The Reception and Influence of French Music in Britain 1830–1914, Rodmell, Paul
Автор: Fallon Robert Название: Messiaen Perspectives 2: Techniques, Influence and Reception ISBN: 1409426963 ISBN-13(EAN): 9781409426967 Издательство: Taylor&Francis Рейтинг: Цена: 153120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen`s compositional approach and the repercussions of his music. The first part scrutinizes his compositional technique, while the second charts ways in which Messiaen`s influence is manifest in the music and careers of Ohana, Xenakis, Murail and Quebecois composers.
Автор: Fallon Название: Messiaen Perspectives 2: Techniques, Influence and Reception ISBN: 1138269654 ISBN-13(EAN): 9781138269651 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 2: Techniques, Influence and Reception explores Messiaen’s imprint on recent musical life. The first part scrutinizes his compositional technique in terms of counterpoint, spectralism and later piano music, while the second charts ways in which Messiaen’s influence is manifest in the music and careers of Ohana, Xenakis, Murail and Quebecois composers. The third part includes case studies of Messiaen’s reception in Italy, Spain and the USA. The volume also includes an ornithological catalogue of Messiaen’s birds, collates information on the numerous ’tombeaux’ pieces he inspired, and concludes with a Critical Catalogue of Messiaen’s Musical Works.
Автор: Schwartz Название: How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom ISBN: 1138259357 ISBN-13(EAN): 9781138259355 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
The so-called ‘people's power’ – the communists – tended to make Poles afraid. At first – afraid of the Anglo-Saxon imperialists, then of the German revisionists, Zionist 5th column and ‘Kuro? and Michnik walking on the CIA’s leash’. The creation of the atmosphere of fear featuring Germans and their alleged ‘return’ lasted until 1970. In his Fear Management Bruno Kami?ski reaches to the origins of this story. Based on a huge selection of sources this analytical study exhibits how in the first 15 postwar years Poles were threatened with the Western world. In the beginning, the Germans were chosen to play the role of the main enemy, dethroned later by the Americans. At the same time, the author proves that fear next to nationalism and ethnic hostility developed into one of the pillars legitimizing the communist system.
Marcin Zaremba, Polish Academy of Science, University of Warsaw
At the heart of the biblical myth of chosenness is the idea that God has blessed a people to be a blessing to others. It is a mission of solemn responsibility. The six British and American thinkers examined in this study embraced the myth of chosenness for their countries, believed that the liberties they enjoyed were inherently tied to their Protestant faith, and that it was their mission to protect and spread that faith, and its democratic fruit, at home and abroad.
Each theologian in this studyRobert William Dale, Hugh Price Hughes, and Brooke Foss Westcott in England; Walter Rauschenbusch, Henry Codman Potter, and Josiah Strong in the United Stateswanted, in Rauschenbusch's words, to Christianize the social order, seeking to evolve their countries into true Christian nations that would lead to an international kingdom of God. They were all products of their time, yet ahead of their time, and their pursuit of a true, free, national Christianity helped support the development of Western democratic values. However, their belief in chosenness also fueled imperialistic claims, neglected the rights of native peoples, led to anti-Catholicism, and hindered the religious liberties of others.
Автор: Moreland Sean Название: The Lovecraftian Poe: Essays on Influence, Reception, Interpretation, and Transformation ISBN: 1611462401 ISBN-13(EAN): 9781611462401 Издательство: Неизвестно Цена: 197710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Bringing together work by many noted scholars and writers of horror fiction, this book provides the first substantial critical consideration of the complex relationship between H.P. Lovecraft and Edgar Allan Poe`s work.
Автор: Eric Saylor Название: English Pastoral Music: From Arcadia to Utopia, 1900-1955 ISBN: 0252041097 ISBN-13(EAN): 9780252041099 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 37620.00 T Наличие на складе: Невозможна поставка. Описание:
Covering works by popular figures like Ralph Vaughan Williams and Gustav Holst as well as less familiar English composers, Eric Saylor's pioneering book examines pastoral music's critical, theoretical, and stylistic foundations alongside its creative manifestations in the contexts of Arcadia, war, landscape, and the Utopian imagination. As Saylor shows, pastoral music adapted and transformed established musical and aesthetic conventions that reflected the experiences of British composers and audiences during the early twentieth century. By approaching pastoral music as a cultural phenomenon dependent on time and place, Saylor forcefully challenges the body of critical opinion that has long dismissed it as antiquated, insular, and reactionary.
Автор: Sarah J. Butler Название: Britain and Its Empire in the Shadow of Rome: The Reception of Rome in Socio-Political Debate from the 1850s to the 1920s ISBN: 1472569539 ISBN-13(EAN): 9781472569530 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on new primary source evidence, this volume evaluates ancient Rome's influence on an English intellectual tradition from the 1850s to the 1920s as politicians, scientists, economists and social reformers addressed three fundamental debates of the period – Empire, Nation and City. These debates emerged as a result of political, economic and social change both in the Empire and Britain, and coalesced around issues of degeneracy, morality and community. As ideas of political freedom were subsumed by ideas of civilization, best preserved by technocratic governance, the political and historical focus on Republican Rome was gradually displaced by interest in the Imperial period of the Roman emperors. Moreover, as the spectre of the British Empire and Nation in decline increased towards the turn of the nineteenth century, the reception of Imperial Rome itself was transformed. By the 1920s, following the end of World War I, Imperial Rome was conjured into a new framework echoing that of the British Empire and appealing to the surging nationalistic mood.
Автор: Roger Wooster Название: Theatre in Education in Britain: Origins, Development and Influence ISBN: 147259147X ISBN-13(EAN): 9781472591470 Издательство: Bloomsbury Academic Рейтинг: Цена: 29560.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Following on from the 50th anniversary of the birth of Theatre in Education in Britain in 2015, this is an essential and timely companion to the story of TIE. It contextualizes it within the political and educational landscape of the last fifty years and examines its legacy today. Through this, Roger Wooster offers insights into future possibilities and applications in the field of Applied Theatre, drama in schools and pedagogical theory. With examples and analysis of international developments in TIE, and a foreword by Philip Taylor (NYU, USA), the volume provides a wide-ranging account of past and current practice. Across its three sections the volume examines the origins, work and legacy of TIE, considering for the first time its practical details. Each section features an Afterword by a leading practitioner reflecting on the work (including Warwick Dobson, Chris Vine and Anthony Jackson), and chapters draw on case studies and interviews with key practitioners. Chapter summaries and a companion website further enhance the text as a valuable teaching resource for theatre educators.
Автор: Barone Juliana, Avery-Quash Susanna Название: Leonardo in Britain: Collections and Historical Reception ISBN: 8822266242 ISBN-13(EAN): 9788822266248 Издательство: Marston Book Services Рейтинг: Цена: 79200.00 T Наличие на складе: Невозможна поставка. Описание: This volume discusses the reception of Leonardo's artistic, theoretical and scientific work from the seventeenth to the twentieth century. It also examines the roles of collectors, intellectuals and artists in Britain in the transmission and transformation of his legacy. At stake is what role, or rather roles, Leonardo played in British art, aesthetics and scientific thought.
Leonardo da Vinci's legacy in Britain has remained largely overshadowed by that of other Italian artists. What was actually known of his work? Were particular aspects of his art and writings favored? This volume investigates how Leonardo's artistic, theoretical and scientific work has been received in Britain from the seventeenth century onwards. It offers new information concerning the provenance of certain key works and considers their significance for the formation of important British private and public collections. It also addresses the crucial issue of what was considered to be an original work by Leonardo, encompassing related discussions on the roles of versions and copies. In addition, it investigates the shaping of early academic discourse and the appearance of the first English editions of the 'Treatise on Painting', as well as considering the publication of English anthologies of his writings and methodological approaches to Leonardo studies. At the same that this volume focuses on the historical reception of Leonardo and his followers' works in Britain, it makes a wider contribution to studies concerning cultural and intellectual exchanges between Italy and Britain.
Название: Music and Institutions in Nineteenth-Century Britain ISBN: 1138268232 ISBN-13(EAN): 9781138268234 Издательство: Taylor&Francis Рейтинг: Цена: 50010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.
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