Wireless Dada: Telegraphic Poetics in the Avant-Garde, Kurt Beals

Автор: Beals Kurt
Название: Wireless Dada: Telegraphic Poetics in the Avant-Garde
ISBN: 0810141051 ISBN-13(EAN): 9780810141056
Издательство: Mare Nostrum (Eurospan)
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Описание: Wireless Dada: Telegraphic Poetics in the Avant-Garde demonstrates that the poetics of the Dada movement were profoundly influenced by the telegraph and the technological and social transformations that it brought about in the nineteenth and early twentieth centuries. While telegraphy's impact on other avant-gardes such as Italian futurism and German expressionism is widely acknowledged, its formative role in Dada poetics has been largely neglected. Yet the telegraph exerted an unmistakable influence on the Dada movement, providing a fundamentally new paradigm for understanding language that proved well suited to an avant-garde in search of revolutionary means of expression.Drawing on methods and insights from media history and theory, avant-garde studies, and German literary studies, Kurt Beals shows how the telegraph and the cultural discourses that surrounded it shaped the radical works of this seminal avant-garde movement. The "nonsense" strain in Dada is frequently seen as a response to the senseless violence of the First World War. However, Beals argues, it was not just the war that turned Dada poetry into a jumble of senseless signals—it was also the wireless.

Название: The International Encyclopedia of Surrealism v. 1
ISBN: 1474226930 ISBN-13(EAN): 9781474226936
Издательство: Bloomsbury Academic
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Surrealism is central to the study of 20th-century art, literature, film and photography, but its international impact has extended across music, theatre, architecture, fashion and design, as well as thinking about society and politics. The Encyclopedia presents the first comprehensive and systematic overview of surrealism internationally, covering the theorists, critics, novelists, poets, playwrights, screenwriters, painters, collagists, object makers, sculptors, and film makers who made the surrealist movement. Alongside articles on writers and visual artists, the Encyclopedia includes overviews of national surrealist movements, related artistic and intellectual movements, key journals, patrons and collections, detailed overviews of surrealism's influence across the visual, applied and performing arts, and analyses of the key concepts which underpin surrealist theory and practice.

Volume 1: Movements
Volume 2: Surrealists A-M
Volume 3: Surrealists N-Z

Автор: Parkinson, Gavin (senior Lecturer In European Modernism, Courtauld Institute Of Art, Uk)
Название: Enchanted ground
ISBN: 1501337254 ISBN-13(EAN): 9781501337253
Издательство: Bloomsbury Academic
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Описание: Enchanted Ground is about the challenge to modernist criticism by Surrealist writers – mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others – who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism – Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh – became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Автор: Papanikolas
Название: Anarchism and the Advent of Paris Dada
ISBN: 1138274402 ISBN-13(EAN): 9781138274402
Издательство: Taylor&Francis
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Anarchism and the Advent of Paris Dada sheds new light on Paris Dada's role in developing the anarchist and individualist philosophies that helped shape the cultural dialogue in France following the First World War. Drawing on such surviving documentation as correspondence, criticism, periodicals, pamphlets, and manifestoes, this book argues that, contrary to received wisdom, Dada was driven by a vision of social change through radical cultural upheaval. The first book-length study to interrogate the Paris Dadaists' complex and often contested position in the postwar groundswell of anarcho-individualism, Anarchism and the Advent of Paris Dada offers an unprecedented analysis of Paris Dada literature and art in relation to anarchism, and also revives a variety of little known anarcho-individualist texts and periodicals. In doing so, it reveals the general ideological diversity of the postwar French avant-garde and identifies its anarchist concerns; in addition, it challenges the accepted paradigm that postwar cultural politics were monolithically nationalist. By positioning Paris Dada in its anarchist context, this volume addresses a long-ignored lacuna in Dada scholarship and, more broadly, takes its place alongside the numerous studies that over the past two decades have problematized the politics of modern art, literature, and culture.

Автор: John Melillo
Название: The Poetics of Noise from Dada to Punk
ISBN: 1501359916 ISBN-13(EAN): 9781501359910
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: Reinterpreting the history of 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a history of noise through poetry and poetic performance. It argues that poetry--conceived as a sound art practiced by writers, lyricists, performers, producers, and other sound-writers--continuously figures and refigures noise in relation to communication, meaning, and voice. In many cases, this figuration forms in the negative, as listeners cast out or ignore noise in the name of communication or poetic voice. In other cases, however, poets actively write and perform the sound of noise, and attempt to reimagine the ways of listening that structure what counts as significant or insignificant sound. Rather than suggesting that poets simply overturn the hierarchical binary between signal and noise, Melillo listens for the ways in which they implicitly and explicitly theorize listening, mediation, and responsibility through their figurations of noise.

Автор: Colette Leinman
Название: Les catalogues d`expositions surrealistes a Paris entre 1924 et 1939
ISBN: 9042039175 ISBN-13(EAN): 9789042039179
Издательство: Brill
Цена: 98290.00 T
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Описание: Cet ouvrage apporte un eclairage nouveau a l’histoire litteraire et artistique du surrealisme par un biais inedit : l’etude du catalogue d’expositions surrealistes (CES). Se penchant sur un genre interdisciplinaire jusque-la peu etudie, le catalogue d’exposition, il en retrace les fonctions definies par l’institution Royale du XVIIe siecle et son developpement pour montrer comment les surrealistes subvertissent les formes traditionnelles liees a la description, l’explication et l’evaluation des ?uvres exposees.Apres avoir recense les catalogues surrealistes et decrit leur facture, le livre entreprend une analyse du discours singulier qui s’y deploie. Au-dela des differences individuelles, apparait une logique scripturale commune. Les CES contribuent a l’elaboration de l’identite et de l’image collective du groupe d’avant-garde. Caracterise par des discours de violence dont la dimension manifestaire produit un double mouvement de polarisation et d’exclusion, le CES gere l’heterogeneite de l’ensemble de ses membres et disqualifie ses detracteurs.Contre toute attente, les textes, au premier abord opaques et purement ludiques, s’emploient a presenter un metadiscours sur l’art dont le dispositif critique presente une rhetorique d’invention, de creativite qui n’englobe pas la dipositio rhetorique d’un raisonnement. S’attaquant tout particulierement a la doxa, le CES, microcosme des ecrits sur l’art, vehicule differentes strategies discursives qui ciblent un public diversifie.« S’emparant d’un objet et d’un questionnement qui retiennent de plus en plus les historiens de l’art et les specialistes des ecrits sur l’art, Colette Leinman nous livre la premiere synthese sur le catalogue d’exposition surrealiste. » - Bernard Vouilloux