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Design and Agency: Critical Perspectives on Identities, Histories, and Practices, John Potvin, Marie-Eve Marchand


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Автор: John Potvin, Marie-Eve Marchand
Название:  Design and Agency: Critical Perspectives on Identities, Histories, and Practices
ISBN: 9781350063792
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1350063797
Обложка/Формат: Hardcover
Страницы: 328
Вес: 0.73 кг.
Дата издания: 14.05.2020
Серия: Arts
Язык: English
Иллюстрации: 40 bw illus
Размер: 163 x 240 x 24
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of art / art & design styles,Decorative arts,Industrial / commercial art & design, ARCHITECTURE / History / Contemporary (1945-),DESIGN / History & Criticism,DESIGN / General,DESIGN / Decorative Arts
Подзаголовок: Critical perspectives on identities, histories, and practices
Рейтинг:
Поставляется из: Англии
Описание:

Design and Agency brings together leading international design scholars and practitioners to address the concept of agency in relation to objects, organisations and people. The authors set out to expand the scope of design history and practice, avoiding the heroic narratives of a typical modernist approach. They consider both how the agents of design construct and express their identities and subjectivities through practice, while also investigating the distinctive contribution of design in the construction of individual identity and subjectivity.

Individual chapters explore notions of agency in a range of design disciplines and historical periods, including the agency of women in effecting changes to the design of offices and working practices; the role of Jeffrey Lindsay and Buckminster Fuller in developing the design of a geodesic dome; Le Corbusiers Casa Curutchet; a re-consideration of the gendered historiography of the Jugendstil movement, and Bruce Maus design exhibitions. Taken together, the essays in Design and Agency provide a much-needed response to the traditional texts which dominate design history. With a broad chronological span from 1900 to the present, and an equally broad understanding of the term design, it expands how we view the discipline, and shows how design itself can be an agent for social, cultural and economic change.



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