Decision on the Mincio: The Battle of Solferino, 1859, Bruno Dotto

Автор: Diego Cavallotti, Simone Dotto, Leonardo Quaresima
Название: A History of Cinema Without Names Volume 2
ISBN: 8869771105 ISBN-13(EAN): 9788869771101
Издательство: Marston Book Services
Рейтинг:
Цена: 34320.00 T
Наличие на складе: Невозможна поставка.
Описание: History of Cinema Without Names is an editorial project which gathers research papers presented at Gorizia Conference. It promotes a new research perspective on the notions of film authorship, style, and genre, with the aim of re-articulating their theoretical definition.

Автор: Simone Dotto, Francois Mouillot, Maria Teresa Soldani
Название: CINEMA&CIE,INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 33, FALL 2019: Avant-garde and Popular Forms Between Music and Visual Media. Transhistorical and Intermedial Investigations
ISBN: 8869772969 ISBN-13(EAN): 9788869772962
Издательство: Marston Book Services
Рейтинг:
Цена: 15840.00 T
Наличие на складе: Невозможна поставка.
Описание: This special issue of Cin ma&Cie aims at pushing the discussion on the relationships between avant-garde arts and popular culture far beyond traditional scholarship on the topic, stressing the concept of cultural history more than the specificity of film, media and music histories. By adopting a global perspective, the authors will elaborate useful analytical and theoretical tools to re-assess the "avantpop connection" as a dynamics of two-way exchanges across several artistic and media domains and different geographical and historical contexts.

Автор: Diego Cavallotti, Simone Dotto, Andrea Mariani
Название: History of Cinema Without Names/4 Exposing the Moving Image: The Cinematic Medium Across World Fairs, Art Museums and Cultural Exhibitions
ISBN: 8869772306 ISBN-13(EAN): 9788869772306
Издательство: Marston Book Services
Рейтинг:
Цена: 40920.00 T
Наличие на складе: Поставка под заказ.
Описание: The XXV FilmForum Cinematic Medium Across World Fairs, Art Museums, and Cultural Exhibitions conference has been devoted to exploring the interrelations between moving images, the cinematic medium and other arts and media as seen through global exhibiting events, such as the Large International Exhibitions, the Universal Expositions and the world fairs throughout the 19th, 20th, and 21st centuries. The general aim has been to shed light on the meaningful interrelations between moving images, media and arts throughout modernity and postmodernity – which means encompassing the pre-cinema, cinema and post-cinema eras, with a specific focus on Universal Expositions. In fact, the Universal Expositions proved to be a crucial and privileged field of excavation and investigation on the emergence as well as on the fluctuant re-configurations of the moving images within the broad media environment of the modern era.