The Structure of the Human Mind: Explorations in Language, Music, Cartesian Sign, Nirmalangshu Mukherji
Автор: Noam Chomsky Название: Cartesian Linguistics Third edition Hardback ISBN: 0521708176 ISBN-13(EAN): 9780521708173 Издательство: Cambridge Academ Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Tracing the development of linguistic theory from Descartes to Wilhelm von Humboldt, Chomsky`s book is one of the most original and profound studies of language and mind ever written. This third edition includes a new and specially written introduction by James McGilvray, contextualising the work for the twenty-first century.
Автор: Noam Chomsky Название: Cartesian linguistics third edition paperback ISBN: 0521881765 ISBN-13(EAN): 9780521881760 Издательство: Cambridge Academ Рейтинг: Цена: 86590.00 T Наличие на складе: Поставка под заказ. Описание: Tracing the development of linguistic theory from Descartes to Wilhelm von Humboldt, Chomsky`s book is one of the most original and profound studies of language and mind ever written. This third edition includes a new and specially written introduction by James McGilvray, contextualising the work for the twenty-first century.
Автор: Short, Brandon Название: The Cartesian Split ISBN: 0367245930 ISBN-13(EAN): 9780367245931 Издательство: Taylor&Francis Рейтинг: Цена: 122490.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Cartesian Split examines the phenomenon of Cartesian influence as a psychological complex in the Jungian tradition. It explores the full legacy of Cartesian rationality in its emphasis on abstract thinking and masculinisation of thought, often perceived in negative light despite the developments of modernity.
Автор: Grzegorz Maziarczyk, Joanna Klara Teske Название: Explorations of Consciousness in Contemporary Fiction ISBN: 9004347836 ISBN-13(EAN): 9789004347830 Издательство: Brill Цена: 168690.00 T Наличие на складе: Невозможна поставка. Описание: Explorations of Consciousness in Contemporary Fiction is a collection of essays examining the potential of the contemporary English-language novel to represent and inquire into various aspects of the human mind. Grounded in contemporary literary theory as well as consciousness studies, the essays consider both narrative techniques by means of which writers attempt to render various states of consciousness (such as multimodality in digital fiction or experimental typography in post-traumatic narratives), and novelistic interpretations of issues currently being investigated by neurobiologists, cognitive scientists and philosophers of the mind (such as the adaptive value of consciousness or the process of self-integration by means of self-narration). The volume thus offers critical reflection upon the novel’s cognitive accomplishment in this challenging area. Contributors are: Nathan D. Frank, Judit Friedrich, Justyna Galant, Marta Komsta, Peter Kristof Makai, Ajitpaul Mangat, Grzegorz Maziarczyk, James McAdams, Daniel Panka, Barbara Puschmann-Nalenz, Joanna Klara Teske, Lloyd Issac Vayo, Dora Vecsernyes, Sylwia Wilczewska
Descartes's notion of subjectivity changed the way characters would be written, performed by actors, and received by audiences. His coordinate system reshaped how theatrical space would be conceived and built. His theory of the passions revolutionized our understanding of the emotional exchange between spectacle and spectators. Yet theater scholars have not seen Descartes's transformational impact on theater history. Nor have philosophers looked to this history to understand his reception and impact. After Descartes, playwrights put Cartesian characters on the stage and thematized their rational workings. Actors adapted their performances to account for new models of subjectivity and physiology. Critics theorized the theater's emotional and ethical benefits in Cartesian terms. Architects fostered these benefits by altering their designs.
The Mind-Body Stage provides a dazzlingly original picture of one of the most consequential and confusing periods in the histories of modern theater and philosophy. Interdisciplinary and comparatist in scope, it uses methodological techniques from literary study, philosophy, theater history, and performance studies and draws on scores of documents (including letters, libretti, religious jeremiads, aesthetic treatises, and architectural plans) from several countries.
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