The Printed Reader: Gender, Quixotism, and Textual Bodies in Eighteenth-Century Britain, Amelia Dale
Автор: Julie Peakman Название: Amatory Pleasures: Explorations in Eighteenth-Century Sexual Culture ISBN: 1474226434 ISBN-13(EAN): 9781474226431 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Encompassing the long 18th century, Amatory Pleasures examines a broad and enticing variety of topics in the history of sexuality in Georgian times. It includes discussion of sexual perversion, criminal conversation, erotic gardens, gentlemen's homosocial societies, flagellation, pornography, writings of courtesans and the world of female friendship, revealing the secret or hidden meanings circulating between mainstream and covert activities of the 18th century. Julie Peakman draws connections between these pieces and situates them within current debates and examines how Georgian sexual activity was integrated from low life and high places, from brothels to palaces.
Aimed at anyone interested in gender, history of sexuality, sex, literature and 18th-century history, Amatory Pleasures is an invaluable collection of the work of a key scholar in the field.
What is the role of literary writing in democratic society?
Building upon his previous work on the emergence of "literature," Trevor Ross offers a history of how the public function of literature changed as a result of developing press freedoms during the period from 1760 to 1810. Writing in Public examines the laws of copyright, defamation, and seditious libel to show what happened to literary writing once certain forms of discourse came to be perceived as public and entitled to freedom from state or private control.
Ross argues that--with liberty of expression becoming entrenched as a national value--the legal constraints on speech had to be reconceived, becoming less a set of prohibitions on its content than an arrangement for managing the public sphere. The public was free to speak on any subject, but its speech, jurists believed, had to follow certain ground rules, as formalized in laws aimed at limiting private ownership of culturally significant works, maintaining civility in public discourse, and safeguarding public deliberation from the coercions of propaganda. For speech to be truly free, however, there had to be an enabling exception to the rules.
Since the late eighteenth century, Ross suggests, the role of this exception has been performed by the idea of literature. Literature is valued as the form of expression that, in allowing us to say anything and in any form, attests to our liberty. Yet, paradoxically, it is only by occupying no definable place within the public sphere that literature can remain as indeterminate as the public whose self-reinvention it serves.
Автор: Murray G. H. Pittock Название: Poetry and Jacobite Politics in Eighteenth-Century Britain and Ireland ISBN: 0521030277 ISBN-13(EAN): 9780521030274 Издательство: Cambridge Academ Рейтинг: Цена: 51750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book questions assumptions about the Augustan era through an exploration of Jacobite ideology in canonical and non-canonical literature. The `four nations` literary history emerges, defined in terms of a struggle for control of the language of authority between Jacobite and Hanoverian writers.
Название: Concert Life in Eighteenth-Century Britain ISBN: 1138245445 ISBN-13(EAN): 9781138245440 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Автор: Langford Название: Eighteenth-Century Britain ISBN: 0192853996 ISBN-13(EAN): 9780192853998 Издательство: Oxford Academ Рейтинг: Цена: 8350.00 T Наличие на складе: Есть Описание: First published as part of the best-selling The Oxford Illustrated History of Britain, Paul Langford`s Very Short Introduction to Eighteenth-Century Britain spans from the aftermath of the Revolution of 1688 to Pitt the Younger`s defeat at attempted parliamentary reform.
Автор: F. L. Lucas Название: The Search for Good Sense: Four Eighteenth-Century Characters: Johnson, Chesterfield, Boswell and Goldsmith ISBN: 1474241298 ISBN-13(EAN): 9781474241298 Издательство: Bloomsbury Academic Рейтинг: Цена: 147840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Best known for his guide on writing and recognizing good prose, Style (1955), F.L. Lucas addresses four of the most popular 18th-century English poets and writers in this book: Samuel Johnson, Lord Chesterfield, James Boswell and Oliver Goldsmith. Knowledgeably, conversationally, and often amusing, he sketches the images of men who greatly influenced 18th century England and its literary landscape.
The eighteenth century has long been associated with realism and objective description, modes of representation that deemphasize writing. But in the middle decades of the century, Christina Lupton observes, authors described with surprising candor the material and economic facets of their own texts' production. In Knowing Books Lupton examines a variety of eighteenth-century sources, including sermons, graffiti, philosophical texts, and magazines, which illustrate the range and character of mid-century experiments with words announcing their status as physical objects. Books that "know" their own presence on the page and in the reader's hand become, in Lupton's account, tantalizing objects whose entertainment value competes with that of realist narrative. Knowing Books introduces these mid-eighteenth-century works as part of a long history of self-conscious texts being greeted as fashionable objects. Poststructuralist and Marxist approaches to literature celebrate the consciousness of writing and economic production as belonging to revolutionary understandings of the world, but authors of the period under Lupton's gaze expose the facts of mediation without being revolutionary. On the contrary, their explication of economic and material processes shores up their claim to material autonomy and economic success. Lupton uses media theory and close reading to suggest the desire of eighteenth-century readers to attribute sentience to technologies and objects that entertain them. Rather than a historical study of print technology, Knowing Books offers a humanist interpretation of the will to cede agency to media. This horizon of theoretical engagement makes Knowing Books at once an account of the least studied decades of the eighteenth century and a work of relevance for those interested in new attitudes toward media in the twenty-first.
A fascinating analysis of anonymous publication centuries before the digital age
Everywhere and Nowhere considers the ubiquity of anonymity and mediation in the publication and circulation of eighteenth-century British literature--before the Romantic creation of the "author"--and what this means for literary criticism. Anonymous authorship was typical of the time, yet literary scholars and historians have been generally unable to account for it as anything more than a footnote or curiosity.
Mark Vareschi shows the entangled relationship between mediation and anonymity, revealing the nonhuman agency of the printed text. Drawing richly on quantitative analysis and robust archival work, Vareschi brings together philosophy, literary theory, and media theory in a trenchant analysis, uncovering a history of textual engagement and interpretation that does not hinge on the known authorial subject.
In discussing anonymous poetry, drama, and the novel along with anonymously published writers such as Daniel Defoe, Frances Burney, and Walter Scott, he unveils a theory of mediation that renews broader questions about agency and intention. Vareschi argues that textual intentionality is a property of nonhuman, material media rather than human subjects alone, allowing the anonymous literature of the eighteenth century to speak to contemporary questions of meaning in the philosophy of language. Vareschi closes by exploring dubious claims about the death of anonymity and the reexplosion of anonymity with the coming of the digital. Ultimately, Everywhere and Nowhere reveals the long history of print anonymity so central to the risks and benefits of the digital culture.
Автор: Powell Название: Britain and Ireland in the Eighteenth-Century Crisis of Empire ISBN: 0333994027 ISBN-13(EAN): 9780333994023 Издательство: Springer Рейтинг: Цена: 130430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This text examines the British government`s policy towards Ireland during the imperial crisis of 1750-83, focusing on its attempts to reassert control over Ireland`s increasingly hostile Protestant parliament and populace.
Автор: Frank O`Gorman Название: The Long Eighteenth Century: British Political and Social History 1688-1832 ISBN: 1472511034 ISBN-13(EAN): 9781472511034 Издательство: Bloomsbury Academic Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This long-awaited second edition sees this classic text by a leading scholar given a new lease of life. It comes complete with a wealth of original material on a range of topics and takes into account the vital research that has been undertaken in the field in the last two decades. The book considers the development of the internal structure of Britain and explores the growing sense of British nationhood. It looks at the role of religion in matters of state and society, in addition to society's own move towards a class-based system. Commercial and imperial expansion, Britain's role in Europe and the early stages of liberalism are also examined. This new edition is fully updated to include: - Revised and thorough treatments of the themes of gender and religion and of the 1832 Reform Act - New sections on 'Commerce and Empire' and 'Britain and Europe' - Several new maps and charts - A revised introduction and a more extensive conclusion - Updated note sections and bibliographies The Long Eighteenth Century is the essential text for any student seeking to understand the nuances of this absorbing period of British history.
Автор: Fortier, Mark Название: The Culture of Equity in Restoration and Eighteenth-Century Britain and America ISBN: 0367880326 ISBN-13(EAN): 9780367880323 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Extending the chronological and cultural scope of Fortier`s book on equity, which focuses on early modern England, this interdisciplinary study draws on politics, religion, law, literature, and philosophy to argue that equity continued to be a key word throughout the Restoration and eighteenth century in Britain and America. Fortier asserts that eq
Автор: Jones Название: Gender and the Formation of Taste in Eighteenth-Century Britain ISBN: 0521121299 ISBN-13(EAN): 9780521121293 Издательство: Cambridge Academ Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The concept of beauty was central to debates about art, culture and taste in the eighteenth century. Robert W. Jones provides a fresh understanding of this concept through discussion of a wide range of material, including philosophical texts, novels and representations of the celebrated beauty Elizabeth Gunning.
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