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Live from the Other Side of Nowhere: Contemplating Musical Performance in an Age of Virtual Reality, Sam Cleeve


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Автор: Sam Cleeve
Название:  Live from the Other Side of Nowhere: Contemplating Musical Performance in an Age of Virtual Reality
ISBN: 9781501346361
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1501346369
Обложка/Формат: Paperback
Страницы: 208
Вес: 0.00 кг.
Дата издания: 26.08.2021
Серия: Arts
Язык: English
Размер: 229 x 152 x 18
Читательская аудитория: College/higher education
Ключевые слова: Digital music: professional,Electronic music,Music recording & reproduction,Rock & Pop music, COMPUTERS / Digital Media / Audio,MUSIC / Genres & Styles / Pop Vocal,MUSIC / Instruction & Study / Techniques,MUSIC / Recording & Reproduction
Поставляется из: Англии
Описание: In recent years VR has become an increasingly prevalent platform for musical performance—Bjork, U2, Gorillaz, and even the LA Philharmonic all having taken to the virtual stage. These virtual encounters profoundly disrupt assumptions long held to be true of live music, undermining the necessity of physical and temporal co-presence, exploding our expectations of performance spaces, opening up new possibilities for performance involving avatars, and affording intimate encounters otherwise impossible in the physical world. Proceeding through a series of case studies and analyses, and drawing in equal parts on the findings of musicology, performance, film, and media and cultural studies, Live from the Other Side of Nowhere begins to pry apart the conceptual challenges that this disruptive technology poses to our understanding of the live as an autonomous category of musical activity.

Автор: Sam Cleeve
Название: Live from the Other Side of Nowhere: Contemplating Musical Performance in an Age of Virtual Reality
ISBN: 1501346350 ISBN-13(EAN): 9781501346354
Издательство: Bloomsbury Academic
Цена: 76030.00 T
Наличие на складе: Нет в наличии.
Описание: In recent years VR has become an increasingly prevalent platform for musical performance—Bjork, U2, Gorillaz, and even the LA Philharmonic all having taken to the virtual stage. These virtual encounters profoundly disrupt assumptions long held to be true of live music, undermining the necessity of physical and temporal co-presence, exploding our expectations of performance spaces, opening up new possibilities for performance involving avatars, and affording intimate encounters otherwise impossible in the physical world. Proceeding through a series of case studies and analyses, and drawing in equal parts on the findings of musicology, performance, film, and media and cultural studies, Live from the Other Side of Nowhere begins to pry apart the conceptual challenges that this disruptive technology poses to our understanding of the "live" as an autonomous category of musical activity.


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