The Filmmaker's Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker's perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production.
The book will help readers:
Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location;
Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots;
See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
Автор: Wahl Jan Название: Carl Theodor Dreyer and Ordet: My Summer with the Danish Filmmaker ISBN: 0813136180 ISBN-13(EAN): 9780813136189 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33440.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Regarded by many filmmakers and critics as one of the greatest directors in cinema history, Carl Theodor Dreyer (1889--1968) achieved worldwide acclaim after the debut of his masterpiece, The Passion of Joan of Arc (1928), which was named the most influential film of all time at the 2010 Toronto International Film Festival.
Автор: Todd May Название: Kenneth Lonergan: Filmmaker and Philosopher ISBN: 1350112062 ISBN-13(EAN): 9781350112063 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Kenneth Lonergan's three films-You Can Count on Me (2000), Margaret (2011), and Manchester by the Sea (2016)-are rife with philosophical complexities. They challenge simple philosophical approaches to central issues of human behaviour. In particular, they ask questions about how to cope with suffering that one cannot overcome, the role that self- deception plays in people's lives and how to think about characters who do not embody simplistic moral ideas of virtue and vice. By philosophically engaging with these themes as they unfold in Lonergan's films, we are then able to formulate a more nuanced answer to the questions they pose. Kenneth Lonergan: Philosophical Filmmaker will draw from Lonergan's films and plays, along with the philosophical literature on the topics that they explore. The rich history of philosophical reflection surrounding these areas enables the reader to determine how the themes central to Lonergan's work have combined to create a rich cinematic oeuvre.
Автор: Thuy Tran Van, Dung Le Thanh Название: In Whose Eyes?: The Memoir of a Vietnamese Filmmaker in War and Peace ISBN: 1625342527 ISBN-13(EAN): 9781625342522 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 32340.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Tran Van Thuy is a celebrated Vietnamese filmmaker of more than twenty award-winning documentaries. Thuy`s memoir, when published in Vietnam in 2013, immediately sold out. In this translation, English-language readers are now able to learn in rich detail about the life and work of this preeminent artist.
Автор: Alyssa DeBlasio Название: The Filmmaker`s Philosopher: Merab Mamardashvili and Russian Cinema ISBN: 1474444482 ISBN-13(EAN): 9781474444484 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Traces the influence of Soviet philosopher Merab Mamardashvili on a generation of Soviet and Russian filmmakers
The first study of Mamardashvili's significant influence on cinema, culture and philosophy in Russia
Offers a compelling analysis of contemporary Russian filmmakers, including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov
Provides a carefully researched study of Mamardashvili's philosophy and intellectual biography, written for scholars from all disciplines
Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors.
Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.
Автор: Jones, D. B. Название: Documentary art of filmmaker michael rubbo ISBN: 1552388700 ISBN-13(EAN): 9781552388709 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Michael Rubbo's groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo's filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo's post-NFB venture into feature film directing, followed by Rubbo's return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube.Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo's wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo's films, but also the depth of their influence on filmmaking itself.
Название: Independent Female Filmmakers ISBN: 081537304X ISBN-13(EAN): 9780815373049 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Independent Female Filmmakers collects original and previously published essays, interviews, and manifestos from some of the most defining and groundbreaking independent female filmmakers of the last 40 years. Featuring material from the seminal magazine The Independent Film and Video Monthly--a leading publication for independent filmmakers for several decades--as well as new interviews conducted with the filmmakers, this book, edited by Michele Meek, presents a unique perspective into the ethnically and culturally diverse voices of women filmmakers whose films span narrative, documentary, and experimental genres and whose work remains integral to independent film history from the 1970s to the present.
Independent Female Filmmakers also includes a biographical profile of each filmmaker, as well as an online resource with links to additonal interviews and a sample course syllabus.
The filmmakers in this book include:
- Lisa Cholodenko (High Art, The Kids Are All Right)
- Martha Coolidge (Valley Girl, Real Genius, Introducing Dorothy Dandridge)
- Cheryl Dunye (The Watermelon Woman, Stranger Inside)
- Miranda July (The Future, Me And You And Everyone We Know)
- Barbara Kopple (Harlan County USA, Wild Man Blues)
- Maria Maggenti (The Incredibly True Adventures of Two Girls in Love)
- Deepa Mehta (Fire, Earth, Water)
- Trinh T. Minh-ha (Surname Viet, Given Name Nam, Night Passage)
. . . and more
Автор: Vittorio H?sle Название: Eric Rohmer: Filmmaker and Philosopher ISBN: 1474221122 ISBN-13(EAN): 9781474221122 Издательство: Bloomsbury Academic Рейтинг: Цена: 25330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema – from whose editorship he was fired when the conservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one’s own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle’s book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
Автор: Vittorio H?sle Название: Eric Rohmer: Filmmaker and Philosopher ISBN: 1474221130 ISBN-13(EAN): 9781474221139 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema – from whose editorship he was fired when the conservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one’s own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle’s book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
Автор: May Todd Название: Kenneth Lonergan: Filmmaker and Philosopher ISBN: 1350112070 ISBN-13(EAN): 9781350112070 Издательство: Bloomsbury Academic Рейтинг: Цена: 25330.00 T Наличие на складе: Невозможна поставка. Описание: Kenneth Lonergan’s three films— You Can Count on Me (2000), Margaret (2011), and Manchester by the Sea (2016)—are rife with philosophical complexities. They challenge simple philosophical approaches to central issues of human behaviour. In particular, they ask questions about how to cope with suffering that one cannot overcome, the role that self- deception plays in people’s lives and how to think about characters who do not embody simplistic moral ideas of virtue and vice. By philosophically engaging with these themes as they unfold in Lonergan’s films, we are then able to formulate a more nuanced answer to the questions they pose. Kenneth Lonergan: Philosophical Filmmaker will draw from Lonergan’s films and plays, along with the philosophical literature on the topics that they explore. The rich history of philosophical reflection surrounding these areas enables the reader to determine how the themes central to Lonergan’s work have combined to create a rich cinematic oeuvre.
Автор: Robert Sinnerbrink Название: Terrence Malick: Filmmaker and Philosopher ISBN: 1350063649 ISBN-13(EAN): 9781350063648 Издательство: Bloomsbury Academic Рейтинг: Цена: 25330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement.
In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection.
Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film's potential to invite moral transformation.
Автор: Robert Sinnerbrink Название: Terrence Malick: Filmmaker and Philosopher ISBN: 1350063630 ISBN-13(EAN): 9781350063631 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement.
In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection.
Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film's potential to invite moral transformation.
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