Anthology of Post-Tonal Music, Second Edition, Roig-Francol?, Miguel A.
Автор: Roig-Francol?, Miguel A. Название: Anthology of Post-Tonal Music, Second Edition ISBN: 0367355388 ISBN-13(EAN): 9780367355388 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francoli, this Anthology can also stand alone for study of the history and analysis of post-tonal music.
Автор: Roig-Francol?, Miguel A. Название: Understanding Post-Tonal Music, Second Edition ISBN: 0367355353 ISBN-13(EAN): 9780367355357 Издательство: Taylor&Francis Рейтинг: Цена: 100030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music, intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music.
Автор: Roig-Francol?, Miguel A. Название: Understanding Post-Tonal Music, Second Edition ISBN: 036735537X ISBN-13(EAN): 9780367355371 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music, intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music.
Автор: Roig-francoli, Miguel A. Название: Anthology of post-tonal music ISBN: 0367432854 ISBN-13(EAN): 9780367432850 Издательство: Taylor&Francis Рейтинг: Цена: 46950.00 T Наличие на складе: Нет в наличии. Описание:
This collection of 41 selections and excerpts represents a wide range of music from the 20th century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francol , it can also stand alone as an anthology for study and analysis in other music theory courses.
Автор: Stefan Kostka, Matthew Santa Название: Materials and Techniques of Post-Tonal Music ISBN: 041534591X ISBN-13(EAN): 9780415345910 Издательство: Taylor&Francis Цена: 96970.00 T Наличие на складе: Невозможна поставка.
Автор: Monica Kang Название: Post-Tonal Affinities in Piano Works of Bartok, Chen, and Crumb ISBN: 363167645X ISBN-13(EAN): 9783631676455 Издательство: Peter Lang Рейтинг: Цена: 66470.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. B?la Bart?k can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers.
Автор: Kostka Stefan, Santa Matthew Название: Materials and Techniques of Post-Tonal Music ISBN: 1138714194 ISBN-13(EAN): 9781138714199 Издательство: Taylor&Francis Рейтинг: Цена: 142910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music.
This updated fifth edition features:
chapters revised throughout to include new examples from recent music and insights from the latest scholarship;
the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts;
expanded discussions of spectralism and electronic music;
timelines in each chapter, grounding the music discussed in its chronological context;
a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor's manual that covers all of the exercises in each chapter.
Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Автор: Roig-francoli, Miguel A. Название: Understanding post-tonal music ISBN: 0367432870 ISBN-13(EAN): 9780367432874 Издательство: Taylor&Francis Рейтинг: Цена: 63280.00 T Наличие на складе: Нет в наличии. Описание:
Understanding Post-Tonal Music explores the compositional and musical processes of twentieth-century post-tonal music. The book is intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music. The aim of the book is to increase the accessibility of post-tonal music by providing students with tools for understanding issues like pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire.
Автор: Stefan Kostka, Matthew Santa Название: Materials and Techniques of Post-Tonal Music ISBN: 0415345901 ISBN-13(EAN): 9780415345903 Издательство: Taylor&Francis Цена: 142910.00 T Наличие на складе: Невозможна поставка.
Автор: Harrison Daniel Название: Pieces of Tradition: An Analysis of Contemporary Tonal Music ISBN: 0190244461 ISBN-13(EAN): 9780190244460 Издательство: Oxford Academ Рейтинг: Цена: 42760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book is about how music "in a key" is composed. Further, it is about how such music was composed when it was no longer compulsory to do so, starting a few years before the First World War. In an eclectic journey through the history of compositional technique, Daniel Harrison contends that the tonal system did not simply die out with the dawn of twentieth century, but continued to supplement newer techniques as a compelling means of musical organization, even into current times. Well-known art music composers such as Bartok, Hindemith, Prokofiev, and Messiaen are represented alongside composers whose work moves outside the standard boundaries of art music: Leonard Bernstein, Murice Durufle, Frank Martin, Xiaoyong Chen. Along the way, the book attends to military bugle calls, a trailer before a movie feature, a recomposition of a famous piece by Arnold Schoenberg, and the music of Neil Diamond, David Shire, and Brian Wilson. A celebration of the awesome variety of musical expressions encompassed in what is called tonal music, Pieces of Tradition is a book for composers seeking ideas and effects, music theorists interested in its innovations, and all those who practice the analysis of composition in all its modern and traditional variations. "
Previously, artificial neural networks have been used to capture only the informal properties of music. However, cognitive scientist Michael Dawson found that by training artificial neural networks to make basic judgments concerning tonal music, such as identifying the tonic of a scale or the quality of a musical chord, the networks revealed formal musical properties that differ dramatically from those typically presented in music theory. For example, where Western music theory identifies twelve distinct notes or pitch-classes, trained artificial neural networks treat notes as if they belong to only three of four different pitch-classes, a wildly different interpretation of the components of tonal music.
Intended to introduce readers to the use of artificial neural networks in the study of music, this volume contains numerous case studies and research findings that address problems related to identifying scales, keys, classifying musical chords, and learning jazz chord progressions. A detailed analysis of networks is provided for each case study which together demonstrate that focusing on the internal structure of trained networks could yield important contributions to the field of music cognition.
Автор: Yakin Dr Murat Название: Starter`s Guide to Music Theory and Analysis: Tonal System ISBN: 1534975918 ISBN-13(EAN): 9781534975910 Издательство: Неизвестно Цена: 40220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is a step by step guide for music theory and analysis for the beginners. From basics of musical notation to the principles of tonality, all of the difficult subjects of music theory are explained in detail, with demonstrations. The student is prepared for analysis studies step by step. The exercises provided at the end of each chapter (and sometimes extra exercises in the middle of a chapter) are designed for the student to develop what she/he learned by reading and prepare herself/himself for the next challenge. Music theory is generally a scary subject for musicians. This is not true for a person who is capable of developing connections between different aspects of music theory and is able to practice them in a fluid way. That is because the practice holds the analytical secrets inside and the person who opens it is awarded. For most of the students, practicing scales or practicing chords of a scale is something just very very low profile work. The fingers memorize which key on the piano to be pressed in which order when the piano is chosen as the instrument for assistive training, but the brain does not want to develop connections between different aspects of the same theoretical practice such as playing a major scale first, let's say G major, and then playing a different one, let's say A-flat major. The result is a temporary learning of scale practicing, but a possible failure in music theory, since the rules which are just there to see are not exercised at the same time. We observed that a long-term learning is possible by practicing and examining what is practiced to make connections. We searched a way to show these connections in this book. Analysis is another problem in academic education of music. Students from different majors are excepted to make a standard level analysis of musical works from literature. The most difficult thing for those whose major is not composition or theory, who have a strong focus on the matter, is to recognize the chords in a given texture, to eliminate the unnecessary tones, and by this way, to identify the way chord progressions are held in the piece to explain the functionality of the elements used in music. That is the main goal of musical analysis and any level of failure, which also includes composition and theory majors sometimes, becomes a huge headache for both student and the teacher. This book suggests a path to quickly train the lower level students in a class in basics and then to train the medium level and upper level students (along with the trained lower levels) in a different manner than the conventional music theory training does so that even the higher levels will re-consider their knowledge on the facts which will allow them go in the details deeper, and even inspire the way think music and musical analysis. Analysis is expected to be a quiet easy skill that student uses in a fluent way. The book provides exercises at the end of every chapter. The study of these exercises should be sufficient for a basic level learning. The exercises usually cover more than one aspect of a goal in separate questions. Among the other powerful features of this book, we can mention the chapters on musical design. The music student usually learns only one dimension of identification of chords in music which lacks of concerning the textural differences. We find it essential to mention main textural differences and demonstrate how to approach them in order to make a good analysis at the beginner level. We think the basic music theory training should include such an unpronounced aspect of analysis. We also explain the effect of instrumental choice in the work and what to expect to see as well as how to approach different setups for analysis by demonstrations, including orchestral writing.
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