Popular Musicology and Identity, 

Название: Aardman animations
ISBN: 1350114553 ISBN-13(EAN): 9781350114555
Издательство: Bloomsbury Academic
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Цена: 105600.00 T
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Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.

Автор: Eldritch Priest
Название: Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure
ISBN: 1441124756 ISBN-13(EAN): 9781441124753
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
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Описание: Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious concept. The book frames recent experimental composition as a deviant kind of sound art whose affective and formal elements reflect on current issues in contemporary culture, and offers analyses of musical works and performance practices that are rarely heard, let alone considered as significant cultural phenomena - showing the role that obscurity and the esoteric have in articulating current cultural realities. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.

Автор: Matt Brennan
Название: When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock
ISBN: 1501319027 ISBN-13(EAN): 9781501319020
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: In an essay on the future of jazz penned in 1955, Duke Ellington suggested that the new music called rock ‘n’ roll “is the most raucous form of jazz, beyond a doubt.” So why did jazz and rock become separate genres when they shared so many similar musical and cultural characteristics? The rift between jazz and rock - and jazz and rock scholarship - is based on a set of received assumptions as to why jazz and rock are different. In When Genres Collide, Matt Brennan argues that there are other ways popular music history could have been written (and has been written) that call the oppositional representation of jazz and rock into question. The book challenges the traditional divide between jazz and rock by going back to how they were first covered in the two oldest surviving and most influential jazz and rock periodicals: Down Beat and Rolling Stone. It examines afresh the critical moments in history when the trajectories and meanings of jazz and rock intersected, overlapped, or collided in dramatic ways. Ultimately, the book shows how music critics gradually constructed a divide between the two genres that would be replicated for decades to come in both music journalism and music scholarship. This book will be valuable to the fields of both popular music studies and jazz studies, and in fact aims to bridge a gap between these two musical worlds.

Название: Global glam and popular music
ISBN: 1138821764 ISBN-13(EAN): 9781138821767
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание: This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world’s popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.

Автор: Clarence Bernard Henry
Название: Let`s Make Some Noise: Axe and the African Roots of Brazilian Popular Music
ISBN: 1617033278 ISBN-13(EAN): 9781617033278
Издательство: Mare Nostrum (Eurospan)
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Цена: 31410.00 T
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Описание: Clarence Bernard Henry`s book is a culmination of several years of field research on sacred and secular influences of ase, the West African Yoruba concept that spread to Brazil and throughout the African Diaspora. The author examines how the concepts of ase and Candomble religion have been appropriated and reinvented in Brazilian popular music and culture.

Название: Arvo part`s white light
ISBN: 1316633950 ISBN-13(EAN): 9781316633953
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: This book presents a fresh, interdisciplinary approach to the study of the contemporary composer Arvo Part and his reception. The volume charts his influence on areas including film, cultural programming, new media, cultures of listening, politics and performance practice. It addresses a wide readership across the humanities, with technical analysis kept to a minimum.

Автор: Howland John
Название: Duke Ellington Studies
ISBN: 1108792537 ISBN-13(EAN): 9781108792530
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: This book explores the rich and influential career of one of jazz music`s central figures, from his work as a composer to his cultural legacy in jazz, popular music and modern media. Leading authors offer clear, engaging, and scholarly insights into Duke Ellington`s work and critical reception, from musical, historical, and international perspectives.

Автор: Richard Mills
Название: The Beatles and Black Music: Post-Colonial Theory, Musicology and Remix Culture
ISBN: 1501366947 ISBN-13(EAN): 9781501366949
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: The Beatles and Black Music discusses the influence that black music and culture has had over the Beatles throughout their career. The book adopts a musicological and historiographic account to demonstrate the extent to which Liverpool’s colonial history has influenced the Beatles’ music. Beginning with the grand narrative British colonial history pre-Beatles, it moves through the influence on the Beatles teenage years in the 1950s, through their association with Lord Woodbine, the Beatles love American Rhythm and Blues in the mid-1960s, a discussion of post-colonial British identity to the lasting effect black music has for the Beatles’ legacy and still has on the solo careers of Ringo Starr and Paul McCartney. Tracing the history from the Slave Trade in 1795 to the nascent Mersey Beat scene in the early 1960s, this book is the first to explore the Beatles from this important cultural lens.

Автор: Pete Dale
Название: Popular Music and the Politics of Novelty
ISBN: 1501307045 ISBN-13(EAN): 9781501307041
Издательство: Bloomsbury Academic
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Цена: 147840.00 T
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Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

Название: Arvo part`s white light
ISBN: 1107182891 ISBN-13(EAN): 9781107182899
Издательство: Cambridge Academ
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Цена: 102430.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book presents a fresh, interdisciplinary approach to the study of the contemporary composer Arvo Part and his reception. The volume charts his influence on areas including film, cultural programming, new media, cultures of listening, politics and performance practice. It addresses a wide readership across the humanities, with technical analysis kept to a minimum.

Название: Popular Musicology and Identity
ISBN: 0367503239 ISBN-13(EAN): 9780367503239
Издательство: Taylor&Francis
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Цена: 43890.00 T
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Описание: Popular Musicology and Identity paves new paths for studying popular music`s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors

Автор: Felipe Trotta
Название: Annoying Music in Everyday Life
ISBN: 1501360639 ISBN-13(EAN): 9781501360633
Издательство: Bloomsbury Academic
Цена: 68640.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Just as music has the power to inspire, it has the power to irritate and enrage. Why does certain music annoy us? Why does it force us to leave rooms, invade our personal space and affect us on a visceral level? Based on more than 70 interviews, this book discusses the everyday challenges of living together with unwanted music. It examines issues of taste, individual rights, private and public spaces, violence and the law. The interviews explore various relationships with forced listening and the behaviors that result. Interviewees talk about emotions and reactions to the nuisance caused by music, highlighting matters of otherness, individualism and rights. They discuss experiences with neighbors, at stores, on the street, while commuting and even in their homes - and reveal the complex social interactions mediated by music and sounds in our day-to-day lives.