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Remaking the Readymade, Kamien-Kazhdan, Adina


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Цена: 43890.00T
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Автор: Kamien-Kazhdan, Adina
Название:  Remaking the Readymade
ISBN: 9780367516161
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0367516160
Обложка/Формат: Paperback
Страницы: 392
Вес: 0.73 кг.
Дата издания: 01.04.2020
Серия: Studies in Surrealism
Язык: English
Иллюстрации: 22 halftones, color; 112 halftones, black and white; 135 illustrations, black and white
Размер: 174 x 245 x 24
Читательская аудитория: Tertiary education (us: college)
Основная тема: 20th Century Modern Art
Подзаголовок: Duchamp, Man Ray, and the Conundrum of the Replica
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: Remaking the Readymade is a novel account of the practice of replication throughout the careers of Marcel Duchamp and Man Ray, and particularly their collaboration with Arturo Schwarz in the 1960s and early 1970s.

Collage Culture: Readymades, Meaning, and the Age of Consumption

Автор: David Banash
Название: Collage Culture: Readymades, Meaning, and the Age of Consumption
ISBN: 9042036818 ISBN-13(EAN): 9789042036819
Издательство: Brill
Цена: 116890.00 T
Наличие на складе: Нет в наличии.
Описание: Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.


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