Television in Transition in East Asia, Kwak, Ki-Sung
Автор: Hueth Название: Scriptwriting for Film, Television and New Media ISBN: 1138618101 ISBN-13(EAN): 9781138618107 Издательство: Taylor&Francis Рейтинг: Цена: 35720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What are the foundations of scriptwriting? Why do some scripts gain more prestige than others? How do you write a script and get it noticed? Scriptwriting for Film, Television and New Media answers these questions and more, offering a comprehensive introduction to writing scripts for film, television, the Internet, and interactive multimedia.
Автор: Mrazek Jan Название: Wayang and Its Doubles: Javanese Puppet Theatre, Television and the Internet ISBN: 9814722952 ISBN-13(EAN): 9789814722957 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 37890.00 T Наличие на складе: Невозможна поставка. Описание: Explores the `difficult marriage` between Javanese puppet theatre, Wayang Kulit, and the modern television culture that has evolved in Javanese culture, exploring the ways in which the two complex media modes coexist and meet - and invade - one another.
Автор: Natalie Khazaal Название: Pretty Liar: Television, Language, and Gender in Wartime Lebanon ISBN: 0815635990 ISBN-13(EAN): 9780815635994 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 35110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explores the rise of language and gender politics in Lebanese television during the Civil War of 1975 to 1991. Khazaal tells the untold story of the coevolution of Lebanese television and its audience, and the ways in which the war influenced that transformation.
Автор: Natalie Khazaal Название: Pretty Liar: Television, Language, and Gender in Wartime Lebanon ISBN: 0815635958 ISBN-13(EAN): 9780815635956 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 58520.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How did a new, irresistible brand of television emerge from the Lebanese Civil War (1975-91) to conquer the Arab region in the satellite era? What role did seductive news anchors, cool language teachers, superheroes, and gossip magazines play in negotiating a modern relationship between television and audiences? How did the government lose its television monopoly to sectarian militias?Pretty Liar explores the rise of language and gender politics in Lebanese television during the Civil War of 1975-91. Khazaal tells the untold story of the coevolution of Lebanese television and its audience, and the ways in which the war influenced that transformation. Khazaal analyzes news, entertainment, and educational shows from Télé Liban and LBC, novels, periodicals, and popular culture to explain how controversies over language and gender became a referendum on television's relevance. Based on empirical data, Khazaal shows how television became a site for politics and political resistance, feminism, and the cradle for postwar Lebanon. <i>Pretty Liar</i> challenges the narrow focus on present-day satellite television and social media, offering the first account of how broadcast television transformed media's legitimacy in the Arab world. This groundbreaking book shows how the history of television in Lebanon is a history not merely of corporate technology but of a people and their continuing demand for responsive media, especially during times of civil unrest.
Автор: Kavita Mudan Finn, E. J. Nielsen Название: Becoming: Genre, Queerness, and Transformation in NBC`s Hannibal ISBN: 0815636369 ISBN-13(EAN): 9780815636366 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology so well-known from Jonathan Demme's Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris's novels and Demme's film adaptation, little critical attention has been paid to this newest iteration of the character and narrative.Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show's themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal's distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.
Автор: John Hutnyk Название: Global South Asia on Screen ISBN: 1501324969 ISBN-13(EAN): 9781501324963 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: With importance for geopolitical cultural economy, anthropology, and media studies, John Hutnyk brings South Asian circuits of scholarship to attention where, alongside critical Marxist and poststructuralist authors, a new take on film and television is on offer. The book presents Raj-era costume dramas as a commentary on contemporary anti-Muslim racism, a new political compact in film and television studies, and the President watching a snuff film from Pakistan. Hanif Kureishi's postcolonial 'fuck Sandwich' sits alongside Salman Rushdie's Satanic Verses, updated for the war on terror with low-brow, high-brow versions of Asia that carry us up the Himalayas with magic carpet TV nostalgia. Maoists rage below and books go up in flames while News network phone-ins end with executions on the Hanging Channel and arms trade and immigration paranoia thrives. Multiplying filmi versions of Mela are measured against a transnational realignment towards Global South Asia in a contested and testing political future. Each chapter offers a slice of historical study and assessment of media theory appropriate for viewers of Global South Asia seeking to understand why lurid exoticism and paralysing terror go hand-in-hand. The answers are in the images always open to interpretation, but Global South Asia on Screen examines the ways film and TV trade on stereotype and fear, nationalism and desire, politics and context, and with this the book calls for wider reading than media theory has hitherto entertained.
Автор: Itay Harlap Название: Television Drama in Israel: Identities in Post-TV Culture ISBN: 1501351958 ISBN-13(EAN): 9781501351952 Издательство: Bloomsbury Academic Рейтинг: Цена: 34840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Israeli television, currently celebrating fifty years of broadcasting, has become one of the most important content sources on the international TV drama market, when serials such as Homeland, Hostages, Fauda, Zaguory Empire and In Treatment were bought by international networks, HBO included. Offering both a textual reading and discourse analysis of contemporary Israeli television dramas, Itay Harlap adopts a case study approach in order to address production, reception and technological developments in its accounts. His premise is that the meeting point between social trends within Israeli society (primarily the rise of opposition groups to the hegemony of the Zionist-Jewish-masculine-Ashkenazi ideologies) and major changes in the medium in Israel (which are comparable to international changes that have been titled "post-TV"), led to the creation of television dramas characterized by controversial themes and complex narratives, which present identities in ways never seen before on television or in other Israeli mediums.
Автор: John Hutnyk Название: Global South Asia on Screen ISBN: 1501324950 ISBN-13(EAN): 9781501324956 Издательство: Bloomsbury Academic Рейтинг: Цена: 35890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
With importance for geopolitical cultural economy, anthropology, and media studies, John Hutnyk brings South Asian circuits of scholarship to attention where, alongside critical Marxist and poststructuralist authors, a new take on film and television is on offer.
The book presents Raj-era costume dramas as a commentary on contemporary anti-Muslim racism, a new political compact in film and television studies, and the President watching a snuff film from Pakistan. Hanif Kureishi's postcolonial 'fuck Sandwich' sits alongside Salman Rushdie's Satanic Verses, updated for the war on terror with low-brow, high-brow versions of Asia that carry us up the Himalayas with magic carpet TV nostalgia. Maoists rage below and books go up in flames while News network phone-ins end with executions on the Hanging Channel and arms trade and immigration paranoia thrives. Multiplying filmi versions of Mela are measured against a transnational realignment towards Global South Asia in a contested and testing political future.
Each chapter offers a slice of historical study and assessment of media theory appropriate for viewers of Global South Asia seeking to understand why lurid exoticism and paralysing terror go hand-in-hand. The answers are in the images always open to interpretation, but Global South Asia on Screen examines the ways film and TV trade on stereotype and fear, nationalism and desire, politics and context, and with this the book calls for wider reading than media theory has hitherto entertained.
Автор: Tania Lewis, Fran Martin, Wanning Sun Название: Telemodernities: Television and Transforming Lives in Asia ISBN: 0822361884 ISBN-13(EAN): 9780822361886 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 117000.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Yoga gurus on lifestyle cable channels targeting time-pressured Indian urbanites; Chinese dating shows promoting competitive individualism; Taiwanese domestic makeover formats combining feng shui with life planning advice: Asian TV screens are increasingly home to a wild proliferation of popular factual programs providing lifestyle guidance to viewers. In Telemodernities Tania Lewis, Fran Martin, and Wanning Sun demonstrate how lifestyle-oriented popular factual television illuminates key aspects of late modernities in South and East Asia, offering insights not only into early twenty-first-century media cultures but also into wider developments in the nature of public and private life, identity, citizenship, and social engagement. Drawing on extensive interviews with television industry professionals and audiences across China, India, Taiwan, and Singapore, Telemodernities uses popular lifestyle television as a tool to help us understand emergent forms of identity, sociality, and capitalist modernity in Asia.
Автор: Amanda Ann Klein Название: Millennials Killed the Video Star: MTV`s Transition to Reality Programming ISBN: 1478010266 ISBN-13(EAN): 9781478010265 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 86070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.
Автор: Doyle Gillian, Paterson Richard, Barr Kenny Название: Television Production in Transition: Independence, Scale, Sustainability and the Digital Challenge ISBN: 3030632148 ISBN-13(EAN): 9783030632144 Издательство: Springer Цена: 65210.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: 1. Why does TV production matter.- 2. International trends in TV production.- 3. The history and development of the UK TV sector: From minnows to sharks.- 4. Configuration and business performance in TV production companies.- 5. Scale, independence and economic sustainability in TV production.- 6. How ownership of TV production companies affects configuration and content.- 7. Cultural production, indigeneity and globalisation.- 8. Implications for media-related public policy.
Автор: Doyle Gillian, Paterson Richard, Barr Kenny Название: Television Production in Transition: Independence, Scale, Sustainability and the Digital Challenge ISBN: 3030632172 ISBN-13(EAN): 9783030632175 Издательство: Springer Рейтинг: Цена: 65210.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focusing on the growing power of transnational media corporations in an increasingly globalized environment for distribution of television content, and on the effects of mergers and acquisitions involving local and independent television production companies, this book examines how current and recent re-structurings in ownership across the television industry reflect changing business models, how they affect creativity and diversity of television output, and to what extent they call for new approaches to regulation and policy. Based on a major study of the UK production sector as a case study, it offers a unique analysis of wider transformations in ownership affecting the television production industry worldwide and of their economic, socio-cultural and policy implications.
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