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George `Dadie` Rylands: Shakespearean Scholar and Cambridge Legend, Peter Raina


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Автор: Peter Raina
Название:  George `Dadie` Rylands: Shakespearean Scholar and Cambridge Legend
ISBN: 9781789976939
Издательство: Peter Lang
Классификация:



ISBN-10: 1789976936
Обложка/Формат: Hardback
Страницы: 512
Вес: 0.81 кг.
Дата издания: 25.02.2020
Язык: English
Издание: New ed
Иллюстрации: 25 illustrations, unspecified; 25 illustrations, unspecified
Размер: 22.91 x 15.19 x 1.80 cm
Читательская аудитория: Professional & vocational
Ключевые слова: Films, cinema,History,Literature & literary studies,Theatre studies, HISTORY / General,LITERARY CRITICISM / General,PERFORMING ARTS / Theater / General
Подзаголовок: Shakespearean scholar and cambridge legend
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Поставляется из: Англии
Описание:

Just once in a while, actors and performers change the whole way in which they approach the words in their scripts. Such a change happened in the early-to-middle years of the twentieth century; and the person behind it was Dadie Rylands. He was a man with an ear acutely attuned to the nuances of poetry, and he insisted that it was the ear and not the eye that mattered most in productions of Shakespeare. It was Rylands who taught an exceptional generation of Shakespearean actors how to speak. Gielgud, Olivier, Ashcroft, Redgrave – all owed their superb diction to him. Moreover, they adored him as a person.

Amazingly for a man with such influence, Rylands was not ensconced in the established Theatre. He taught undergraduates at Cambridge and his own productions were with the amateur Marlowe Dramatic Society there. Nor was his life confined to dramatics and the academic world. He was a fringe member of the Bloomsbury set – firm friends with Lytton Strachey, Virginia Woolf and John Maynard Keynes, all regular correspondents. And his circle of notable friends stretched to a wider group of literati including Maurice Bowra and T. S. Eliot. Rylands died, aged 97, in 1999. We no longer have his irrepressible presence, but he left a palpable legacy in gramophone recordings of all Shakespeare’s plays in which he directed star-studded casts. Now that legacy is augmented by Peter Raina’s study, with its admirable selection of Rylands’ marvellously lucid radio talks (hitherto unpublished) and its sampling of the multitude of letters he wrote and received.


Дополнительное описание:

PREFACE - ACKNOWLEDGEMENTS - 1. EARLY LIFE AND EDUCATION - 2. THE BLOOMSBURY EFFECT - 3. A DIALOGUE ON POETRY - 4. POETRY IS NOT WRITTEN WITH IDEAS; IT IS - WRITTEN WITH WORDS - 5. BBC TALKS: SYDNEY AND SHAKESPEARE - 6. BBC TALKS: POETRY AND HOW TO SPE


Shakespearean Star: Laurence Olivier and National Cinema (Jennifer Barnes)

Название: Shakespearean Star: Laurence Olivier and National Cinema (Jennifer Barnes)
ISBN: 1107181119 ISBN-13(EAN): 9781107181113
Издательство: Cambridge Academ
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Цена: 97140.00 T
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Описание: This is the first study to comprehensively analyse Laurence Olivier`s Shakespearean films alongside his unique Shakespearean star image. It offers an in-depth examination of Olivier`s unmade Macbeth together with his adaptations of Henry V, Hamlet and Richard lll, explores Olivier`s life writing and is supplemented by numerous illustrations.

Devouring Time: Nostalgia in Contemporary Shakespearean Screen Adaptations

Автор: Philippa Sheppard
Название: Devouring Time: Nostalgia in Contemporary Shakespearean Screen Adaptations
ISBN: 0773550194 ISBN-13(EAN): 9780773550193
Издательство: Mare Nostrum (Eurospan)
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Цена: 104500.00 T
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Описание: From Kenneth Branagh`s groundbreaking Henry V to Justin Kurzel`s haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare`s works, Philippa Sheppard`s Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors` choice to adapt these four-hundred-year-old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture that is often deemed threatened. Authoritative and accessible, Devouring Time`s investigations of filmmakers` nostalgia for the art of the past shed light on Western concepts of gender, identity, and colonialism.


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