Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, A. Kinnahan, Linda
Автор: John Smart Название: Twentieth Century British Drama ISBN: 052179563X ISBN-13(EAN): 9780521795630 Издательство: Cambridge Education Рейтинг: Цена: 12990.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Looking back on 20th century British drama from its` historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.
Автор: Manglis Alexandra, Case Kristen Название: 21 - 19: Contemporary Poets in the Nineteenth-Century Archive ISBN: 157131377X ISBN-13(EAN): 9781571313775 Издательство: Неизвестно Рейтинг: Цена: 18390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: "Kristen Case and Alexandra Manglis have put together something beautiful and deep about how things go together in a place that sells, but no longer prides, itself on having figured out how things go together better than any other place, at any time. This anthology tells the truth and exposes that lie." -FRED MOTEN
Автор: Kinnahan Название: A History of Twentieth-Century American Women`s Poetry ISBN: 110713756X ISBN-13(EAN): 9781107137561 Издательство: Cambridge Academ Рейтинг: Цена: 98210.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A History of Twentieth-Century American Women`s Poetry explores the genealogy of modern American verse by women from the early twentieth century to the millennium. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of American women poets.
This book foregrounds some of the ways in which women playwrights from across a range of contexts and working in a variety of forms and styles are illuminating the contemporary world while also contributing to its reshaping as they reflect, rethink, and reimagine it through their work for the stage. The book is framed by a substantial introduction that sets forth the critical vision and structure of the book as a whole, and an afterword that points toward emerging currents in and expansions of the contemporary field of playwriting by women on the cusp of the third decade of the twenty-first century. Within this frame, the twenty-eight chapters that form the main body of the book, each focusing on a single play of critical significance, together constitute a multi-faceted, inevitably partial, yet nonetheless integral picture of the work of women playwrights since 2000 as they engage with some of the most pressing issues of our time. Some of these issues include the continuing oppression of and violence against women, people of color, LGBTQ+ people, and ethnic minorities; the ongoing processes of decolonization; the consequences of neoliberal capitalism; the devastation and enduring trauma of war; global migration and the refugee crisis; the turn to right-wing populism; and the impact of climate change, including environmental disaster and species extinction.
The book is structured into seven sections: Replaying the Canon; Representing Histories; Staging Lives; Re-imagining Family; Navigating Communities; Articulating Intersections; and New World Order(s). These sections group clusters of plays according to the broad critical actions they perform or, in the case of the final section, the new world orders that they capture through their stagings of the seeming impasse of the politically and environmentally catastrophic global present moment. There are many other points of resonance among and across the plays, but this seven-part structure foregrounds the broader actions that drive the plays, both in the Aristotelian dramaturgical sense and in the larger sense of the critical interventions that the plays creatively enact. In this way, the seven-part structure establishes correspondences across the great diversity of dramatic material represented in the book while at the same time identifying key methods of critical approach and areas of focus that align the book’s contributors across this diversity. The structure of the book thus parallels what the playwrights themselves are doing, but also how the contributors are approaching their work. Plays featured in the book are from Canada, Australia, South Africa, the US, the UK, France, Argentina, New Zealand, Syria, Brazil, Italy, and Austria; the playwrights include Margaret Atwood, Leah Purcell, YaËl Farber, Paula Vogel, Adrienne Kennedy, Suzan-Lori Parks, debbie tucker green, Lisa Loomer, HÉlÈne Cixous, Anna Deavere Smith, Lola Arias, Lisa Kron and Jeanine Tesori, Marie Clements, Quiara AlegrÍa Hudes, Alia Bano, Holly Hughes, Whiti Hereaka, Julia Cho, Liwaa Yazji, Grace PassÔ, Dominique Morisseau, Emma Dante, Frances Ya-Chu Cowhig, Lynn Nottage, Elfriede Jelinek, Caryl Churchill, Colleen Murphy, and Lucy Kirkwood.
Encompassing several generations of playwrights and scholars, ranging from the most senior to mid-career to emerging voices, the book will be essential reading for established researchers, a valuable learning resource for students at all levels, and a useful and accessible guide for theatre practitioners and interested theatre-goers.
Автор: Prescott Tara Название: Poetic Salvage: Reading Mina Loy ISBN: 1611488141 ISBN-13(EAN): 9781611488142 Издательство: Неизвестно Рейтинг: Цена: 78150.00 T Наличие на складе: Невозможна поставка. Описание: This book provides new explications of Loy`s most redolent poems from The Lost Lunar Baedeker. It offers a short biography, an explanation of Loy`s composition process, and compelling close readings that uncover the source materials that inspired her poetry, including modern artwork, Baedeker travel guides, and long-forgotten cultural venues.
Автор: Vera Manuel Название: Honouring the Strength of Indian Women: Plays, Stories, Poetry ISBN: 0887558364 ISBN-13(EAN): 9780887558368 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This critical edition delivers a unique and comprehensive collection of the works of Ktunaxa-Secwepemc writer and educator Vera Manuel, daughter of prominent Indigenous leaders Marceline Paul and George Manuel. A vibrant force in the burgeoning Indigenous theatre scene, Vera was at the forefront of residential school writing and did ground breaking work as a dramatherapist and healer. Long before mainstream Canada understood and discussed the impact and devastating legacy of Canada's Indian residential schools, Vera Manuel wrote about it as part of her personal and community healing. She became a grassroots leader addressing the need to bring to light the stories of survivors, their journeys of healing, and the therapeutic value of writing and performing arts. A collaboration by four Indigenous writers and scholars steeped invalues of Indigenous ethics and editing practices, the volume features Manuel's most famous play, Strength of Indian Women—first performed in 1992 and still one of the most important literary works to deal with the trauma of residential schools--along with an assemblage of plays written from the late 1980s until Manuel's untimely passing in 2010 that were performed but never before published. The volume also includes three previously unpublished short stories written in 1988, poetry written over three decades in a variety of venues, and a 1987 college essay that draws on family and community interviews on the effects of residential schools.
Автор: Michel Hockx, Joan Judge, Barbara Mittler Название: Women and the Periodical Press in China`s Long Twentieth Century: A Space of their Own? ISBN: 1108419755 ISBN-13(EAN): 9781108419758 Издательство: Cambridge Academ Рейтинг: Цена: 115110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this major new collection, an international team of scholars examine the relationship between the Chinese women`s periodical press and global modernity in the late nineteenth and twentieth centuries, encouraging readers in and beyond the field of Chinese studies to rethink issues of gender and genre in the digital age.
Автор: Conners Carrie Название: Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry ISBN: 1496839536 ISBN-13(EAN): 9781496839534 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry argues that humor is not a superficial feature of a small subset, but instead an integral feature in a great deal of American poetry written since the 1950s. Rather than viewing poetry as a lofty, serious genre, Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes it especially whetted for critique. Many comedians and humorous poets prove to be astute cultural critics. To that end, Laugh Lines focuses on poetry that wields humor to espouse sociopolitical critique. To show the range of recent American poetry that uses humor to articulate sociopolitical critique, Conners highlights the work of poets working in four distinct poetic genres: traditional, received forms, such as the sonnet; the epic; procedural poetry; and prose poetry. Marilyn Hacker, Harryette Mullen, Ed Dorn, and Russell Edson provide the main focus of the chapters, but each chapter compares those poets to others writing humorous political verse in the same genre, including Terrance Hayes and Anne Carson. This comparison highlights the pervasiveness of this trend in recent American poetry and reveals the particular ways the poets use conventions of genre to generate and even amplify their humor. Conners argues that the interplay between humor and genre creates special opportunities for political critique, as poetic forms and styles can invoke the very social constructs that the poets deride.
Название: Irish women writers at the turn of the twentieth century ISBN: 1911454188 ISBN-13(EAN): 9781911454182 Издательство: Неизвестно Рейтинг: Цена: 72730.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This major new work on significant but neglected or marginalised late nineteenth-century and early twentieth-century Irish women writers could not be more timely. / This collection presents international research on the work of Irish women writers at the turn of the twentieth century. Discovering new voices and introducing original perspectives on the lives, works and networks of more familiar literary figures, these essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period. / There is a burgeoning interdisciplinary and international field in which a diverse range of hitherto neglected Irish women writers have been recovered, and their lives, works, networks and other contexts illuminated. Irish Women Writersat the Turn of the Twentieth Century capitalises on this rich, diverse and innovative field, drawing on new scholarship that develops existing strands of enquiry further. It also opens up new avenues for exploration. / The strengths of the work is in its seeking of new engagements specifically in relation to Irish women's cultural economies, particularly literary networks, access to literary production and publication, the long nineteenth century and emergent modernist aesthetics. A further key concern is the politics of retrieval of lost women's lives and writings, the relationship of Irish feminist critical projects to the ongoing acts of commemoration associated with the formation of the Irish state, and increasing concerns with the future-proofing of 'lost' feminist digital recovery projects of the 1990s. / This new collection of original work offers new scholarship about these concerns in late nineteenth-century and early twentieth-century Irish women's writing. It draws attention to the significant figure of the Irish New Woman, feminism in the archives, vegetarianism and suffrage, anthologies and the canon, literary and publishing networks, digital methodologies, and women's writing and intellectual journals, newspaper and periodical histories. / Waking The Feminists, a movement campaigning for better female representation in the arts was established in Ireland in 2015. The launch of 'Fired ', a 'convergence of practising women poets and academics responding to the publication of The Cambridge Companion to Irish Poets (2017) protested against the exclusion of Irish women poets generally from the literary canon, including many who were popular and prolific during the nineteenth century. / Two recently held events - 'Irish Women Playwrights and Theatremakers' (2017) and the symposium, "Occluded Narratives: Researching Irish Women's Writing (2016) - foregrounded the interest in these areas and the plenitude of new research. The present book draws on work first presented at the editors' symposium, "Occluded Narratives: Researching Irish Women's Writing (1880-1910)" (May Immaculate College, Limerick 2016) where the Irish Women's Writers Network was also launched.
Against the modern cult for transnational love and mixed-blood babies, this book brings readers to revisit the prolonged anxieties over the mixing of races and the complexities underpinning the literary representation of thwarted Chinese-Caucasian romance in the twentieth century. Moreover, in the current world order where the rise of China has played a significant role and triggered different speculations on various fronts, this book takes readers on a long, exciting journey back to the very beginning of how Westerners perceive China and Chinese people in the thirteenth century and across the centuries to the current era—a journey that enables the traveler to feel the pulse of historical moments that have come to influence Sino-Western relations and China’s image in the Western mind. Bringing an interesting, original corpus of Anglophone texts (some largely forgotten) into conversation around the vocabularies they deploy to deal with relationships between Chinese and non-Chinese characters, this book helps readers to rethink current issues of migration, identity, sexuality, hybridity, and diaspora that have taken the present shape under the residual effects of the racial and sexual discourses of the past and that are instrumental to our historical position and trajectory. Therefore, this book is about the past and the present, the East and the West, the Self and the Other, the center and the periphery; but it is more about the temporary, the fluid, the liminal, the in-between.
Автор: Rachel Carroll Название: Transgender and The Literary Imagination: Changing Gender in Twentieth-Century Writing ISBN: 1474462723 ISBN-13(EAN): 9781474462723 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Нет в наличии. Описание: Transgender and the Literary Imagination is the first full length study to revisit twentieth century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender.
Автор: Ladyga Zuzanna Название: The Labour of Laziness in Twentieth-Century American Literature ISBN: 1474442935 ISBN-13(EAN): 9781474442930 Издательство: Bloomsbury Academic Рейтинг: Цена: 24280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Analyses the theme of laziness in twentieth-century American Literature
Uncovers the ethical dimension of the writing of Stein, Hemingway, Barth, Barthelme and Wallace by situating them in the context of the 20th century non-normative ethical and aesthetic tradition
Shows how the Romantic interest in laziness plays out through the modernist and postmodernist moments in 20th century American literature
Offers an innovative model of ethical reading based on the concept of unproductivity as an alternative to the dominant post-Romantic trends in the field of ethical criticism
Presents the first comprehensive study of laziness as a theoretical concept, which draws on a range of religious and philosophical references points, spanning John Locke, Immanuel Kant, Martin Heidegger, Emmanuel Levinas, Theodor Adorno, Roland Barthes, Gilles Deleuze, Michel Foucault, Giorgio Agamben and Catherine Malabou
The Labour of Laziness in Twentieth-Century American Literature focuses on the issue of productivity, using the figure of laziness to negotiate the relation between the ethical and the aesthetic. This book argues that major twentieth-century American writers such as Gertrude Stein, Ernest Hemingway, John Barth, Donald Barthelme and David Foster Wallace provocatively challenge the ethos of productivity by filtering their ethical interventions through culturally stigmatised imagery of laziness. Ladyga argues that when the motif of laziness appears, it invariably reveals the underpinnings of an emerging value system at a given historical moment, while at the same time offering a glimpse into the strategies of rebelling against the status quo.
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