The Embodied Performance of Gender, Migdalek, Jack
Автор: Butler, Judith Название: Gender trouble ISBN: 0415389550 ISBN-13(EAN): 9780415389556 Издательство: Taylor&Francis Рейтинг: Цена: 22450.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: With intellectual reference points that include Foucault and Freud, Wittig, Kristeva and Irigaray, this is one of the most talked-about scholarly works of the past fifty years and is perhaps the essential work of contemporary feminist thought.
Название: Gender and heritage ISBN: 1138208140 ISBN-13(EAN): 9781138208148 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Gender and Heritage brings together a group of international scholars to examine the performance, place and politics of gender within heritage. It provides a range of innovative approaches to using gender as a mode of enquiry.
Автор: Singh, Anita (department Of English, Faculty Of Arts, Banaras Hindu University, India) Название: Staging feminisms ISBN: 0367896338 ISBN-13(EAN): 9780367896331 Издательство: Taylor&Francis Рейтинг: Цена: 37760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book questions how feminist beliefs are enacted within an artistic context. It critically examines the intersection of violence, gender, performance and power through contemporary interventionist performances.
Автор: Sally Lynn Название: Neo-Burlesque: Striptease as Transformation ISBN: 197882808X ISBN-13(EAN): 9781978828087 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York's neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today's performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience's gaze, putting on layers of meaning while taking off layers of clothing. Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of "Pro-Am" performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.
Автор: Sally Lynn Название: Neo-Burlesque: Striptease as Transformation ISBN: 1978828098 ISBN-13(EAN): 9781978828094 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 48490.00 T Наличие на складе: Нет в наличии. Описание: The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York's neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today's performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience's gaze, putting on layers of meaning while taking off layers of clothing. Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of "Pro-Am" performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.
Название: Gender and Heritage ISBN: 1138208167 ISBN-13(EAN): 9781138208162 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Gender and Heritage brings together a group of international scholars to examine the performance, place and politics of gender within heritage. It provides a range of innovative approaches to using gender as a mode of enquiry.
Автор: Michelle Kisliuk, Sidra Lawrence Название: Intimate Entanglements in the Ethnography of Performance: Race, Gender, Vulnerability ISBN: 1648250637 ISBN-13(EAN): 9781648250637 Издательство: Boydell & Brewer Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars.
Автор: Busby, Cecilia Название: The Performance of Gender ISBN: 0485196719 ISBN-13(EAN): 9780485196719 Издательство: Taylor&Francis Рейтинг: Цена: 32650.00 T Наличие на складе: Нет в наличии.
Автор: David Mooney Название: A Guide to the Songs of Poldowski (Lady Dean Paul) 1879-1932 ISBN: 1803742585 ISBN-13(EAN): 9781803742588 Издательство: Peter Lang Рейтинг: Цена: 52800.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Poldowski (Irene Dean Paul nee Wieniawska) 1879–1932 was the youngest daughter of the celebrated violinist/composer, Henryk Wieniawski. The only member of her family to follow her father into the music profession, she developed from a child prodigy into one of the most important and successful female composers in the United Kingdom. Like so many of her sister composers, her legacy has suffered the fate of neglect until a recent revival in interest.
Poldowski’s most successful composition genre is the solo art song, comprising mostly settings of texts by the French poet, Paul Verlaine. She displays an innate ability to realize the text within her own distinctive style with echoes of influence of her French counterparts, namely Faure and Debussy. This book includes the most complete biography to date of this highly individual, colourful (and sometimes controversial) musician. A study of her relationship with the poetry of Verlaine precedes a discussion of each of the published songs, concentrating mainly on a description of the structure, the role of the piano and most importantly, a commentary on the musico-poetic relationship with details of reception/reaction where known.
This book forms the second in the Performance Research Ireland series and is complemented by a free-to-view audio-visual demonstration, presented by the author. Further details from the Performance Research Ireland website, PerformanceResearch.ie. and the Facebook page: .
Автор: Elizabeth Zeman Kolkovich Название: The Elizabethan Country House Entertainment: Print, Performance and Gender ISBN: 1107594928 ISBN-13(EAN): 9781107594920 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers scholars and students of literary, theatrical, and women`s history the first full-length critical study of an important Renaissance genre. Country house entertainments, short plays staged for the Queen at country estates (1571-1602), enabled men and women to engage in crucial political and literary debates in Elizabethan England.
Автор: James St. Andre Название: Translating China as Cross-Identity Performance ISBN: 0824869877 ISBN-13(EAN): 9780824869878 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 74850.00 T Наличие на складе: Невозможна поставка. Описание: This provocative new book applies the perspective of cross-identity performance to the translation of a wide variety of Chinese texts into English and French from the eighteenth to the twentieth centuries. Drawing on scholarship in cultural studies, queer studies, and anthropology, James St. André argues that many cross-identity performance techniques, including blackface, passing, drag, mimicry, and masquerade, provide new insights into the history of translation practice. He makes a strong case for situating translation in its historical, social, and cultural milieu, reading translated texts alongside a wide variety of other materials that helped shape the image of “John Chinaman.”A reading of the life and works of George Psalmanazar, whose cross-identity performance as a native of Formosa enlivened early eighteenth-century salons, opens the volume and provides a bridge between the book’s theoretical framework and its examination of Chinese-European interactions. The core of the book consists of a chronological series of cases, each of which illustrates the use of a different type of cross-identity performance to better understand translation practice. St. André provides close readings of early pseudotranslations, including Marana’s Turkish Spy (1691) and Goldsmith’s Citizen of the World (1762), as well as adaptations of Hatchett’s The Chinese Orphan (1741) and Voltaire’s Orphelin de la Chine (1756). Later chapters explore Davis’ translation of Sorrows of Han (1829) and genuine translations of non-fictional material mainly by employees of the East India Company. The focus then shifts to oral/aural aspects of early translation practice in the nineteenth century using the concept of mimicry to examine interactions between Pidgin English and translation in the popular press. Finally, the work of two early modern Chinese translators, Gu Hongming and Lin Yutang, is examined as masquerade.Offering an original and innovative study of genres of writing that are traditionally examined in isolation, St. André’s work provides a fascinating examination of the way three cultures interacted through the shifting encounters of fiction, translation, and non-fiction and in the process helped establish and shape the way Chinese were represented. The book represents a major contribution to translation studies, Chinese cultural studies, post-colonial studies, and gender criticism.
Автор: Singh Anita Название: Staging Feminisms: Gender, Violence and Performance in Contemporary India ISBN: 0367896303 ISBN-13(EAN): 9780367896300 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book questions how feminist beliefs are enacted within an artistic context. It critically examines the intersection of violence, gender, performance and power through contemporary interventionist performances.
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