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Poetics of Self and Form in Keats and Shelley, Sandy, Mark


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в Мои желания

Автор: Sandy, Mark
Название:  Poetics of Self and Form in Keats and Shelley
ISBN: 9780367887797
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0367887797
Обложка/Формат: Paperback
Страницы: 160
Вес: 0.41 кг.
Дата издания: 20.12.2019
Серия: The nineteenth century series
Язык: English
Размер: 234 x 156
Читательская аудитория: Tertiary education (us: college)
Основная тема: Intellectual History
Подзаголовок: Nietzschean Subjectivity and Genre
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: In focusing on the poetic treatment of self and literary form in Keats and Shelley, Mark Sandy shows how using Nietzsche`s philosophy to illuminate Keats`s correspondence and Shelley`s A Defence of Poetry provides a conceptual basis for a comparative reading of the poets. Using key ideas from Nietzsche, Sandy explores Keats`s Endymion and Shelley`s

Shelley

Автор: Symonds
Название: Shelley
ISBN: 1108034691 ISBN-13(EAN): 9781108034692
Издательство: Cambridge Academ
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Цена: 26400.00 T
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Описание: This biography of Shelley (1792-1822), the Romantic poet also known for his defence of atheism, was written by John Addington Symonds (1840-93), author, poet and critic, whose aim was to portray the complete and controversial man.

Shelley and the Musico-Poetics of Romanticism

Автор: Quillin
Название: Shelley and the Musico-Poetics of Romanticism
ISBN: 1138269190 ISBN-13(EAN): 9781138269194
Издательство: Taylor&Francis
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Цена: 58170.00 T
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Описание: Addressing a gap in Shelley studies, Jessica K. Quillin explores the poet's lifelong interest in music. Quillin connects the trope of music with Shelley's larger formal aesthetic, political, and philosophical concerns, showing that music offers a new critical lens through which to view such familiar Shelleyan concerns as the status of the poetic, figural language, and the philosophical problem posed by idealism versus skepticism. Quillin's book uncovers the implications of Shelley's use of music by means of four musico-poetic concerns: the inherently interdisciplinary nature of musical imagery and figurative language; the rhythmic and sonoric dimensions of poetry; the extension of poetry into the performative realms of the theatre and drawing room through close links between most poetic genres and music; and the transformation of poetry into music through the setting and adaptation of poetic lyrics to music. Ultimately, Quillin argues, Shelley exhibits a fundamental recognition of an interdependence between music and poetry which is expressed in the form and content of his highly sonorous works. Equating music with love allows him to create a radical model in which poetry is the highest form of imaginative expression, one that can affect the mind and the senses at once and potentially bring about the perfectibility of mankind through a unique mode of visionary experience.

Shelley`s Poetics of Reticence

Автор: Roberts, Merrilees
Название: Shelley`s Poetics of Reticence
ISBN: 0367256436 ISBN-13(EAN): 9780367256432
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Through new readings of Shelley`s verse, this book engages with the affective, phenomenological and ethical dimensions of shame, as it is made manifest by Shelley`s textual strategies of reticence.

Text World Theory and Keats` Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares

Автор: Marcello Giovanelli
Название: Text World Theory and Keats` Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares
ISBN: 1623561124 ISBN-13(EAN): 9781623561123
Издательство: Bloomsbury Academic
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Цена: 168960.00 T
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Text World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.


Text World Theory and Keats` Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares

Автор: Marcello Giovanelli
Название: Text World Theory and Keats` Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares
ISBN: 1474222897 ISBN-13(EAN): 9781474222891
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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Описание: d104 World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. d104 World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.

On Keats`s Practice and Poetics of Responsibility

Автор: Atkins
Название: On Keats`s Practice and Poetics of Responsibility
ISBN: 3319441434 ISBN-13(EAN): 9783319441436
Издательство: Springer
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Цена: 46570.00 T
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Описание:

This accessible, informed, and engaging book offers fresh, new avenues into Keats’s poems and letters, including a valuable introduction to “the responsible poet.” Focusing on Keats’s sense of responsibility to truth, poetry, and the reader, G. Douglas Atkins, a noted T.S. Eliot critic, writes as an ama-teur. He reads the letters as literary texts, essayistic and dramatic; the Odes in comparison with Eliot’s treatment of similar subjects; “The Eve of St. Agnes” by adding to his respected earlier article on the poem an addendum outlining a bold new reading; “Lamia” by focusing on its complex and perplexing treatment of philosophy and imagination and revealing how Keats literally represents philosophy as functioning within poetry. Comparing Keats with Eliot, poet-philosopher, this book generates valuable insight into Keats’s successful and often sophisticated poetic treatment of ideas, accentuating the image of him as “the responsible poet.”

Coleridge, Keats and Shelley

Название: Coleridge, Keats and Shelley
ISBN: 0333608909 ISBN-13(EAN): 9780333608906
Издательство: Springer
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Цена: 31670.00 T
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Описание: This volume offers a comprehensive selection of contemporary criticism of three great Romantic poets, ranging from traditional literary scholarship through historicist, feminist, structuralist and poststructuralist readings.

Reception and Poetics in Keats

Автор: J. Robinson
Название: Reception and Poetics in Keats
ISBN: 0333716388 ISBN-13(EAN): 9780333716380
Издательство: Springer
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Цена: 139750.00 T
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Описание: Robinson`s Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats`s own poems and poetics.

Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and Their Circle

Автор: Cox Jeffrey N.
Название: Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and Their Circle
ISBN: 0521631009 ISBN-13(EAN): 9780521631006
Издательство: Cambridge Academ
Цена: 95040.00 T
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Описание: In this 1999 book, Jeffrey N. Cox challenges the traditional image of the Romantic poet as an isolated figure by showing Shelley, Keats, Hunt, Hazlitt, Byron and others working together in the circle of writers around Leigh Hunt known as the `Cockney School`.

Poetics of Luxury in the Nineteenth Century: Keats, Tennyson, and Hopkins

Автор: Tontiplaphol Betsy Winakur
Название: Poetics of Luxury in the Nineteenth Century: Keats, Tennyson, and Hopkins
ISBN: 1409404897 ISBN-13(EAN): 9781409404897
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Описание: Beginning with John Keats and tracing a line of influence through Alfred Lord Tennyson and Gerard Manley Hopkins, this book draws on narratives of the nineteenth century`s social and literary developments to describe the relationship between poetics and luxury in an age when imperial trade and domestic consumerism reached a fevered pitch.

Wireless Dada: Telegraphic Poetics in the Avant-Garde

Автор: Beals Kurt
Название: Wireless Dada: Telegraphic Poetics in the Avant-Garde
ISBN: 0810141051 ISBN-13(EAN): 9780810141056
Издательство: Mare Nostrum (Eurospan)
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Цена: 31770.00 T
Наличие на складе: Нет в наличии.
Описание: Wireless Dada: Telegraphic Poetics in the Avant-Garde demonstrates that the poetics of the Dada movement were profoundly influenced by the telegraph and the technological and social transformations that it brought about in the nineteenth and early twentieth centuries. While telegraphy's impact on other avant-gardes such as Italian futurism and German expressionism is widely acknowledged, its formative role in Dada poetics has been largely neglected. Yet the telegraph exerted an unmistakable influence on the Dada movement, providing a fundamentally new paradigm for understanding language that proved well suited to an avant-garde in search of revolutionary means of expression.Drawing on methods and insights from media history and theory, avant-garde studies, and German literary studies, Kurt Beals shows how the telegraph and the cultural discourses that surrounded it shaped the radical works of this seminal avant-garde movement. The "nonsense" strain in Dada is frequently seen as a response to the senseless violence of the First World War. However, Beals argues, it was not just the war that turned Dada poetry into a jumble of senseless signals—it was also the wireless.

Surprise: The Poetics of the Unexpected from Milton to Austen

Автор: Miller Christopher R.
Название: Surprise: The Poetics of the Unexpected from Milton to Austen
ISBN: 0801453690 ISBN-13(EAN): 9780801453694
Издательство: Mare Nostrum (Eurospan)
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Цена: 47610.00 T
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Описание:

Today, in the era of the spoiler alert, "surprise" in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or na?vet?, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.



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