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The Last Seat in the House: The Story of Hanley Sound, John Kane


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Автор: John Kane
Название:  The Last Seat in the House: The Story of Hanley Sound
ISBN: 9781496826800
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 1496826809
Обложка/Формат: Hardback
Страницы: 560
Вес: 1.03 кг.
Дата издания: 30.03.2020
Серия: American made music series
Язык: English
Иллюстрации: 50 black & white illustrations
Размер: 152 x 228 x 22
Ключевые слова: Acoustic & sound engineering,Individual composers & musicians, specific bands & groups,Music,Music recording & reproduction, BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians,MUSIC / Business Aspects,MUSIC / Recording & Reproduction,TECHNOLOGY & ENGINEERI
Подзаголовок: The story of hanley sound
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Поставляется из: Англии
Описание: Known as the Father of Festival Sound, Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 WoodStock Music and Arts Fair. Hanley is credited with creating the sound of WoodStock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way Audiences listen to and technicians approach quality live concert sound.

John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-WoodStock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions.

Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the Production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.
Дополнительное описание: Musicians, singers, bands and groups|Composers and songwriters|Music recording and reproduction|Acoustic and sound engineering|Music


Last seat in the house

Автор: Kane, John
Название: Last seat in the house
ISBN: 1496826817 ISBN-13(EAN): 9781496826817
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 WoodStock Music and Arts Fair. Hanley is credited with creating the sound of WoodStock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way Audiences listen to and technicians approach quality live concert sound. John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-WoodStock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions. Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the Production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.


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