Название: Aural architecture in byzantium: music, acoustics, and ritual ISBN: 0367231840 ISBN-13(EAN): 9780367231842 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Aural architecture identifies those features of a building that can be perceived by the act of listening in them.
Автор: Catherine A. Bradley, Karen Desmond Название: The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies ISBN: 1783272724 ISBN-13(EAN): 9781783272723 Издательство: Boydell & Brewer Рейтинг: Цена: 100320.00 T Наличие на складе: Поставка под заказ. Описание: The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.
Автор: Hammond Название: Editing Music in Early Modern Germany ISBN: 1138265128 ISBN-13(EAN): 9781138265127 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Автор: DeFord Ruth I. Название: Tactus, Mensuration and Rhythm in Renaissance Music ISBN: 1107637023 ISBN-13(EAN): 9781107637023 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Ruth I. DeFord offers new interpretations of the writings of Renaissance music theorists on the notation and performance of rhythm. Illustrated with more than 200 music examples, this book provides new analytical insights and performance recommendations for some of the best-known musical repertories of the period.
Автор: Smith Jeremy L Название: Verse and Voice in Byrd`s Song Collections of 1588 ISBN: 1783274662 ISBN-13(EAN): 9781783274666 Издательство: Boydell & Brewer Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First full monograph to focus entirely on the English-language songs set to music by Byrd.
Автор: Frieda van der Heijden, Helen Deeming Название: Medieval Polyphony and Song ISBN: 1316601498 ISBN-13(EAN): 9781316601495 Издательство: Cambridge Academ Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another.
Автор: Caldwell Mary Channen Название: Devotional Refrains in Medieval Latin Song ISBN: 1316517195 ISBN-13(EAN): 9781316517192 Издательство: Cambridge University Press Рейтинг: Цена: 138090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Aimed at musicologists, medievalists, religious studies scholars and general readers interested in early music, this book reveals the importance of Latin refrains in the lives of religious communities in the European Middle Ages. Chapters focus on song and the negotiation of temporalities, performance, communal identity, memory and multilingualism.
Автор: Wainwright Название: From Renaissance to Baroque ISBN: 1138257877 ISBN-13(EAN): 9781138257870 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Название: Thomas Tomkins: The Last Elizabethan ISBN: 1138248592 ISBN-13(EAN): 9781138248595 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Thomas Tomkins (1572-1656), a major figure of the Golden Age of British music, was arguably the greatest of all Welsh-born composers. Living through one of the most revolutionary periods in British history, his professional life was spent in the service of the Crown and the Church at both the Chapel Royal and Worcester Cathedral. Surviving the Civil War, the suppression of the music of the English Church, the closure of the Chapel Royal, the destruction of his organ at Worcester and the devastation of the city, Tomkins was able to find the strength and inspiration to continue composing secular music of fine quality. Much of Tomkins's output has survived, including his collection of music for the Anglican rite, Musica Deo Sacra, published posthumously in 1668. His work embraced both sacred and secular vocal music, pieces for keyboard and for viol consort, thereby proving him to be one of the most versatile figures of English Renaissance music. The first part of the book provides an absorbing biography of Tomkins, setting his life into fascinating historical context. The second and third parts include major essays on Tomkins by Denis Stevens, Bernard Rose, Peter James and David Evans, all authorities on the music of the period with each providing perceptive insights into Tomkins's music. The result is a successful piece of collective work that properly places Tomkins and his achievements in his time and enables readers to reassess him properly in relation to his elders and contemporaries. Tomkins has still not reached the 'household name' status of his great teacher, William Byrd, or of his close friend and colleague, Orlando Gibbons, but he is undoubtedly worthy of much greater recognition. The book complements the increasing number of live performances and recordings of Tomkins's music, both sacred and secular, and such a comprehensive account of the man and his work should appeal to early music scholars, performers and music lovers alike.
Автор: Ferreira, Manuel Pedro Название: Revisiting the Music of Medieval France ISBN: 1138375896 ISBN-13(EAN): 9781138375895 Издательство: Taylor&Francis Рейтинг: Цена: 46950.00 T Наличие на складе: Поставка под заказ. Описание: This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvиre and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.
Автор: Coelho Victor Название: Instrumentalists and Renaissance Culture, 1420-1600 ISBN: 1316509206 ISBN-13(EAN): 9781316509203 Издательство: Cambridge Academ Рейтинг: Цена: 40130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This cultural history of instrumental music in Renaissance cities, courts and homes will appeal to a broad range of disciplines and performers. Victor Coelho and Keith Polk show that a full understanding of the contributions of instrumentalists is essential for any accurate assessment of Renaissance culture.
Автор: D`Accone, Frank A. Название: Music in Renaissance Florence: Studies and Documents ISBN: 0754659003 ISBN-13(EAN): 9780754659006 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Поставка под заказ.
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