthusiastic reader to be overwhelmed. In Rethinking the Black Freedom Movement, Yohuru Williams has synthesized the complex history of this period into a clear and compelling narrative. Considering both the Civil Rights and Black Power movements as distinct but overlapping elements of the Black Freedom struggle, Williams looks at the impact of the struggle for Black civil rights on housing, transportation, education, labor, voting rights, culture, and more, and places the activism of the 1950s and 60s within the context of a much longer tradition reaching from Reconstruction to the present day. Exploring the different strands within the movement, key figures and leaders, and its ongoing legacy, Rethinking the Black Freedom Movement is the perfect introduction for anyone seeking to understand the struggle for Black civil rights in America.
Автор: Parker, Traci Название: Department stores and the black freedom movement ISBN: 1469648679 ISBN-13(EAN): 9781469648675 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this book, Traci Parker examines the movement to racially integrate white-collar work and consumption in American department stores, and broadens our understanding of historical transformations in African American class and labor formation. Built on the goals, organization, and momentum of earlier struggles for justice, the department store movement channeled the power of store workers and consumers to promote black freedom in the mid-twentieth century. Sponsoring lunch counter sit-ins and protests in the 1950s and 1960s, and challenging discrimination in the courts in the 1970s, this movement ended in the early 1980s with the conclusion of the Sears, Roebuck, and Co. affirmative action cases and the transformation and consolidation of American department stores. In documenting the experiences of African American workers and consumers during this era, Parker highlights the department store as a key site for the inception of a modern black middle class, and demonstrates the ways that both work and consumption were battlegrounds for civil rights.
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