Focus: Irish Traditional Music, Williams, Sean

Автор: Williams
Название: The Cambridge Companion to the Singer-Songwriter
ISBN: 1107680913 ISBN-13(EAN): 9781107680913
Издательство: Cambridge Academ
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Цена: 29570.00 T
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Описание: This Companion explores the historical and theoretical contexts of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d`Urfey through to Kanye West.

Название: Folk Visions and Voices: Traditional Music and Song in North Georgia
ISBN: 0820346136 ISBN-13(EAN): 9780820346137
Издательство: Mare Nostrum (Eurospan)
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Цена: 25870.00 T
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Описание: Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers and examples of their narratives, sermons, tales and reminiscences.

Автор: Williams, Sean
Название: Focus: Irish Traditional Music
ISBN: 0367244020 ISBN-13(EAN): 9780367244026
Издательство: Taylor&Francis
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Цена: 47970.00 T
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Описание: Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of the Irish diaspora and Celtic tradition, exploring the essential values underlying these rich musical cultures while placing them in broader historical and social context.

Автор: Motherway, Susan H.
Название: Globalization of irish traditional song performance
ISBN: 1409434230 ISBN-13(EAN): 9781409434238
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Описание: Susan Motherway illustrates the transformative impact of globalization on Irish traditional song performance by examining the ways in which performers mediate the divide between local and global markets. The book portrays patterns of musical change extant within the tradition as a result of globalization.

Автор: Dowling
Название: Traditional Music and Irish Society: Historical Perspectives
ISBN: 1472460987 ISBN-13(EAN): 9781472460981
Издательство: Taylor&Francis
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Цена: 47970.00 T
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Описание: Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.

Автор: Motherway
Название: The Globalization of Irish Traditional Song Performance
ISBN: 1138261572 ISBN-13(EAN): 9781138261570
Издательство: Taylor&Francis
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Цена: 58170.00 T
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Описание: In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the global. Given Ireland’s long history of emigration and colonisation, globalization is recognised as both a synchronic and a diachronic phenomenon. Motherway thus examines Anglo-Irish song and songs of the Irish Diaspora. Her analysis reaches beyond essentialist definitions of the tradition to examine evolving sub-genres such as Country & Irish, Celtic and World Music. She also recognizes the singing traditions of other ethnic groups on the island of Ireland including Orange-Order, Ulster-Scots and Traveller song. In so doing, she shows the disparity between native conceptions and native realities in respect to Irish cultural Identity.

Автор: Julia Mitchell
Название: Postwar Politics, Society and the Folk Revival in England, 1945-65
ISBN: 1350071218 ISBN-13(EAN): 9781350071216
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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Описание:

The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence.

Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain.

Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.