Автор: Richard Endsor Название: The Restoration Warship ISBN: 1844860884 ISBN-13(EAN): 9781844860883 Издательство: Bloomsbury Рейтинг: Цена: 49500.00 T Наличие на складе: Поставка под заказ. Описание: Laid down in 1677, HMS Lenox, a 70-gun third rate of Charles II`s Navy, represents the pinnacle of English shipbuilding practice and typifies all third-rate ships of the period, which were by far the most numerous class of warship in the seventeenth century, and formed the backbone of the English fleet. This title introduces the history of Lenox.
Автор: Grusin Richard, Szczepaniak-Gillece Jocelyn Название: Ends of Cinema ISBN: 1517910587 ISBN-13(EAN): 9781517910587 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23410.00 T Наличие на складе: Нет в наличии. Описание: At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century-from the introduction of sound and color to the advent of television and video-and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century.In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; Andr? Gaudreault, U de Montr?al; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.
Автор: Ward Leo Richard Название: God and World Order: A Study of Ends in Nature ISBN: 1258244608 ISBN-13(EAN): 9781258244606 Издательство: Неизвестно Цена: 39170.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Jocelyn Szczepaniak-Gillece, Richard Grusin Название: Ends of Cinema ISBN: 1517910579 ISBN-13(EAN): 9781517910570 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 93630.00 T Наличие на складе: Нет в наличии. Описание: At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century-from the introduction of sound and color to the advent of television and video-and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century.In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; Andr? Gaudreault, U de Montr?al; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.
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