Robert Rauschenberg: An Oral History, Sinclair Sara, Bearman Peter, Clark Mary Marshall
Автор: Craft Catherine Название: Robert Rauschenberg ISBN: 0714861510 ISBN-13(EAN): 9780714861517 Издательство: Phaidon Press Ltd. Рейтинг: Цена: 15790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The perfect introduction to the life and work of Robert Rauschenberg.
Автор: Sinclair Sara, Bearman Peter, Clark Mary Marshall Название: Robert Rauschenberg: An Oral History ISBN: 0231192762 ISBN-13(EAN): 9780231192767 Издательство: Wiley Рейтинг: Цена: 31680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century`s great artists through a series of interviews with key figures in his life-family, friends, former lovers, professional associates, studio assistants, and collaborators.
Автор: Gavin Parkinson Название: Robert Rauschenberg and Surrealism: Art, `Sensibility` and War in the 1960s ISBN: 1501358294 ISBN-13(EAN): 9781501358296 Издательство: Bloomsbury Academic Рейтинг: Цена: 95040.00 T Наличие на складе: Невозможна поставка. Описание: The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Автор: Krcma Ed Название: Tate Introductions: Robert Rauschenberg ISBN: 1849764891 ISBN-13(EAN): 9781849764896 Издательство: Tate Рейтинг: Цена: 8790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Part of the Tate Introduction series, this book offers a concise and engaging account of Rauschenberg`s life, his art, and the ongoing debates concerning his significance.
Автор: Joseph, Branden W. Название: Robert rauschenberg ISBN: 0262600498 ISBN-13(EAN): 9780262600491 Издательство: MIT Press Рейтинг: Цена: 22510.00 T Наличие на складе: Невозможна поставка. Описание:
Critical essays on the artist Robert Rauschenberg, focusing on the important period of his development in the 1950s and 1960s.
From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television.
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